Hayao Miyazaki

Hayao Miyazaki (宮崎 駿 or 宮﨑 駿, Miyazaki Hayao; [mijaꜜzaki hajao]; born January 5, 1941) is a Japanese animator, filmmaker, and manga artist. He co-founded Studio Ghibli and serves as its honorary chairman. Throughout his career, Miyazaki has attained international acclaim as a masterful storyteller and creator of Japanese animated feature films, and is widely regarded as one of the greatest and most accomplished filmmakers in the history of animation. Born in Tokyo City, Miyazaki expressed interest in manga and animation from an early age. He joined Toei Animation in 1963, working as an inbetween artist and key animator on films like Gulliver's Travels Beyond the Moon (1965), The Great Adventure of Horus, Prince of the Sun (1968), and Animal Treasure Island (1971), before moving to A-Pro in 1971, where he co-directed Lupin the Third Part I (1971–1972) with Isao Takahata. After moving to Zuiyō Eizō (later Nippon Animation) in 1973, Miyazaki worked as an animator on World Masterpiece Theater and directed the television series Future Boy Conan (1978). He joined Tokyo Movie Shinsha in 1979 to direct his first feature film, The Castle of Cagliostro (1979), and the television series Sherlock Hound (1984–1985). He wrote and illustrated the manga Nausicaä of the Valley of the Wind (1982–1994) and directed the 1984 film adaptation produced by Topcraft. Miyazaki co-founded Studio Ghibli in 1985, writing and directing films such as Laputa: Castle in the Sky (1986), My Neighbor Totoro (1988), Kiki's Delivery Service (1989), and Porco Rosso (1992), which were met with critical and commercial success in Japan. Miyazaki's Princess Mononoke (1997) was the first animated film to win the Japan Academy Film Prize for Picture of the Year and briefly became the highest-grossing film in Japan; its Western distribution increased Ghibli's worldwide popularity and influence. Spirited Away (2001) became Japan's highest-grossing film and won the Academy Award for Best Animated Feature; it is frequently ranked among the greatest films of the 21st century. Miyazaki's later films—Howl's Moving Castle (2004), Ponyo (2008), and The Wind Rises (2013)—also enjoyed critical and commercial success. He retired from feature films in 2013 but later returned to make The Boy and the Heron (2023), which won the Academy Award for Best Animated Feature. Miyazaki's works are frequently subject to scholarly analysis and have been characterized by the recurrence of themes such as humanity's relationship with nature and technology, the importance of art and craftsmanship, and the difficulty of maintaining a pacifist ethic in a violent world. His protagonists are often strong girls or young women, and several of his films present morally ambiguous antagonists with redeeming qualities. Miyazaki's works have been highly praised and awarded; he was named a Person of Cultural Merit for outstanding cultural contributions in 2012, received the Academy Honorary Award for his impact on animation and cinema in 2014, and the Ramon Magsaysay Award in 2024. Miyazaki has frequently been cited as an inspiration for numerous animators, directors, and writers.

Early life Hayao Miyazaki was born on January 5, 1941, in the town Akebono-cho in Hongō, Tokyo City, Empire of Japan, the second of four sons. His father, Katsuji Miyazaki (born 1915), was the director of Miyazaki Airplane, his brother's company, which manufactured rudders for fighter planes during World War II. The business allowed his family to remain affluent during Miyazaki's early life. Miyazaki's father enjoyed purchasing paintings and demonstrating them to guests, but otherwise had little known artistic understanding. He was in the Imperial Japanese Army around 1940, discharged and lectured about disloyalty after declaring to his commanding officer that he wished not to fight because of his wife and young child. According to Miyazaki, his father often told him about his exploits, claiming he continued to attend nightclubs after turning 70. Katsuji Miyazaki died on March 18, 1993. After his death, Miyazaki felt he had often looked at his father negatively and that he had never said anything "lofty or inspiring". He regretted not having a serious discussion with his father, and felt he had inherited his "anarchistic feelings and his lack of concern about embracing contradictions".

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