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Linguistics in science fiction

Linguistics in science fiction is a science topic covered in the lgStudy science library. This page brings together a partial reference excerpt, illustrations, worked examples, real-world applications and a short study plan, so you can understand Linguistics in science fiction rather than just read about it. In short: Linguistics has an intrinsic connection to science fiction stories given the nature of the genre and its frequent use of alien settings and cultures. As mentioned in Aliens and Linguists: Language Study and Science Fiction by Walter E.

Key takeaways

  • Linguistics in science fiction belongs to science; place it in that map before memorising details.
  • Learn the definition first, then one example that makes the definition concrete.
  • Connect Linguistics in science fiction to a quantity you can measure, compute or draw — that is where exam questions come from.
  • Reproduce the core statement of Linguistics in science fiction from memory before moving on to harder problems.

Reference excerpt

Linguistics has an intrinsic connection to science fiction stories given the nature of the genre and its frequent use of alien settings and cultures. As mentioned in Aliens and Linguists: Language Study and Science Fiction by Walter E. Meyers, science fiction is almost always concerned with the idea of communication, such as communication with aliens and machines, or communication using dead languages and evolved languages of the future. Authors at times use linguistics and its theories as a tool for storytelling, as in Jack Vance's 1958 novel Languages of Pao, although technical terms are rarely used, and authors only go into as much detail as the average reader will understand. While linguistics is used by science fiction authors, not all uses are accurate to actual linguistics and its theories. Nevertheless, there still exists the lingering presence and use of linguistics (even if inaccurate) in such cases. As mentioned by Walter E. Meyers, the ability to make a story seem more unfamiliar and exotic, and an alien seem less of a costumed human who merely differs in physical appearance, is only possible through the use of language. It is this ability that appears to draw the boundary between great works of science fiction and those lesser so. As such, linguistics, the scientific study of language, comes to hold an important role in the genre of science fiction.

History

The Lord of the Rings and linguistics

Since the mid-19th century, science fiction works using language as the heart of the plot, rather than just a convenient means to advance the story, have reflected the history of linguistics. One such case of the history of linguistics being intertwined with the makings of science fiction involves the author J. R. R. Tolkien, who is known for fantasy works such as The Lord of the Rings. This history begins with the Oxford English Dictionary (OED), which was 70 years in the making and aimed at "...exhibiting the history and significance of English words now in use, or known to have been in use since the middle of the 12th century". William Craigie, one of the editors of the OED, tutored undergraduates at Oxford including Tolkien, whom he later invited to work as a junior editor of the OED. According to Daniel Grotta-Kurska, Tolkien’s biographer, it was Craigie who provided "Tolkien’s greatest impetus to transform Elvish from an experiment to a life-long pursuit". As Tolkien built the Elvish language, his fantasy works were aimed at providing a setting for it. The Silmarillion, which covered the First and Second Age (a period of time before The Lord of the Rings), was said by Tolkien as having been:

"...primarily linguistic in inspiration and was begun in order to provide the necessary background of ‘history’ for Elvish tongues." As Walter E. Meyers pointed out,

"...Tolkien would shape his narrative to fit not just one language at a particular time, but a whole world of languages in earlier and later stages, some related and some not, all molded by principles of historic change." True to this, Paul Kocher noticed that the evolution of the languages of Middle-Earth was similar to that of the Indo-European languages. As Meyers noted, the rich linguistic details encapsulated within The Lord of the Rings made reading it feel:

"... more like reading history, during which we know that the author has not exhausted the subject in the discussion of it." Meyers attributes most of this feeling to the languages of The Lord of the Rings, explaining,

