The Hollywood Studio Club was a chaperoned dormitory, sometimes referred to as a sorority, for young women involved in the motion picture business from 1916 to 1975. Located in the heart of Hollywood, Los Angeles, California, the Studio Club was run by the YWCA and housed some 10,000 women during its 59-year existence. It was the home at various times to many Hollywood celebrities, including Marilyn Monroe, Ayn Rand, Donna Reed, Kim Novak, Maureen O'Sullivan, Rita Moreno, Barbara Eden, and Sharon Tate. The building was designed in the Italian Renaissance Revival architectural style by noted California architect Julia Morgan, who also designed Hearst Castle. The Studio Club closed in 1975, and the building was used as a YWCA-run Job Corps dormitory until April 30, 2012. It was listed in the National Register of Historic Places in 1979 and remains the property of the YWCA Greater Los Angeles.
Formation of the Studio Club
The Hollywood Studio Club was formed in 1916. It began with a group of young women trying to break into the movies who gathered in the basement of the Hollywood Public Library to read plays. A librarian, Mrs. Eleanor Jones, worried about the young women living in cheap hotels and rooming houses with no place to study or practice their craft. Mrs. Jones solicited help from the local YWCA, and a hall was established as a meeting place. Hollywood studios and businessmen donated money to rent an old house on Carlos Avenue with space for 20 women. Mrs. Cecil B. DeMille and Mary Pickford were active in the club's operations, and Pickford later recalled, "Mrs. DeMille spent every day doing something for the club. And the motion picture industry supported us." A newspaper article in 1919 described the club this way:
The club is more of a sorority, with delightful picture 'atmosphere,' than anything else, and the same happy atmosphere will pervade the new home. A dominant note is the refining touch of home life and sense of protection, with assurance of assistance, not only in material way when need arises, but in one's work, as well. Financially, many desperate cases among young women have been tided over by the Hollywood Studio Club.
The "Studio Girl" In the early 1920s, Hollywood became embroiled in scandals, including the 1921 case involving Fatty Arbuckle and his role in the death of young actress, Virginia Rappe. The image of the "extra girl", the pretty young girl who had traveled across the country to make it in the movies only to find herself the victim of exploitation, became a public relations problem for Hollywood. One industry observer wondered if extra work would ever be anything other than "an alibi for prostitution." In order to change this negative reputation, the Hollywood studios, led by Will Hays, enacted reforms including the formation of the Central Casting Bureau in 1925 and the construction of a large new home for the Hollywood Studio Club in 1926. By opening a large "chaperoned, elite dormitory" for Hollywood's young women, the studios hoped to replace the image of sad, bedraggled and exploited "extra girl" with the image of the new "studio girl"—a smartly dressed, graceful, and genteel woman tutored in etiquette as well as the performing arts. Hays told The New York Times that he sought to "make the motion picture business ... a model industrial community, complete with recreation facilities, community centres, dormitories [and] matrons."
Architecture and construction Between 1923 and 1925, a widely publicized fundraising campaign was held to build the new Hollywood Studio Club. Contributions were received from Famous Players–Lasky ($10,000), Metro Goldwyn and Carl Laemmle ($5,000 each), Warner Bros. ($3,000), and Christie Comedies ($2,000). In March 1923, aviator and movie star Andree Peyre conducted an aerial acrobatic exhibition and airplane race over Hollywood to help raise funds for the new home. In February 1925, a final $5,000 donation from silent screen star Norma Talmadge allowed the group to begin construction. The organization hired architect Julia Morgan to design the new building, and a ground-breaking ceremony took place in June 1925 with Mary Pickford and Morgan in attendance. The new Hollywood Studio Club opened in May 1926, having been built at a cost of $250,000. The building was opened at a ceremony attended by 2,500 people, "including many of the celebrities of the motion picture world," with dedication ceremonies in the afternoon and "dancing at midnight."
Julia Morgan designed the Studio Club in a Mediterranean style with interiors decorated in "pistache green, rose coral, and tan." The large building has three sections—a central section with connecting wings on each side. The entrance to the center section is marked by a loggia, three archways with decorative quoins. There is also a painted frieze above the main entrance. The building includes several recurring elements from Morgan's Mediterranean style buildings, including full-length arched windows, balconies with iron balustrades, and decorative brackets. A writer in California Graphic said "this beautiful and spacious new building is but one more jewel in the crown of Achieved Results which this progressive and cultural little city is wearing so proudly and shows its ever increasing desire to give unstinted moral and financial support to every progressive endeavor." The rooms at the Studio Club had nameplates on the doors identifying individuals who made subscriptions of at least $1,000 to the building fund. There were rooms named for Douglas Fairbanks, Howard Hughes, Gloria Swanson, Jackie Coogan, and Harold Lloyd.
Operation
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