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Island of Sculptures

Island of Sculptures is a science topic covered in the lgStudy science library. This page brings together a partial reference excerpt, illustrations, worked examples, real-world applications and a short study plan, so you can understand Island of Sculptures rather than just read about it. In short: Covo Island, better known as the Island of Sculptures or Illa das Esculturas in Galician, is a park and island located near the mouth of the Lérez River, in Pontevedra, Spain. It has an area of 70,000 m2 (750,000 sq ft) where twelve granite sculptures by international artists are displayed.

Island of Sculptures — main illustration
Island of Sculptures — illustration

Key takeaways

  • Island of Sculptures belongs to science; place it in that map before memorising details.
  • Learn the definition first, then one example that makes the definition concrete.
  • Connect Island of Sculptures to a quantity you can measure, compute or draw — that is where exam questions come from.
  • Reproduce the core statement of Island of Sculptures from memory before moving on to harder problems.

Reference excerpt

Covo Island, better known as the Island of Sculptures or Illa das Esculturas in Galician, is a park and island located near the mouth of the Lérez River, in Pontevedra, Spain. It has an area of 70,000 m2 (750,000 sq ft) where twelve granite sculptures by international artists are displayed. It is the largest and most important open-air permanent exhibition in Galicia, and one of the most important in Spain. In the island are displayed, among other, a 2 m (6 ft 7 in) high labyrinth by Robert Morris, a 5 m (16 ft) high pink granite menhir by Ulrich Rückriem, and a floating house on the river by Francisco Leiro. The island is connected to both banks of the river by footbridges and pedestrian bridges, and its aquatic fauna includes ducks and carps.

History The island was formed in the river from the sediments transported by the Lérez River deposited there because the river is already very close to sea level and loses its strength to carry these sediments away. At first, an intertidal plain was formed, but the Lérez found this obstacle on its way to the ria and sought another alternative route, thus opening a channel on the right side. The island remained in the wilderness until 1997, when it was transformed into a park. Later, a project for the development of this space was carried out, with the creation of contemporary artworks by twelve internationally renowned artists, which took as their central theme the granite of Galicia and the relationship of man with his environment. This is the most important example of land art, a trend in contemporary art, in Galicia. The project was officially inaugurated on 29 July 1999.

Description The island, which has been declared a protected natural area, is almost a kilometre long and has an elongated shape. It has an area of rushes, meadows, a main path and secondary paths. Three wooden bridges cross the inner canal and a cable-stayed footbridge over the Lérez River connects it to the Paseo del Lérez. On the island there are twelve granite sculptures by international artists. On the island come the tides and it is used by many birds as a breeding ground. It is a protected area declared LIC (place of community interest). Located near the Pontevedra Campus, the island is also used by many people as a place for walking or sports training.

Sculptures The international authors and their sculptural works present on the island are:

Italian Giovanni Anselmo with Cielo acortado. It is a black granite column from Campo Lameiro of 1.2 m (3 ft 11 in) that represents the space between heaven and earth. German Ulrich Rückriem with a pink granite Column recalling Galician traditions. It's a 5 m (16 ft) high stele at a crossroads. American Robert Morris created the Labyrinth of Pontevedra. He recreates with it the oldest petroglyph in Europe: the labyrinth of Mogor located in Marín. It is circular, two metres high and topped by a black slate roof. Portuguese José Pedro Croft with a House built in grey granite from Mondariz. It is a 3.2 m (10 ft) construction without doors or windows, which blends in with the surrounding nature. A tree is embedded in its walls as a symbol of nature in motion. The house reflects the small world that man builds for himself within the house that is nature and evokes rural houses absorbed by nature. American Jenny Holzer, who installed Eight grey stone benches on the island's central promenade, with twelve phrases or aphorisms of reflective intent inscribed on each one. The eight benches give art an everyday utility. English Richard Long with Pontevedra Line, a small wall 37 m (121 ft) long, made of pieces of white granite, which evokes the idea of the walk as action and thought. Scottish Ian Hamilton Finlay with Three green slate medallions hanging from eucalyptus trees, made of green granite, with the inscription Petrarch and Roman numerals corresponding to sonnets. It is a set of three green slate medallions engraved with the name of the Italian poet and the Roman number of a sonnet on each piece: Petrarch XXXV, Petrarch CXXXII and Petrarch CCCX. Finlay invites the spectator to search and discover what is hidden in this numerical key. These are verses of love and solitude with which the viewer enters into communication. The medallions are located on three eucalyptus trees five metres high, each facing a different cardinal point to play with the sun at different times of the day. French Anne and Patrick Poirier with Folie, a 3,000 m2 (32,000 sq ft) garden, outside the island to be viewed from it. The work is made of stainless steel, grey granite, plants, and trees. American Dan Graham with Pyramid. The pink granite pyramid is 1.9 m (6 ft 3 in) high, doubles in the waters of the river and contains three carved inverted pyramids. The work seeks the effect of light refraction and the granite is polished to achieve this effect. The pyramid is placed near the water of the river to obtain the reflection of the water as if it were a double pyramid. The Spanish artists and their works are:

Fernando Casás represents The 36 righteous who sustain the world of the Hebrew tradition by means of thirty-six blocks of black granite, like trunks of a felled and devastated forest, distributed throughout the island's own forest. Francisco Leiro with Saavedra installed a living room on a raft anchored in the Lérez river at the end of the island. This work is popularly known as La Batea. Saavedra turns a familiar space into an unreachable and uncomfortable one. Enrique Velasco, with a double Camino de Juncos (Reed Path) on the river bank showing the ductility and flexibility of the granite.

