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Hideaki Anno

Hideaki Anno is a science topic covered in the lgStudy science library. This page brings together a partial reference excerpt, illustrations, worked examples, real-world applications and a short study plan, so you can understand Hideaki Anno rather than just read about it. In short: Hideaki Anno (Japanese: 庵野 秀明, Hepburn: Anno Hideaki; born May 22, 1960) is a Japanese animator, filmmaker, actor, producer, and voice actor. His most celebrated creation, the Evangelion franchise, has had a significant influence on the anime television industry and Japanese popular culture.

Hideaki Anno — main illustration
Hideaki Anno — illustration

Key takeaways

  • Hideaki Anno belongs to science; place it in that map before memorising details.
  • Learn the definition first, then one example that makes the definition concrete.
  • Connect Hideaki Anno to a quantity you can measure, compute or draw — that is where exam questions come from.
  • Reproduce the core statement of Hideaki Anno from memory before moving on to harder problems.

Reference excerpt

Hideaki Anno (Japanese: 庵野 秀明, Hepburn: Anno Hideaki; born May 22, 1960) is a Japanese animator, filmmaker, actor, producer, and voice actor. His most celebrated creation, the Evangelion franchise, has had a significant influence on the anime television industry and Japanese popular culture. Anno's style is defined by his postmodernist approach and the extensive portrayal of characters' thoughts and emotions. Anno began his career while attending Osaka University of Arts as an animator for the anime series The Super Dimension Fortress Macross (1982–1983), and produced the Daicon III and IV Opening Animations. He did not gain recognition until the release of his work on Hayao Miyazaki's 1984 film Nausicaä of the Valley of the Wind. Anno went on to become one of the co-founders of Gainax in December 1984. He worked as an animation director for their first feature-length film, Royal Space Force: The Wings of Honnêamise (1987), and ultimately became Gainax's premiere anime director, leading the majority of the studio's projects, including Gunbuster (1988) and Nadia: The Secret of Blue Water (1990–1991). Anno's next project was the anime television series Neon Genesis Evangelion (1995–1996). Timing constraints at Gainax also forced Anno to replace the planned ending of Evangelion with two episodes set in the main characters' minds. In 1997, Gainax launched a project to re-adapt Evangelion's scrapped ending into a feature-length film. Budgeting issues left the film unfinished, and the completed 27 minutes of animation were included as the second act of Evangelion: Death and Rebirth. Eventually, the project culminated in The End of Evangelion, a three-act film that served as a finale to Neon Genesis Evangelion. Anno wrote and directed the Rebuild of Evangelion film series from 2007 to 2021, written to be more accessible to non-fans than the original anime series and films were. Anno's other directorial works include Daicon Film's Return of Ultraman (1983), Gunbuster (1988), Kare Kano (1998), Love & Pop (1998), Shiki-Jitsu (2000), Cutie Honey (2004), Re: Cutie Honey (2004), and Shin Godzilla (2016), with the latter film marking the beginning of the Shin trilogy of tokusatsu franchise reboots, followed by Shin Ultraman (2022) and Shin Kamen Rider (2023). Several of Anno's anime have won the Animage Anime Grand Prix award, including Nadia: The Secret of Blue Water in 1990, Neon Genesis Evangelion in 1995 and 1996, and The End of Evangelion in 1997.

Biography

Childhood and early education The son of Fumiko and Takuya Anno, Anno was born in Ube, Yamaguchi; he attended Wakō Kindergarten, Unoshima Municipal Elementary School, Fujiyama Municipal Junior High School, and Yamaguchi Prefectural Ube High School where he was noted for his interest in artwork and making short films for Japanese Cultural Festivals.

Early work Anno began his career while attending Osaka University of Arts as an animator for the anime series The Super Dimension Fortress Macross (1982–1983). Wrapped up in producing the DAICON III and IV Opening Animations with his fellow students, and busy making self-financed films, Anno stopped paying his tuition, eventually getting expelled from Osaka University of Arts. He did not gain recognition until the release of his work on Hayao Miyazaki's 1984 film Nausicaä of the Valley of the Wind. Running short on animators, the film's production studio posted an ad in the famous Japanese animation magazine Animage, announcing that they were in desperate need of more animators. Anno, in his early twenties at the time, read the ad and headed down to the film's studio, where he met with Miyazaki and showed him some of his drawings. Impressed with his ability, Miyazaki hired him to draw some of the most complicated scenes near the end of the movie, and valued his work highly. Anno went on to become one of the co-founders of Gainax in December 1984. He worked as an animation director for their first feature-length film, Royal Space Force: The Wings of Honnêamise (1987), and ultimately became Gainax's premiere anime director, leading the majority of the studio's projects, including Gunbuster (1988) and Nadia: The Secret of Blue Water (1990–1991). However, Anno fell into a four-year depression following Nadia — the series was handed down to him from NHK from an original concept by Hayao Miyazaki (upon which Castle in the Sky also is partly based) and he was given little creative control. In 1994, the minor planet 9081 Hideakianno was named after him by his old friend Akimasa Nakamura.

