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Grotesque body

Grotesque body is a science topic covered in the lgStudy science library. This page brings together a partial reference excerpt, illustrations, worked examples, real-world applications and a short study plan, so you can understand Grotesque body rather than just read about it. In short: The grotesque body is a concept, or literary trope, put forward by Russian literary critic Mikhail Bakhtin in his study of François Rabelais' work. The essential principle of grotesque realism is degradation, the lowering of all that is abstract, spiritual, noble, and ideal to the material level.

Grotesque body — main illustration
Grotesque body — illustration

Key takeaways

  • Grotesque body belongs to science; place it in that map before memorising details.
  • Learn the definition first, then one example that makes the definition concrete.
  • Connect Grotesque body to a quantity you can measure, compute or draw — that is where exam questions come from.
  • Reproduce the core statement of Grotesque body from memory before moving on to harder problems.

Reference excerpt

The grotesque body is a concept, or literary trope, put forward by Russian literary critic Mikhail Bakhtin in his study of François Rabelais' work. The essential principle of grotesque realism is degradation, the lowering of all that is abstract, spiritual, noble, and ideal to the material level. Through the use of the grotesque body in his novels, Rabelais related political conflicts to human anatomy. In this way, Rabelais used the concept as "a figure of unruly biological and social exchange". It is by means of this information that Bakhtin pinpoints two important subtexts: the first is carnival (carnivalesque), and the second is grotesque realism (grotesque body). Thus, in Rabelais and His World Bakhtin studies the interaction between the social and the literary, as well as the meaning of the body.

Carnival

The Carnival, or feast of fools, is a religious celebration where people consume copious amounts of food and wine and have a large party to celebrate. The grotesqueness in the carnival is seen as the abundance and large amount of food consumed by the body. There is much emphasis put on the mouth (where the body can be entered). Eating, drinking, burping from excess, etc. is all done through the mouth. Rabelais uses the Carnival to refer to politics and critique the world based on human anatomy. In the Italian celebration of Carnival, masks play a major role as many people wear them during the celebration. Many of these masks can be seen as an exaggeration of the grotesque as they feature enlarged facial elements such as an enlarged nose (which is a part of the grotesque body). The Italian celebration of carnival is similar to that of Mardi Gras where food and alcohol are consumed in excess. Both renditions of Carnival are celebrated immediately before the Christian season of Lent which is about a 40-day season for people of Christian (primarily Catholic) faith to cleanse themselves and become pure before Easter Sunday.

Grotesque realism Exaggeration, hyperbole, and excessiveness are all key elements of the grotesque style. Certain aspects of the body are referenced when talking about the grotesque. These things include elements of the body that either protrude from the body or an opening part of the body that can be entered. This is because the body in many cases is seen as pure where as the outside world is not. Therefore, parts of the body that allow the outside world in or allow elements inside the body out, are seen and used as an exaggeration of the grotesque. In the article, "Absurdity and Hidden Truth: Cunning Intelligence and Grotesque Body Images as Manifestations of the Trickster", Koepping refers back to Bakhtin's statement, "The themes of cursing and of laughter are almost exclusively a subject of the grotesqueness of the body."

Italian satirist Daniele Luttazzi explained: "satire exhibits the grotesque body, which is dominated by the primary needs (eating, drinking, defecating, urinating, sex) to celebrate the victory of life: the social and the corporeal are joyfully joint in something indivisible, universal and beneficial". Bakhtin explained how the grotesque body is a celebration of the cycle of life: the grotesque body is a comic figure of profound ambivalence: its positive meaning is linked to birth and renewal and its negative meaning is linked to death and decay. In Rabelais' epoch (1500–1800) "it was appropriate to ridicule the king and clergy, to use dung and urine to degrade; this was not to just mock, it was to unleash what Bakhtin saw as the people's power, to renew and regenerate the entire social system. It was the power of the people's festive-carnival, a way to turn the official spectacle inside-out and upside down, just for a while; long enough to make an impression on the participating official stratum. With the advent of modernity (science, technology, Industrial Revolution), the mechanistic overtook the organic, and the officialdom no longer came to join in festive-carnival. The bodily lower stratum of humor dualized from the upper stratum."

