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Harvey (play)

Harvey (play) is a science topic covered in the lgStudy science library. This page brings together a partial reference excerpt, illustrations, worked examples, real-world applications and a short study plan, so you can understand Harvey (play) rather than just read about it. In short: Harvey is a 1944 play by the American playwright Mary Chase, who received the Pulitzer Prize for Drama for the work in 1945. It has been adapted for film and television several times, most notably in a 1950 film starring James Stewart and Josephine Hull.

Harvey (play) — main illustration
Harvey (play) — illustration

Key takeaways

  • Harvey (play) belongs to science; place it in that map before memorising details.
  • Learn the definition first, then one example that makes the definition concrete.
  • Connect Harvey (play) to a quantity you can measure, compute or draw — that is where exam questions come from.
  • Reproduce the core statement of Harvey (play) from memory before moving on to harder problems.

Reference excerpt

Harvey is a 1944 play by the American playwright Mary Chase, who received the Pulitzer Prize for Drama for the work in 1945. It has been adapted for film and television several times, most notably in a 1950 film starring James Stewart and Josephine Hull.

Plot Elwood P. Dowd is an affable man who claims to have an unseen (and presumably imaginary) friend Harvey – whom Elwood describes as a six foot, three-and-one-half inch pookah (Chase uses the spelling p-o-o-k-a as noted especially by the character Wilson who is reading the definition from a dictionary on page 33 of Chase's playbook) resembling an anthropomorphic rabbit. Elwood introduces Harvey to everyone he meets. His social-climbing sister, Veta Simmons, increasingly finds his eccentric behavior embarrassing. She decides to have him committed to a sanitarium. When they arrive at the sanitarium, a comedy of errors ensues. When Veta confesses that she has seen Harvey too, the young Dr. Sanderson commits Veta instead of Elwood. But when the mistake comes out, the search is on for Elwood and his invisible companion. When Elwood shows up at the sanitarium looking for his lost friend Harvey, it seems that the mild-mannered Elwood has had a strange influence on the staff, including sanitarium director Dr. Chumley. Only just before Elwood is to be given an injection that will make him into a "perfectly normal human being, and you know what bastards they are!" (in the words of a taxi driver who has become involved in the proceedings) does Veta realize that she would rather have Elwood the same as he has always been – carefree and kind – even if it means living with Harvey.

Scenes Act I

Scene 1 – The Dowd Library (Myrtle Mae, Veta, Miss Johnson, Elwood, Mrs. Chauvenet) Scene 2 – Chumley's Rest (Veta, Kelly, Sanderson, Elwood, Chumley, Wilson, Betty) Act II

Scene 1 – The Dowd Library (Myrtle Mae, Judge, Veta, Chumley, Wilson, Elwood) Scene 2 – Chumley's Rest (Kelly, Sanderson, Elwood, Wilson, Chumley) Act III – Chumley's Rest (Chumley, Wilson, Myrtle Mae, Judge, Sanderson, Kelly, Veta, Elwood, Lofgren) The only character to appear in all scenes is Elwood.

Productions

Harvey premiered on Broadway on November 1, 1944, at the 48th Street Theatre and closed on January 15, 1949, after 1,775 performances, making it the fifth longest-running Broadway show up to that point. The original production was directed by Antoinette Perry and produced by Brock Pemberton and starred Frank Fay as Elwood P. Dowd and Josephine Hull as Elwood's sister Veta. Elwood was subsequently played during this run by Joe E. Brown, James Stewart, James Dunn, Bert Wheeler, and Jack Buchanan. The play also had a production in 1949 at London's Prince of Wales Theatre starring Sid Field and Athene Seyler; then, after Field's death, Leslie Henson, who moved it to the Piccadilly Theatre and also took it on a national tour. Dooley Wilson starred as Elwood in the 1951 Negro Drama Guild production, which also featured Butterfly McQueen as Myrtle Mae. A Broadway revival at the ANTA Theatre ran from 24 February – 2 May 1970, and starred James Stewart and Helen Hayes. In 1975 Stewart appeared in a West End revival at the Prince of Wales Theatre, with Mona Washbourne in the role of Veta. According to theatre historian Jordan Schildcrout, the reputation of the play, which had become a staple of amateur theatre groups, improved in the late 1980s because of critically esteemed professional revivals at the Woolly Mammoth Theatre in Washington, D.C., in 1987 and the Guthrie Theatre in Minneapolis in 1989. Other major productions at regional theatres followed at the Steppenwolf Theatre (1990), Cleveland PlayHouse (1991), Seattle Rep (1993), and La Jolla Playhouse (1994). A further West End revival played at the Shaftesbury Theatre in 1995 starring Gorden Kaye and Rue McClanahan. The Roundabout Theatre Company production of the Broadway revival opened in previews on May 18, 2012 (officially on June 14), at Studio 54. Directed by Scott Ellis, Jim Parsons starred as Elwood, with a cast that featured Jessica Hecht, Charles Kimbrough, Larry Bryggman, Morgan Spector, and Carol Kane. In 2015 Harvey had another run in the West End from March 17 to May 2 at the Theatre Royal Haymarket. James Dreyfus played Elwood P. Dowd with Maureen Lipman as Veta.