"We know the existence of a realm of perception beyond our experience when we travel to a country whose language we do not speak. All around us we hear unknown yet articulate sounds, and we know that a culture lies behind them, a culture to which we can be admitted with patience and study. It is much the same with LR; yet there we do not travel not in a foreign country, but in a foreign world, for the languages we encounter are many." In The Lord of the Rings, all the different beings (dwarves, elves, humans and orcs) spoke different languages and dialects, with only the hobbits speaking English. The riders of Rohan (Middle-earth) spoke Rohirric, illustrated by Tolkien using slightly disguised Old English (especially since the language was archaic compared to that of the hobbits). The orcs even had a language with different dialects while the language of the elves had history narrated into it. The efforts employed by Tolkien to fully create the languages of The Lord of the Rings and the importance he gives them are obvious from his attention to linguistic detail. This attention to linguistic detail was so great, Meyers in his work Aliens and Linguists: Language Study and Science Fiction was able to conduct a linguistic analysis on Tolkien’s Elvish languages (Middle-earth). Although the full analysis will not be provided, the following content are some conclusions he derived from the analysis. With regards to Elvish, there are two forms: Quenya and Sindarin. These two forms are somehow related, with both being derived from an older form of language, although Quenya was more similar to that older form and retained certain features of it. The word order of Quenya poetry is flexible, as the suffixes on the words showed their relationships, similar to many inflected languages in the real world, such as Latin. Quenya appeared to be like Indo-European languages in its structure, where, for example, a verb consists of a prefix (if any), a root and an ending that show grammatical tense, grammatical aspect and number. As Meyers concludes from this analysis,

… excerpt ends here. Continue reading the full article.

Worked examples

Example 1 — a first encounter with Linguistics in science fiction

Start with the simplest possible case. Write down what Linguistics in science fiction claims or describes in one sentence, then invent the smallest concrete situation in which that sentence is true. In science, the smallest case is usually a single object, a single equation or a single measurement. Check that every symbol or term in your sentence has a meaning in that case.

Example 2 — changing one variable

Take the situation from Example 1 and change exactly one quantity: double it, halve it, or set it to zero. Predict what should happen to Linguistics in science fiction before you calculate. Comparing your prediction with the result is the fastest way to find out whether you understand the idea or only the words.

Example 3 — an exam-style question

Typical questions about Linguistics in science fiction ask you to (a) state it precisely, (b) apply it to given data, and (c) explain a limitation. Practise writing all three answers in under five minutes; the third part is what separates a full-mark answer from an average one.

Applications of Linguistics in science fiction

In research
Linguistics in science fiction appears in science research whenever the underlying quantities have to be modelled precisely. Papers usually cite it as a starting assumption and then explore where it breaks down.
In technology and industry
Engineering practice reuses Linguistics in science fiction in design rules, simulations and safety margins. Knowing the idea lets you read a specification sheet and understand why the numbers look the way they do.
In the classroom
Linguistics in science fiction is common in secondary-school and first-year university syllabi. It links to neighbouring topics Linguistics, Science fiction, so understanding it makes those chapters shorter.
In everyday life
Look for Linguistics in science fiction outside the textbook — in sport, cooking, traffic, electronics or the sky above you. An example you found yourself is remembered far longer than one you were given.
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How to study Linguistics in science fiction in 20 minutes

  1. Read the reference excerpt below once, without taking notes.
  2. Close the page and write down what Linguistics in science fiction means in your own words.
  3. Compare your version with the excerpt and mark what you missed.
  4. Work through the three examples above with pen and paper.
  5. Explain Linguistics in science fiction out loud to somebody else — or to Teacher Smith in the lgStudy chat.

Frequently asked questions

What is Linguistics in science fiction in simple terms?

Linguistics has an intrinsic connection to science fiction stories given the nature of the genre and its frequent use of alien settings and cultures. As mentioned in Aliens and Linguists: Language Study and Science Fiction by Walter E.

Why does Linguistics in science fiction matter?

Because it connects several science ideas at once: it gives you a definition you can apply, a quantity you can calculate, and a way to check whether a result is plausible.

How should I study Linguistics in science fiction?

Read the excerpt, restate it from memory, then work through the examples and applications listed on this page. The five-step study plan above takes about twenty minutes.

What does this page cover?

It gives you a compact reference excerpt plus original lgStudy explanations, examples, applications and study material on Linguistics in science fiction.

Tags

  • Linguistics
  • Science fiction

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