"Light Up the Night" is a song by American rock band the Protomen, appearing as the tenth track on their second studio album, Act II: The Father of Death (2009). Written by the band and produced alongside Alan Shacklock, it serves as the narrative climax of the album's Mega Man–inspired rock opera story. In 2016, the Protomen released a 16-minute short film serving as the official music video. The film adapts an abridged version of the album's narrative. Publications and retrospective reviews have described "Light Up the Night" as a standout track from Act II and one of the Protomen's signature songs. The song has been used in video games, television, web series, and stage productions. Critics have noted the song's arena rock vocal arrangements, fast-paced tempo, and 1980s synth rock influences. Lyrically, it depicts a conversation between the protagonists Joe and Thomas Light as they plan an act of resistance against their city's dictator Albert Wily.
Short film A screen adaptation was originally pitched to the band at their first Orlando, Florida performance, at Nerdapalooza in 2009, by its writer John Sebastian La Valle. The Protomen produced the short film that is also the song's music video. Released on December 23, 2016, the film stars James Ransone, Steve Olson, and Joel Nagel, and is directed by Matt Sundin and Caspar Newbolt. The sixteen minute film is an abridged adaptation of events from the album. Live action film is interspersed with a graphic novel-style sequence, designed and illustrated by longtime band artist John DeLucca. The film's plot is framed as a conversation between Thomas and KILROY, who a member of the Protomen. It features an in-universe concert performance of the titular song by the band, who also serve as narrators to the story. Other tracks in the film soundtrack include "The Fall" and excerpts from "Father of Death" and "Breaking Out". The music video's long‑form narrative format is modeled on 1980s science‑fiction cinema and has been compared to Michael Jackson's "Thriller". Critics have noted visual references to The Terminator, Blade Runner, Escape from New York, and Aliens, as well as to Styx's Kilroy Was Here, particularly in the design of the robot guards and bandmember KILROY. The film is dedicated to Mike Pandel, known as Triforce Mike. Pandel was an avid Protomen fan who supported their work and the work of many video game artists.
Release The soundtrack was released on Sound Machine Records's online store for digital purchase. The film's Blu-ray release includes special features such as deleted scenes, a behind-the-scenes feature, and band and director commentary.
Reception Consequence described the short film as a "grim tale of loss in an android-enforced surveillance state." As with the song, its story is described by Reactor as "people trying to fight back against the evil man who is using robots to control humanity". Nintendo Life emphasized the cinematography, writing, and symbolism as "incorporated perfectly". A staff writer for Fandom noted that the music video is "melodramatic and a bit cheesy, but that's why it works. The visuals are pure '80s, shot on location in Manhattan and Brooklyn, with CGI sci-fi effects". Some plot inconsistencies between the original album libretto and truncated plot points are noted by critics due to the short runtime.
Background and recording On September 2, 2009, "Light Up the Night" was released on the Protomen's website as a teaser for the then-upcoming Act II: The Father of Death. On September 8, 2009, it was officially released as the tenth track on Act II: The Father of Death, written by the band and produced alongside Meat Loaf producer Alan Shacklock. The Protomen has cited the 1984 film Streets of Fire as an influence on Act II, a connection also noted by critics in relation to the "Light Up the Night" music video.
Plot summary The album's libretto presents the narrative events associated with the song. In the context of the wider concept album, "Light Up the Night" marks a turning point in the narrative, representing humanity's last-ditch effort to resist Dr. Wily's totalitarian regime. The failure to do so has been described as the reason Wily is unchallenged subsequently in the story. The song depicts a conversation between the album's protagonists, Dr. Light and Joe, following a confrontation with a sniper robot. The two plan to strike back against Dr. Wily's control of the city, with Joe destroying the central transmitter that powers Wily's surveillance network. This distraction is intended to create a brief opening for Light to slip into the city unseen and attempt to assassinate Wily. Realizing the destroyed sniper robot will soon be noticed, they recognize they have only a short window to act. Light arms Joe with the sniper's helmet and a bag of explosives, sending him towards the tower.
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