Adaptations

Universal Pictures acquired the film rights for a then record $1 million and the play was adapted for film by Chase, Oscar Brodney, and Myles Connolly in 1950. Directed by Henry Koster, it starred Josephine Hull (who won an Academy Award for her performance) and James Stewart. Three US television adaptations have been made:

The first, in 1958, starred Art Carney, Marion Lorne, Elizabeth Montgomery, Larry Blyden, Fred Gwynne, Charlotte Rae, and Jack Weston. In the second, James Stewart reprised his screen role in 1972 along with Helen Hayes, Fred Gwynne, Richard Mulligan, Madeline Kahn, Martin Gabel, and Arlene Francis. Hayes' portrayal of Veta is notably different from Hull's: at the end, when Veta discovers her change purse, she smiles. The last, in 1996, starred Harry Anderson, Swoosie Kurtz, Jessica Hecht (who appears in the 2012 revival), Leslie Nielsen, and William Schallert. In addition, versions of the play were produced for West German television in 1959, 1967, 1970 (with Heinz Rühmann) and 1985 as Mein Freund Harvey (My Friend Harvey). The play was adapted as Say Hello to Harvey, a stage musical by Leslie Bricusse, opening on September 14, 1981 in Toronto, where it closed prior to Washington DC and New York engagements. As Ken Mandelbaum noted in his 1991 book Not Since Carrie:

… excerpt ends here. Continue reading the full article.

Illustrations

Harvey (play): Students perform Harvey at Cleveland High School in Tennessee
Students perform Harvey at Cleveland High School in Tennessee

Worked examples

Example 1 — a first encounter with Harvey (play)

Start with the simplest possible case. Write down what Harvey (play) claims or describes in one sentence, then invent the smallest concrete situation in which that sentence is true. In science, the smallest case is usually a single object, a single equation or a single measurement. Check that every symbol or term in your sentence has a meaning in that case.

Example 2 — changing one variable

Take the situation from Example 1 and change exactly one quantity: double it, halve it, or set it to zero. Predict what should happen to Harvey (play) before you calculate. Comparing your prediction with the result is the fastest way to find out whether you understand the idea or only the words.

Example 3 — an exam-style question

Typical questions about Harvey (play) ask you to (a) state it precisely, (b) apply it to given data, and (c) explain a limitation. Practise writing all three answers in under five minutes; the third part is what separates a full-mark answer from an average one.

Applications of Harvey (play)

In research
Harvey (play) appears in science research whenever the underlying quantities have to be modelled precisely. Papers usually cite it as a starting assumption and then explore where it breaks down.
In technology and industry
Engineering practice reuses Harvey (play) in design rules, simulations and safety margins. Knowing the idea lets you read a specification sheet and understand why the numbers look the way they do.
In the classroom
Harvey (play) is common in secondary-school and first-year university syllabi. It links to neighbouring topics 1944 plays, American plays adapted into films, Broadway plays, so understanding it makes those chapters shorter.
In everyday life
Look for Harvey (play) outside the textbook — in sport, cooking, traffic, electronics or the sky above you. An example you found yourself is remembered far longer than one you were given.
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How to study Harvey (play) in 20 minutes

  1. Read the reference excerpt below once, without taking notes.
  2. Close the page and write down what Harvey (play) means in your own words.
  3. Compare your version with the excerpt and mark what you missed.
  4. Work through the three examples above with pen and paper.
  5. Explain Harvey (play) out loud to somebody else — or to Teacher Smith in the lgStudy chat.

Frequently asked questions

What is Harvey (play) in simple terms?

Harvey is a 1944 play by the American playwright Mary Chase, who received the Pulitzer Prize for Drama for the work in 1945. It has been adapted for film and television several times, most notably in a 1950 film starring James Stewart and Josephine Hull.

Why does Harvey (play) matter?

Because it connects several science ideas at once: it gives you a definition you can apply, a quantity you can calculate, and a way to check whether a result is plausible.

How should I study Harvey (play)?

Read the excerpt, restate it from memory, then work through the examples and applications listed on this page. The five-step study plan above takes about twenty minutes.

What does this page cover?

It gives you a compact reference excerpt plus original lgStudy explanations, examples, applications and study material on Harvey (play).

Tags

  • 1944 plays
  • American plays adapted into films
  • Broadway plays
  • Pulitzer Prize for Drama–winning works
  • Works set in psychiatric hospitals

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