A gynoid, robotess, or fembot is a feminine humanoid robot. The depiction of gynoids in science fiction films and artwork is a noted cultural phenomenon, with questions being posed about sexualization and use as sex objects. As the design of more realistic humanoid robots becomes technologically possible, gynoids are also emerging in real-life robotic applications.
Name The adjective gynoid means "resembling or pertaining to the female human form". Though the term android has been used to refer to robotic humanoids regardless of apparent gender, the Greek prefix "andr-" refers to man in the masculine sense. The term gynoid was first used by Isaac Asimov in a 1979 editorial, as a theoretical female equivalent of the word android. Other possible names for feminine robots exist. The portmanteau "fembot" (feminine or female robot) was used as far back as 1959, in Fritz Leiber's The Silver Eggheads, applying specifically to non-sentient female sexbots. It was popularized by the television series The Bionic Woman in the episode "Kill Oscar" (1976) and later used in the Austin Powers films, among others. "Robotess" is the oldest female-specific term, originating in 1921 from Rossum's Universal Robots, the same source as the term "robot".
Feminine robots
...the great majority of robots were either machine-like, male-like or child-like for the reasons that not only are virtually all roboticists male, but also that fembots posed greater technical difficulties. Not only did the servo motor and platform have to be 'interiorized' (naizō suru), but the body [of the fembot] needed to be slender, both extremely difficult undertakings.—Tomotaka Takahashi, roboticist Examples of notable feminine robots include:
EveR-1 Actroid, designed by Hiroshi Ishiguro to be "a perfect secretary who smiles and flutters her eyelids" HRP-4C Meinü robot Ai-Da, the world's first robot art system to be embodied as a humanoid robot. Vyommitra (Sanskrit: Vyōma 'space', Mitra 'friend') is a female humanoid robot designed for space travel. She was developed by the Indian Space Research Organisation (ISRO) to function aboard the spacecraft Gaganyaan, a crewed orbital spacecraft. Researchers note the connection between the design of feminine robots and roboticists' assumptions about gendered appearance and labor. Fembots in Japan, for example, are designed with slenderness and grace in mind, and they are employed to help to maintain traditional family structures and politics in a nation of population decline. People's reactions to fembots are also attributable to gender stereotypes. Research in this area is aimed at elucidating gender cues, clarifying which behaviors and aesthetics elicit a stronger gender-induced response.
Sexualization
Gynoids may be "eroticized", and some examples such as Aiko include sensitivity sensors in their breasts and genitals to facilitate sexual response. The fetishization of gynoids in real life has been attributed to male desires for custom-made passive women and compared to life-size sex dolls. However, some science fiction works depict them as femmes fatales, fighting the establishment or being rebellious. In 1983, a female robot named "Sweetheart" was removed from a display at the Lawrence Hall of Science; the robot's breasts, perceived as an exaggerated feature, resulted in a petition being presented claiming it was insulting to women. The robot's creator, Clayton Bailey, a professor of art at California State University, Hayward called this "censorship" and "next to book burning".
In fiction
The theme of the artificial woman has a long history in both fiction and mythology, dating back to the ancient Greeks, as exemplified by the myth of Pygmalion. In science fiction, the depiction of female-appearance robots is often characterized by their use as domestic servants or sexual slaves. This trope is exemplified in various literary and cinematic works, including the film Westworld (1978), the novel Fairyland (1995) by Paul J. McAuley, and the short story "Helen O'Loy" (1938) by Lester del Rey. These robots have sometimes also been depicted as warriors, killers, or laborers. The character of Annalee Call in Alien Resurrection is a rare example of a non-sexualized gynoid. In Xenosaga, a role-playing video game, the character "KOS-MOS" is a female armored android.
The perfect woman
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