The Dutch have made contributions to art, science, technology and engineering, economics and finance, cartography and geography, exploration and navigation, law and jurisprudence, thought and philosophy, medicine and agriculture. The following list is composed of objects, ideas, phenomena, processes, methods, techniques and styles that were discovered or invented by people from the Netherlands.
Inventions and innovations
Arts and architecture
Rietveld Schröder House (De Stijl architecture) (1924) The Rietveld Schröder House or Schröder House (Rietveld Schröderhuis in Dutch) in Utrecht was built in 1924 by Dutch architect Gerrit Rietveld. It became a listed monument in 1976 and a UNESCO World Heritage Site in 2000. The Rietveld Schröder House constitutes both inside and outside a radical break with tradition, offering little distinction between interior and exterior space. The rectilinear lines and planes flow from outside to inside, with the same colour palette and surfaces. Inside is a dynamic, changeable open zone rather than a static accumulation of rooms. The house is one of the best known examples of De Stijl architecture and arguably the only true De Stijl building.
Super Dutch (1990–present) An architectural movement started by a generation of new architects during the 1990, among this generation of architects were OMA, MVRDV, UNStudio, Mecanoo, Meyer en Van Schooten and many more. They started with buildings, which became internationally known for their new and refreshing style.
Furniture
Dutch door (17th century)
The Dutch door (also known as stable door or half door) is a type of door divided horizontally in such a fashion that the bottom half may remain shut while the top half opens. The initial purpose of this door was to keep animals out of farmhouses, while keeping children inside, yet allowing light and air to filter through the open top. This type of door was common in the Netherlands in the seventeenth century and appears in Dutch paintings of the period. They were commonly found in Dutch areas of New York and New Jersey (before the American Revolution) and in South Africa.
Red and Blue Chair (1917) The Red and Blue Chair was designed in 1917 by Gerrit Rietveld. It represents one of the first explorations by the De Stijl art movement in three dimensions. It features several Rietveld joints.
Zig-Zag Chair (1934) The Zig-Zag Chair was designed by Rietveld in 1934. It is a minimalist design without legs, made by 4 flat wooden tiles that are merged in a Z-shape using Dovetail joints. It was designed for the Rietveld Schröder House in Utrecht.
Visual arts
Glaze (painting technique) (15th century) Glazing is a technique employed by painters since the invention of modern oil painting. Early Netherlandish painters in the 15th century were the first to make oil the usual painting medium, and explore the use of layers and glazes, followed by the rest of Northern Europe, and only then Italy.
Genre painting (15th century) The Flemish Renaissance painter Pieter Brueghel the Elder chose peasants and their activities as the subject of many paintings. Genre painting flourished in Northern Europe in his wake. Adriaen van Ostade, David Teniers, Aelbert Cuyp, Jan Steen, Johannes Vermeer and Pieter de Hooch were among many painters specializing in genre subjects in the Netherlands during the 17th century. The generally small scale of these artists' paintings was appropriate for their display in the homes of middle class purchasers.
Marine painting (17th century)
Marine painting began in keeping with medieval Christian art tradition. Such works portrayed the sea only from a bird's eye view, and everything, even the waves, was organized and symmetrical. The viewpoint, symmetry and overall order of these early paintings underlined the organization of the heavenly cosmos from which the earth was viewed. Later Dutch artists such as Hendrick Cornelisz Vroom, Cornelius Claesz, Abraham Storck, Jan Porcellis, Simon de Vlieger, Willem van de Velde the Elder, Willem van de Velde the Younger and Ludolf Bakhuizen developed new methods for painting, often from a horizontal point of view, with a lower horizon and more focus on realism than symmetry.
Vanitas (17th century) The term vanitas is most often associated with still life paintings that were popular in seventeenth-century Dutch art, produced by the artists such as Pieter Claesz. Common vanitas symbols included skulls (a reminder of the certainty of death); rotten fruit (decay); bubbles, (brevity of life and suddenness of death); smoke, watches, and hourglasses, (the brevity of life); and musical instruments (the brevity and ephemeral nature of life). Fruit, flowers and butterflies can be interpreted in the same way, while a peeled lemon, as well as the typical accompanying seafood was, like life, visually attractive but with a bitter flavor
Tronie (17th century)
In the 17th century, Dutch painters (especially Frans Hals, Rembrandt, Jan Lievens and Johannes Vermeer) began to create uncommissioned paintings called tronies that focused on the features and/or expressions of people who were not intended to be identifiable. They were conceived more for art's sake than to satisfy conventions. The tronie was a distinctive type of painting, combining elements of the portrait, history, and genre painting. This was usually a half-length of a single figure which concentrated on capturing an unusual mood or expression. The actual identity of the model was not supposed to be important, but they might represent a historical figure and be in exotic or historic costume. In contrast to portraits, "tronies" were painted for the open market. They differ from figurative paintings and religious figures in that they are not restricted to a moral or narrative context. It is, rather, much more an exploration of the spectrum of human physiognomy and expression and the reflection of conceptions of character that are intrinsic to psychology's pre-history.
Mezzotint (1642) The first known mezzotint was done in Amsterdam in 1642 by Utrecht-born German artist Ludwig von Siegen. He lived in Amsterdam from 1641 to about 1644, when he was supposedly influenced by Rembrandt.
Aquatint (1650s) The painter and printmaker Jan van de Velde is often credited to be the inventor of the aquatint technique, in Amsterdam around 1650.
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