Hyperbaton , in its original meaning, is a figure of speech in which a phrase is made discontinuous by the insertion of other words. In modern usage, the term is also used more generally for figures of speech that transpose sentences' natural word order, which is also called anastrophe.
Etymology The word is borrowed from the Greek hyperbaton (ὑπέρβατον), meaning "stepping over", which is derived from hyper ("over") and bainein ("to step"), with the -tos verbal adjective suffix. The idea is that to understand the phrase, the reader has to "step over" the words inserted in between.
Classical usage The separation of connected words for emphasis or effect is possible to a much greater degree in highly inflected languages, whose sentence meaning does not depend closely on word order, unlike languages like English with highly-strict word order. In Latin and Ancient Greek, the effect of hyperbaton is often to emphasize the first word. It has been called "perhaps the most distinctively alien feature of Latin word order." Donatus, in his work On tropes, includes under hyperbaton five varieties: hysterologia, anastrophe (for which the term hyperbaton is sometimes used loosely as a synonym), parenthesis, tmesis, and synchysis.
Ancient Greek ὑφ' ἑνὸς τοιαῦτα πέπονθεν ἡ Ἑλλὰς ἀνθρώπου (huph' henòs toiaûta péponthen hē Hellàs anthrṓpou) (Demosthenes 18.158) "Greece has suffered such things at the hands of only one person" In the above example, the word "(only) one", henos, occurs in its normal place after the preposition "at the hands of" (hupo), but "person" (anthrōpou) is unnaturally delayed, giving emphasis to "only one."
πρός σε γονάτων (prós se gonátōn) (occurs several times in Euripides) "[I entreat] you by your knees" Here the word "you" (se) divides the preposition "by" from its object "knees".
τίνα ἔχει δύναμιν; (tína ékhei dúnamin?) (Plato, Republic 358b) "What power does it have?"
New Testament Greek Hyperbaton is also common in New Testament Greek, for example:
In all these examples and others in the New Testament, the first word of the hyperbaton is an adjective or adverb which is emphasised by being separated from the following noun. The separating word can be a verb, noun, or pronoun.
Latin
Prose In Latin hyperbaton is frequently found in both prose and verse. The following examples come from prose writers. Often, there is an implied contrast between the first word of the hyperbaton and its opposite:
meo tu epistulam dedisti servo? (Plautus, Pseudolus 1203) "You gave the letter to my slave (i.e. not your own)?" duas a te accepi epistulas heri (Cicero, Att., 14.2.1) "I received two letters (duas epistulas) from you yesterday" (not just one). hae permanserunt aquae dies complures. (Caesar, B.C. 1.50.1): "This flood (hae aquae) lasted (permanserunt) several days" (unlike the earlier one). ille sic dies (Cicero, Att. 5.1.3) "So (passed) that day (ille dies)" In all the above examples, the first word of the hyperbaton can be said to be emphasised. The following is different, since the emphasis seems to be on the word in the middle:
sum enim ipse mensus (Cicero, ad Quintum fratrem, 3.1.4) "for I measured (sum mensus) it myself (ipse)" In the following an adjective of size is brought to the front, emphasising the whole phrase:
pro ingenti itaque victoria id fuit plebi. (Livy 4.54.6) "The people saw this, therefore, as an enormous victory." magnam enim secum pecuniam portabat (Nepos, Hannibal, 9.2) "for (enim) he was carrying a large sum of money (magnam pecuniam) with him (secum)". magno cum fremitu et clamore (Cicero, to Atticus, 2.19.2) "with (cum) a great deal of roaring and shouting" The first word of the hyperbaton can also be an adverb, as in the following example:
aeque vita iucunda (Cicero, de Finibus 4.30) "a life (vita) equally pleasant (aeque iucunda). It is also possible for the noun to come first ("postmodifier hyperbaton"), as in the following:
dies appetebat septimus (Caesar, B.G. 6.35.1) "The seventh day was approaching" Antonius legiones eduxit duas. (Cicero, ad Fam. 10.30.1) "Antonius led out two legions." A hyperbaton can also be used to demonstrate a kind of picture shown in the text:
hac in utramque partem disputatione habita (Caesar, Bel. Gall. 5.30) "With this dispute having been held favouring either side" (showing the dispute being on either side of the accusative prepositional phrase) Another kind of hyperbaton is "genitive hyperbaton" in which one of the words is in the genitive case:
contionem advocat militum (Caesar, Bellum Civile 2.32) "He called a meeting of the soldiers." The following even have a double hyperbaton:
cum ipse litteram Socrates nullam reliquisset. (Cicero, de Orat. 3.60) "When Socrates himself didn't leave a single line of writing." unam esse in celeritate positam salutem (Caesar, Bell. Gall. 5.29.7) "their one (hope of) salvation rested in speed (celeritate)" (with emphasis on one and speed) praeda potitus ingenti est (Livy 40.49.1) "he took possession of an enormous amount of booty". In the following, a genitive hyperbaton and an adjectival hyperbaton are interleaved:
magnus omnium incessit timor animis (Caesar Bellum Civile 2.29) "Great fear (magnus timor) overcame the minds of all of them (omnium animis)." Another kind of hyperbaton (called "conjunct hyperbaton" by Devine and Stephens) is found when a phrase consisting of two words joined by et ("and") is separated by another word:
Aspendus, vetus oppidum et nobile (Cicero, Verr. 2.1.53) "Aspendus, an old town, and a noble one". Faesulas inter Arretiumque (Livy, 22.3.3) "Between Faesulae and Arretium".
Poetry In poetry, especially poetry from the 1st century BC onwards, hyperbaton is very common; some 40% of Horace's adjectives are separated from their nouns. Frequently two hyperbata are used in the same sentence, as in the following example:
quam Catullus unam/ plus quam se atque suos amavit omnes (Catullus 58a) "whom alone (quam unam) Catullus loved (amavit) more than himself and all his own (suos omnes)." Often two noun phrases are interleaved in a double hyperbaton:
saevae memorem Iunonis ob iram (Virgil, Aeneid, 1.5) "on account of the mindful anger (memorem iram) of cruel Juno (saevae Iunonis)". The type in the examples below, where two adjectives are followed by a verb and then two nouns in the same order as the adjectives, is often referred to as a "golden line":
… excerpt ends here. Continue reading the full article.