Gallery

References

See also

Land art Paseo Marítimo de Pontevedra

Bibliography Aganzo, Carlos (2010). Pontevedra. Ciudades con encanto (in Spanish). Madrid: El País-Aguilar. pp. 107–108. ISBN 978-8403509344. Castro Fernández, Xosé Antón (2003). Illa das Esculturas.Pontevedra (in Galician). Pontevedra: Députation de Pontevedra. ISBN 978-8484571636. Riveiro Tobío, Elvira (2008). Descubrir Pontevedra (in Spanish). Pontevedra: Edicións do Cumio. pp. 68–72. ISBN 9788482890852. The Island of Sculptures of Pontevedra: an integrated model of art and nature ( PDF ), doctoral thesis by Eva López Tarrío

External links Sculptures, on the site Pontevedra Auditorium and Convention Centre Pazo da Cultura. Island of sculptures, on the site Visit-Pontevedra The Island of sculptures of Pontevedra, on the site Magic Galicia

Illustrations

Island of Sculptures illustration
Island of Sculptures: Map of the Island of Sculptures
Map of the Island of Sculptures
Island of Sculptures illustration
Island of Sculptures illustration
Island of Sculptures illustration

Worked examples

Example 1 — a first encounter with Island of Sculptures

Start with the simplest possible case. Write down what Island of Sculptures claims or describes in one sentence, then invent the smallest concrete situation in which that sentence is true. In science, the smallest case is usually a single object, a single equation or a single measurement. Check that every symbol or term in your sentence has a meaning in that case.

Example 2 — changing one variable

Take the situation from Example 1 and change exactly one quantity: double it, halve it, or set it to zero. Predict what should happen to Island of Sculptures before you calculate. Comparing your prediction with the result is the fastest way to find out whether you understand the idea or only the words.

Example 3 — an exam-style question

Typical questions about Island of Sculptures ask you to (a) state it precisely, (b) apply it to given data, and (c) explain a limitation. Practise writing all three answers in under five minutes; the third part is what separates a full-mark answer from an average one.

Applications of Island of Sculptures

In research
Island of Sculptures appears in science research whenever the underlying quantities have to be modelled precisely. Papers usually cite it as a starting assumption and then explore where it breaks down.
In technology and industry
Engineering practice reuses Island of Sculptures in design rules, simulations and safety margins. Knowing the idea lets you read a specification sheet and understand why the numbers look the way they do.
In the classroom
Island of Sculptures is common in secondary-school and first-year university syllabi. It links to neighbouring topics Art museums and galleries in Spain, Contemporary art movements, Land art, so understanding it makes those chapters shorter.
In everyday life
Look for Island of Sculptures outside the textbook — in sport, cooking, traffic, electronics or the sky above you. An example you found yourself is remembered far longer than one you were given.
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How to study Island of Sculptures in 20 minutes

  1. Read the reference excerpt below once, without taking notes.
  2. Close the page and write down what Island of Sculptures means in your own words.
  3. Compare your version with the excerpt and mark what you missed.
  4. Work through the three examples above with pen and paper.
  5. Explain Island of Sculptures out loud to somebody else — or to Teacher Smith in the lgStudy chat.

Frequently asked questions

What is Island of Sculptures in simple terms?

Covo Island, better known as the Island of Sculptures or Illa das Esculturas in Galician, is a park and island located near the mouth of the Lérez River, in Pontevedra, Spain. It has an area of 70,000 m2 (750,000 sq ft) where twelve granite sculptures by international artists are displayed.

Why does Island of Sculptures matter?

Because it connects several science ideas at once: it gives you a definition you can apply, a quantity you can calculate, and a way to check whether a result is plausible.

How should I study Island of Sculptures?

Read the excerpt, restate it from memory, then work through the examples and applications listed on this page. The five-step study plan above takes about twenty minutes.

What does this page cover?

It gives you a compact reference excerpt plus original lgStudy explanations, examples, applications and study material on Island of Sculptures.

Tags

  • Art museums and galleries in Spain
  • Contemporary art movements
  • Land art
  • Monuments and memorials in Pontevedra
  • Museums established in 1999
  • Museums in Pontevedra
  • Outdoor sculptures in Pontevedra
  • Parks in Galicia (Spain)
  • Parks in Pontevedra
  • Parks in Spain
  • Pontevedra
  • Tourist attractions in Galicia (Spain)

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