Gunsmoke is a media franchise centered around the American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. It centered on Dodge City, Kansas, in the 1870s, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. The radio series ran from 1952 to 1961. John Dunning wrote that, among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." It ran unsponsored for its first few years, with CBS funding its production. In 1955, the series was adapted for television and ran for 20 seasons. It ran for half-hour episodes from 1955 to 1961, and one-hour episodes from 1961 to 1975. A total of 635 episodes were aired over its 20-year run, making it the longest-running scripted American primetime television series until being surpassed in episodes by The Simpsons. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Five made-for-TV movies were produced after its 20-year run. The show won 15 Primetime Emmy Awards as well as other accolades. It was frequently well received, holding a top-10 spot in the Nielsen ratings for several seasons. The franchise also spawned comic book series as well as books and a collection of short stories by Ballantine Books.
Premise Set in Dodge City, Kansas during the years following the American Civil War, the series follows the lives of U.S. Marshal Matt Dillon and the citizens he is sworn to protect. Among them are his deputies, Chester Goode, and later Festus Haggen, town physician Galen "Doc" Adams, and saloon owner Miss Kitty Russell. Most episodes involve disruptions caused by those arriving from outside Dodge City. Since Dillon's authority extends beyond town, some episodes focus on his travels, while other plots revolve around mishaps occurring while Dillon is gone. Both deputies are shown to be loyal, but often inept or indecisive at handling problems when Dillon is not around. Although Dillon and Miss Kitty are never portrayed in a romantic relationship, it is apparent they care deeply for each other. Doc Adams is portrayed as a very competent and caring physician, but his conservative treatment methods often frustrate his patients who expect a quick recovery. Doc and both deputies are often used as comic relief over the course of the series.
Radio series (1952–1961)
In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hardcore Western series, about a "Philip Marlowe of the Old West". Robinson delegated this to his West Coast CBS vice president, Harry Ackerman, who had developed the Philip Marlowe series. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye" based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel", from mid-1948. Two versions were recorded. The first, recorded in June 1949, was very much like a hardcore detective series and starred Michael Rye (credited as Rye Billsbury) as Dillon; the second, recorded in July 1949, starred Straight Arrow actor Howard Culver in a more Western, lighter version of the same script. CBS liked the Culver version better, and Ackerman was told to proceed. A complication arose when Culver's contract as the star of Straight Arrow would not allow him to do another Western series. The project was suspended for three years, when producer Norman Macdonnell and writer John Meston discovered it while creating an adult Western series of their own. Macdonnell and Meston wanted to create a radio Western for adults, in contrast to the prevailing juvenile fare such as The Lone Ranger and The Cisco Kid. They wanted to call the show "Jeff Spain" after a character they had created and used in several of their anthology shows, but Ackerman had already coined the title Gunsmoke which CBS wanted to use. Gunsmoke was set in Dodge City, Kansas, during the thriving cattle days of the 1870s. Dunning notes, "The show drew critical acclaim for unprecedented realism."
Episodes
Cast The radio series first aired on CBS on April 26, 1952, with the episode "Billy the Kid", written by Walter Newman, and ended on June 18, 1961. The show stars William Conrad as Marshal Matt Dillon, Howard McNear as Doc Charles Adams, Georgia Ellis as Kitty Russell, and Parley Baer as Dillon's assistant, Chester Wesley Proudfoot.
Matt Dillon
Matt Dillon was played on radio by William Conrad and on television by James Arness. Two versions of the same pilot episode titled "Mark Dillon Goes to Gouge Eye" were produced with Rye Billsbury and Howard Culver playing Marshal Mark Dillon as the lead, not yet played by Conrad. Mcadonnell and Meston both knew when they took over the project that they wanted Conrad as their lead, but CBS objected, likely due to his already heavy presence in film and radio productions. Conrad later recounted "I think when they started casting for it, somebody said, 'Good Christ, let's not get Bill Conrad, we're up to you-know where with Bill Conrad.' So they auditioned everybody, and as a last resort they called me. And I went in and read about two lines...and the next day they called me and said, 'Okay you have the job.'" Dillon, as portrayed by Conrad, was a lonely, isolated man, toughened by a hard life. Macdonnell later claimed, "Much of Matt Dillon's character grew out of Bill Conrad." He continued, "he became a rugged Western marshal. There are times, in fact, that you can't tell where Matt Dillon begins and Bill Conrad ends off." Dunning writes that Meston was especially disgusted by the archetypal Western hero and set out "to destroy [that type of] character he loathed". In Meston's view, "Dillon was almost as scarred as the homicidal psychopaths who drifted into Dodge from all directions." Macdonnell shared similar sentiments about the Marshal, calling him “a lonely, sad, tragic man . . . a quiet, unhappy, confused marshal; these days we’d send him to an analyst.”
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