Neon Genesis Evangelion

… excerpt ends here. Continue reading the full article.

Illustrations

Hideaki Anno illustration
Hideaki Anno illustration
Hideaki Anno illustration
Hideaki Anno: Anno with Ryūsuke Hikawa (October 30, 2014)
Anno with Ryūsuke Hikawa (October 30, 2014)
Hideaki Anno: Anno participated in "The World of Hideaki Anno", Tokyo International Film Festival on October 30, 2014.
Anno participated in "The World of Hideaki Anno", Tokyo International Film Festival on October 30, 2014.

Worked examples

Example 1 — a first encounter with Hideaki Anno

Start with the simplest possible case. Write down what Hideaki Anno claims or describes in one sentence, then invent the smallest concrete situation in which that sentence is true. In science, the smallest case is usually a single object, a single equation or a single measurement. Check that every symbol or term in your sentence has a meaning in that case.

Example 2 — changing one variable

Take the situation from Example 1 and change exactly one quantity: double it, halve it, or set it to zero. Predict what should happen to Hideaki Anno before you calculate. Comparing your prediction with the result is the fastest way to find out whether you understand the idea or only the words.

Example 3 — an exam-style question

Typical questions about Hideaki Anno ask you to (a) state it precisely, (b) apply it to given data, and (c) explain a limitation. Practise writing all three answers in under five minutes; the third part is what separates a full-mark answer from an average one.

Applications of Hideaki Anno

In research
Hideaki Anno appears in science research whenever the underlying quantities have to be modelled precisely. Papers usually cite it as a starting assumption and then explore where it breaks down.
In technology and industry
Engineering practice reuses Hideaki Anno in design rules, simulations and safety margins. Knowing the idea lets you read a specification sheet and understand why the numbers look the way they do.
In the classroom
Hideaki Anno is common in secondary-school and first-year university syllabi. It links to neighbouring topics 1960 births, 20th-century Japanese artists, 20th-century Japanese male artists, so understanding it makes those chapters shorter.
In everyday life
Look for Hideaki Anno outside the textbook — in sport, cooking, traffic, electronics or the sky above you. An example you found yourself is remembered far longer than one you were given.
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How to study Hideaki Anno in 20 minutes

  1. Read the reference excerpt below once, without taking notes.
  2. Close the page and write down what Hideaki Anno means in your own words.
  3. Compare your version with the excerpt and mark what you missed.
  4. Work through the three examples above with pen and paper.
  5. Explain Hideaki Anno out loud to somebody else — or to Teacher Smith in the lgStudy chat.

Frequently asked questions

What is Hideaki Anno in simple terms?

Hideaki Anno (Japanese: 庵野 秀明, Hepburn: Anno Hideaki; born May 22, 1960) is a Japanese animator, filmmaker, actor, producer, and voice actor. His most celebrated creation, the Evangelion franchise, has had a significant influence on the anime television industry and Japanese popular culture.

Why does Hideaki Anno matter?

Because it connects several science ideas at once: it gives you a definition you can apply, a quantity you can calculate, and a way to check whether a result is plausible.

How should I study Hideaki Anno?

Read the excerpt, restate it from memory, then work through the examples and applications listed on this page. The five-step study plan above takes about twenty minutes.

What does this page cover?

It gives you a compact reference excerpt plus original lgStudy explanations, examples, applications and study material on Hideaki Anno.

Tags

  • 1960 births
  • 20th-century Japanese artists
  • 20th-century Japanese male artists
  • 21st-century Japanese male actors
  • Actors with disabilities
  • Anime directors
  • Artists from Yamaguchi Prefecture
  • Film directors with disabilities
  • Gainax
  • Hideaki Anno
  • Japanese agnostics
  • Japanese animated film directors

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