Early uses of grotesque Before people began to develop literature or art, leaders would sit in their halls surrounded by their warriors amusing themselves by mocking their opponents and enemies. The warriors would laugh at any weakness or defect, either physical or mental, giving nicknames which exaggerated these traits. Soon warriors sought to give a more permanent form to their ridicule, which led to rude depictions on bare rocks, or any other surface that was convenient. In the Medieval Grotesque Carnival, emphasis is put on the nether regions of the body as the center and creation of meaning. The spirit rather than coming from above comes from the belly, buttocks, and genitals.

See also Carnival Commedia dell'arte, Burlesque, Vaudeville Gilles Deleuze Grotesquerie Heteroglossia Materialism Plautus' Amphitruo Profanity, obscenity, decency, taste, aesthetic relativism Raven Tales Ribaldry, scatology, toilet humour, vulgarism Trickster

References

Bibliography

External links The Grotesque Corpus The Open and Closed Body Grotesque Daughters Rabelais's Carnival

Illustrations

Grotesque body: The grotesque is used here through the use of the mouth in the architecture of a building.
The grotesque is used here through the use of the mouth in the architecture of a building.

Worked examples

Example 1 — a first encounter with Grotesque body

Start with the simplest possible case. Write down what Grotesque body claims or describes in one sentence, then invent the smallest concrete situation in which that sentence is true. In science, the smallest case is usually a single object, a single equation or a single measurement. Check that every symbol or term in your sentence has a meaning in that case.

Example 2 — changing one variable

Take the situation from Example 1 and change exactly one quantity: double it, halve it, or set it to zero. Predict what should happen to Grotesque body before you calculate. Comparing your prediction with the result is the fastest way to find out whether you understand the idea or only the words.

Example 3 — an exam-style question

Typical questions about Grotesque body ask you to (a) state it precisely, (b) apply it to given data, and (c) explain a limitation. Practise writing all three answers in under five minutes; the third part is what separates a full-mark answer from an average one.

Applications of Grotesque body

In research
Grotesque body appears in science research whenever the underlying quantities have to be modelled precisely. Papers usually cite it as a starting assumption and then explore where it breaks down.
In technology and industry
Engineering practice reuses Grotesque body in design rules, simulations and safety margins. Knowing the idea lets you read a specification sheet and understand why the numbers look the way they do.
In the classroom
Grotesque body is common in secondary-school and first-year university syllabi. It links to neighbouring topics Concepts in aesthetics, Grotesque, Humour, so understanding it makes those chapters shorter.
In everyday life
Look for Grotesque body outside the textbook — in sport, cooking, traffic, electronics or the sky above you. An example you found yourself is remembered far longer than one you were given.

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How to study Grotesque body in 20 minutes

  1. Read the reference excerpt below once, without taking notes.
  2. Close the page and write down what Grotesque body means in your own words.
  3. Compare your version with the excerpt and mark what you missed.
  4. Work through the three examples above with pen and paper.
  5. Explain Grotesque body out loud to somebody else — or to Teacher Smith in the lgStudy chat.

Frequently asked questions

What is Grotesque body in simple terms?

The grotesque body is a concept, or literary trope, put forward by Russian literary critic Mikhail Bakhtin in his study of François Rabelais' work. The essential principle of grotesque realism is degradation, the lowering of all that is abstract, spiritual, noble, and ideal to the material level.

Why does Grotesque body matter?

Because it connects several science ideas at once: it gives you a definition you can apply, a quantity you can calculate, and a way to check whether a result is plausible.

How should I study Grotesque body?

Read the excerpt, restate it from memory, then work through the examples and applications listed on this page. The five-step study plan above takes about twenty minutes.

What does this page cover?

It gives you a compact reference excerpt plus original lgStudy explanations, examples, applications and study material on Grotesque body.

Tags

  • Concepts in aesthetics
  • Grotesque
  • Humour
  • Literary concepts
  • Literary criticism
  • Satire
  • Sexuality and society

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