Generation loss is the loss of quality between subsequent copies or transcodes of data. Compression, as well as up-scaling (with images) or up-sampling (with sound and other recordings) are common causes of generation loss. The introduction of compression artifacts may increase the entropy of the data through each generation. Other causes include signal noise in analog systems and conversion between analog and digital formats.
Analog generation loss In analog systems (including systems that use digital recording but make the copy over an analog connection), generation loss is mostly due to noise and bandwidth issues in cables, amplifiers, mixers, recording equipment and anything else between the source and the destination. Poorly adjusted distribution amplifiers and mismatched impedances can make these problems even worse. Repeated conversion between analog and digital can also cause loss. Generation loss was a major consideration in complex analog audio and video editing, where multi-layered edits were often created by making intermediate mixes which were then "bounced down" back onto tape. Careful planning was required to minimize generation loss, and the resulting noise and poor frequency response. One way of minimizing the number of generations needed was to use an audio mixing or video editing suite capable of mixing a large number of channels at once; in the extreme case, for example with a 48-track recording studio, an entire complex mixdown could be done in a single generation, although this was prohibitively expensive for all but the best-funded projects. The introduction of professional analog noise reduction systems such as Dolby A helped reduce the amount of audible generation loss, but were eventually superseded by digital systems which vastly reduced generation loss. According to ATIS, "Generation loss is limited to analog recording because digital recording and reproduction may be performed in a manner that is essentially free from generation loss."
Digital generation loss When used correctly, digital technology can eliminate generation loss. This implies the exclusive use of lossless compression codecs or uncompressed data from recording or creation until the final lossy encode for distribution through internet streaming or optical discs. Copying a digital file gives an exact copy if the equipment is operating properly which eliminates generation loss caused by copying, while reencoding digital files with lossy compression codecs can cause generation loss. This trait of digital technology has given rise to awareness of the risk of unauthorized copying. Before digital technology was widespread, a record label, for example, could be confident knowing that unauthorized copies of their music tracks were never as good as the originals. Generation loss can still occur when using lossy video or audio compression codecs as these introduce artifacts into the source material with each encode or reencode. Lossy compression codecs such as Apple ProRes, Advanced Video Coding and mp3 are very widely used as they allow for dramatic reductions on file size while being indistinguishable from the uncompressed or losslessly compressed original for viewing purposes. The only way to avoid generation loss is by using uncompressed or losslessly compressed files; which may be expensive from a storage standpoint as they require larger amounts of storage space in flash memory or hard drives per second of runtime. Uncompressed video requires a high data rate; for example, a 1080p video at 60 frames per second require approximately 370 megabytes per second. Lossy codecs make Blu-rays and streaming video over the internet feasible since neither can deliver the amounts of data needed for uncompressed or losslessly compressed video at acceptable frame rates and resolutions. Images can suffer from generation loss in the same way video and audio can. Processing a lossily compressed file rather than an original usually results in more loss of quality than generating the same output from an uncompressed original. For example, a low-resolution digital image for a web page is better if generated from an uncompressed raw image than from an already-compressed JPEG file of higher quality.
Techniques that cause generation loss in digital systems In digital systems, several techniques such as lossy compression codecs and algorithms, used because of other advantages, may introduce generation loss and must be used with caution. However, copying a digital file itself incurs no generation loss—the copied file is identical to the original, provided a perfect copying channel is used. Some digital transforms are reversible, while some are not. Lossless compression is, by definition, fully reversible, while lossy compression throws away some data which cannot be restored. Similarly, many DSP processes are not reversible. Thus careful planning of an audio or video signal chain from beginning to end and rearranging to minimize multiple conversions is important to avoid generation loss when using lossy compression codecs. Often, arbitrary choices of numbers of pixels and sampling rates for source, destination, and intermediates can seriously degrade digital signals in spite of the potential of digital technology for eliminating generation loss completely. Similarly, when using lossy compression, it will ideally only be done once, at the end of the workflow involving the file, after all required changes have been made.
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