Kaṭapayādi system (Devanagari: कटपयादि, also known as Paralppēru, Malayalam: പരല്പ്പേര്) of numerical notation is an ancient Indian alphasyllabic numeral system to depict letters to numerals for easy remembrance of numbers as words or verses. Assigning more than one letter to one numeral and nullifying certain other letters as valueless, this system provides the flexibility in forming meaningful words out of numbers which can be easily remembered.
History The oldest available evidence of the use of Kaṭapayādi (Sanskrit: कटपयादि) system is from Grahacāraṇibandhana by Haridatta in 683 CE. It has been used in Laghu·bhāskarīya·vivaraṇa written by Śaṅkara·nārāyaṇa in 869 CE. In some astronomical texts popular in Kerala planetary positions were encoded in the Kaṭapayādi system. The first such work is considered to be the Chandra-vakyani of Vararuci, who is traditionally assigned to the fourth century CE. Therefore, sometime in the early first millennium is a reasonable estimate for the origin of the Kaṭapayādi system. Aryabhata, in his treatise Ārya·bhaṭīya, is known to have used a similar, more complex system to represent astronomical numbers. There is no definitive evidence whether the Ka-ṭa-pa-yā-di system originated from Āryabhaṭa numeration.
Geographical spread of the use Almost all evidences of the use of Ka-ṭa-pa-yā-di system is from South India, especially Kerala. Not much is known about its use in North India. However, on a Sanskrit astrolabe discovered in North India, the degrees of the altitude are marked in the Kaṭapayādi system. It is preserved in the Sarasvati Bhavan Library of Sampurnanand Sanskrit University, Varanasi.
The Ka-ṭa-pa-yā-di system is not confined to India. Some Pali chronograms based on the Ka-ṭa-pa-yā-di system have been discovered in Burma.
Rules and practices Following verse found in Śaṅkaravarman's Sadratnamāla explains the mechanism of the system.
नञावचश्च शून्यानि सङ्ख्याः कटपयादय:। मिश्रे तूपान्त्यहल् संख्या न च चिन्त्यो हलस्वर:॥
Transliteration:
ñayāvacas ca śūnyāni saṅkhyāḥ kaṭapayādayaḥ miśre tūpāntyahal saṅkhyā na ca cintyo halasvaraḥ
Translation: na (न), ña (ञ) and a (अ)-s, i.e., vowels represent zero. The nine integers are represented by consonant group beginning with ka, ṭa, pa, ya. In a conjunct consonant, the last of the consonants alone will count. A consonant without a vowel is to be ignored. Explanation: The assignment of letters to the numerals are as per the following arrangement (In Devanagari, Kannada, Telugu & Malayalam scripts respectively)
Consonants have numerals assigned as per the above table. For example, ba (ब) is always 3 whereas 5 can be represented by either nga (ङ) or ṇa (ण) or ma (म) or śha (श). All stand-alone vowels like a (अ) and ṛ (ऋ) are assigned to zero. In case of a conjunct, consonants attached to a non-vowel will be valueless. For example, kya (क्य) is formed by, k (क्) + y (य्) + a (अ). The only consonant standing with a vowel is ya (य). So the corresponding numeral for kya (क्य) will be 1. There is no way of representing the decimal separator in the system. Indians used the Hindu–Arabic numeral system for numbering, traditionally written in increasing place values from left to right. This is as per the rule "अङ्कानां वामतो गतिः" which means numbers go from right to left.
Variations The consonant, ḷ (Malayālam: ള, Devanāgarī: ळ, Kannada: ಳ) is employed in works using the Kaṭapayādi system, like Mādhava's sine table. Late medieval practitioners do not map the stand-alone vowels to zero. But, it is sometimes considered valueless.
Usage
Mathematics and astronomy Mādhava's sine table constructed by 14th century Kerala mathematician-astronomer Mādhava of Saṅgama·grāma employs the Kaṭapayādi system to list the trigonometric sines of angles. Karaṇa·paddhati, written in the 15th century, has the following śloka for the value of pi (π)
അനൂനനൂന്നാനനനുന്നനിത്യൈ- സ്സമാഹതാശ്ചക്രകലാവിഭക്താഃ ചണ്ഡാംശുചന്ദ്രാധമകുംഭിപാലൈര്- വ്യാസസ്തദര്ദ്ധം ത്രിഭമൗര്വിക സ്യാത്
Transliteration
anūnanūnnānananunnanityai ssmāhatāścakra kalāvibhaktoḥ caṇḍāṃśucandrādhamakuṃbhipālair vyāsastadarddhaṃ tribhamaurvika syāt
It gives the circumference of a circle of diameter, anūnanūnnānananunnanityai (10,000,000,000) as caṇḍāṃśucandrādhamakuṃbhipālair (31415926536). Śaṅkara·varman's Sad·ratna·mālā uses the Kaṭapayādi system. The first verse of Chapter 4 of the Sad·ratna·mālā ends with the line:
(स्याद्) भद्राम्बुधिसिद्धजन्मगणितश्रद्धा स्म यद् भूपगी:
Transliteration
(syād) bhadrāmbudhisiddhajanmagaṇitaśraddhā sma yad bhūpagīḥ
Splitting the consonants in the relevant phrase gives,
Reversing the digits to modern-day usage of descending order of decimal places, we get 314159265358979324 which is the value of pi (π) to 17 decimal places, except the last digit might be rounded off to 4. This verse encrypts the value of pi (π) up to 31 decimal places. गोपीभाग्यमधुव्रात-शृङ्गिशोदधिसन्धिग॥ खलजीवितखाताव गलहालारसंधर॥
ಗೋಪೀಭಾಗ್ಯಮಧುವ್ರಾತ-ಶೃಂಗಿಶೋದಧಿಸಂಧಿಗ || ಖಲಜೀವಿತಖಾತಾವ ಗಲಹಾಲಾರಸಂಧರ ||
This verse directly yields the decimal equivalent of pi divided by 10: pi/10 = 0.31415926535897932384626433832792
గోపీభాగ్యమధువ్రాత-శృంగిశోదధిసంధిగ | ఖలజీవితఖాతావ గలహాలారసంధర ||
Traditionally, the order of digits are reversed to form the number, in katapayadi system. This rule is violated in this sloka.
Carnatic music
The melakarta ragas of the Carnatic music are named so that the first two syllables of the name will give its number. This system is sometimes called the Ka-ta-pa-ya-di sankhya. The Swaras 'Sa' and 'Pa' are fixed, and here is how to get the other swaras from the melakarta number. Melakartas 1 through 36 have Ma1 and those from 37 through 72 have Ma2. The other notes are derived by noting the (integral part of the) quotient and remainder when one less than the melakarta number is divided by 6. If the melakarta number is greater than 36, subtract 36 from the melakarta number before performing this step. 'Ri' and 'Ga' positions: the raga will have: Ri1 and Ga1 if the quotient is 0 Ri1 and Ga2 if the quotient is 1 Ri1 and Ga3 if the quotient is 2 Ri2 and Ga2 if the quotient is 3 Ri2 and Ga3 if the quotient is 4 Ri3 and Ga3 if the quotient is 5 'Da' and 'Ni' positions: the raga will have: Da1 and Ni1 if remainder is 0 Da1 and Ni2 if remainder is 1 Da1 and Ni3 if remainder is 2 Da2 and Ni2 if remainder is 3 Da2 and Ni3 if remainder is 4 Da3 and Ni3 if remainder is 5 See swaras in Carnatic music for details on above notation.
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