Guido Monte

Key takeaways

Guido Monte belongs to science; place it in that map before memorising details.
Learn the definition first, then one example that makes the definition concrete.
Connect Guido Monte to a quantity you can measure, compute or draw — that is where exam questions come from.
Reproduce the core statement of Guido Monte from memory before moving on to harder problems.

Reference excerpt

Guido Monte (born 1962 - died 2017) was an Italian writer and poet. In his mature works, he employed linguistic blending in the search for meaningful and archetypal relations between distant cultures. His works and translations have been published by international magazines (as Words Without Borders, Swans Commentary, and Ars Interpres). On his blending experiments, he uses also Japanese, Sanskrit, Sheng and languages of ethnic groups in Kenya.

Poetry and linguistic blending On the way of Jorge Luis Borges, Ezra Pound's Cantos and T. S. Eliot's The Waste Land, Monte thinks that "…if we admit that some archetypal ideas are common among our planet inhabitants, then we can state, in the sense meant by Borges, that just one "Book" has been written, as an evidence of the original and permanent cultural unity of the world and it contains all the chaotic fragments ever thought and written by people searching for the deep truth of things...". Different languages can be approached and mixed "to transmit something that apparently is far in space and time" (on what was defined as a meta-communicative way). On this thinking, a blending author can "compose" poems and works without using his own verses, but only other poets' lines (and sometimes this is Monte's peculiarity), remembering every time, in the beginning, the names of the authors. On another experiment, in fact, Monte puts together, in a common archetypal idea, lines of Virgil, Dante and Blake. If Monte translates, for instance, the first verses of Genesis or any other holy texts in two or three languages, "…we realize that the new and different sounds, irrespective of our linguistic knowledge, suggest new, universal, cosmic vibrations that the original version didn't succeed in transmitting. In any case they reveal the complexity of reading different levels": In principio diviserunt Elohim / coelum et terram / and the land was left barren / et les ombres noires / enveloppaient les profondeurs / bade korgolòdei dar ruie / oghionusoh parmisad / et aura divina / super oceani undas (Genesis, Words Without Borders, 2004) Alison Phipps, expert in Intercultural Studies, defines this form of blending as an embroidering gossamer. In his latest experiments, on Swans Commentary, the visual coloured arrangement of verses (one colour for each one of the poem's selected authors) is important in conveying the intended effect of his multilingual works. The French writer Orlando de Rudder, thinks that Monte's attempts are the beginning of a new "synthèse" des langues, a form of Babel Library where all the world poets live together, syncretistically, common universal feelings. The Italian writer Claudio Magris thinks that this kind of poetry is definable as meticciato organico (organic blending).

Selected bibliography Tremila mondi in un solo istante di vita, ed. Della Battaglia, 2000 Ultima lettera on Sergio Quinzio – profezie di un'esistenza, Rubbettino 2000, a cura di M. Iritano – authors: Gianni Vattimo, Umberto Galimberti, Claudio Magris, Guido Ceronetti, Erri De Luca, Gino Girolomoni, Guido Monte, Sergio Givone, Nynfa Bosco (about it, see: Stefano Serafini, Corporeità e sacro... EstOvest.net 2001)[link removed] Leuconoe, Nuova Ipsa, 2004 Il Niente richiamato all'esistenza (with Vittorio Cozzo), iraccontidiluvi.org, 2004 Cosmopolitan multilingualism, Happa no kofu (Kawasaki, Tokyo), 2006 Langues et mixité (Introduction de Marie Rennard), Annecy (France), 2007 Viage. Per una "fenomenologia" metacomunicativa (with F. Saieva), Nuova Ipsa Editore, 2008

Translations Palermo beat, by Patrick Waites, ed. della Battaglia 2000 Si cela un ramo... Lucidamente.com, 2007 Xenia I (from Satura) by Eugenio Montale, LanguageandCulture.net, 2007 Bucolica IV, (18–22, The harmony) by Virgil, LanguageandCulture.net, 2007 Pasolini: Fragments Of 1968, Swans-Commentary, 2008 (June 2, 2008 on swans.com)

See also Modern Macaronic literature Antoine Cassar Joseph Campbell Words Without Borders (in Italian) Poesia multilingue Swans Commentary

References

External links Àdhara, on bibliomanie.it work on Gutcult, of Aaron McCollough Monte's biography on Swans Commentary War and children, on Swans Commentary, with Nadine Kaadan Guido Monte & Alison Phipps, Mondana Commedia (World Comedy) n.2: Purgatorio, on Swans Commentary Mondana Commedia (World Comedy) n.1: Inferno, on Swans Commentary Guido Monte & Alison Phipps, Mondana Commedia (World Comedy) n.4: Limbus, on Swans Commentary work on Segue, Spring '06 Miami University Middletown Fragments, on Cipher Journal viaje, on Cipher Journal Dapur Vetur, on Happa no kofu (Japan) History of the world, on Happa no kofu (Japan) poems on Great Works (UK) Aha n.4: the end, on Sein und Werden (UK) AHA n.3... on Nebula (Australia) Aha n.5 on Ars Interpres (Sweden)

Worked examples

Example 1 — a first encounter with Guido Monte

Start with the simplest possible case. Write down what Guido Monte claims or describes in one sentence, then invent the smallest concrete situation in which that sentence is true. In science, the smallest case is usually a single object, a single equation or a single measurement. Check that every symbol or term in your sentence has a meaning in that case.

Example 2 — changing one variable

Take the situation from Example 1 and change exactly one quantity: double it, halve it, or set it to zero. Predict what should happen to Guido Monte before you calculate. Comparing your prediction with the result is the fastest way to find out whether you understand the idea or only the words.

Example 3 — an exam-style question

Typical questions about Guido Monte ask you to (a) state it precisely, (b) apply it to given data, and (c) explain a limitation. Practise writing all three answers in under five minutes; the third part is what separates a full-mark answer from an average one.

Applications of Guido Monte

In research: Guido Monte appears in science research whenever the underlying quantities have to be modelled precisely. Papers usually cite it as a starting assumption and then explore where it breaks down.
In technology and industry: Engineering practice reuses Guido Monte in design rules, simulations and safety margins. Knowing the idea lets you read a specification sheet and understand why the numbers look the way they do.
In the classroom: Guido Monte is common in secondary-school and first-year university syllabi. It links to neighbouring topics 1962 births, Italian male poets, Italian poets, so understanding it makes those chapters shorter.
In everyday life: Look for Guido Monte outside the textbook — in sport, cooking, traffic, electronics or the sky above you. An example you found yourself is remembered far longer than one you were given.

How to study Guido Monte in 20 minutes

Read the reference excerpt below once, without taking notes.
Close the page and write down what Guido Monte means in your own words.
Compare your version with the excerpt and mark what you missed.
Work through the three examples above with pen and paper.
Explain Guido Monte out loud to somebody else — or to Teacher Smith in the lgStudy chat.

Frequently asked questions

What is Guido Monte in simple terms?

Guido Monte (born 1962 - died 2017) was an Italian writer and poet. In his mature works, he employed linguistic blending in the search for meaningful and archetypal relations between distant cultures.

Why does Guido Monte matter?

Because it connects several science ideas at once: it gives you a definition you can apply, a quantity you can calculate, and a way to check whether a result is plausible.

How should I study Guido Monte?

Read the excerpt, restate it from memory, then work through the examples and applications listed on this page. The five-step study plan above takes about twenty minutes.

What does this page cover?

It gives you a compact reference excerpt plus original lgStudy explanations, examples, applications and study material on Guido Monte.