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List of cultural references in the Divine Comedy

List of cultural references in the Divine Comedy is a science topic covered in the lgStudy science library. This page brings together a partial reference excerpt, illustrations, worked examples, real-world applications and a short study plan, so you can understand List of cultural references in the Divine Comedy rather than just read about it. In short: The Divine Comedy by Dante Alighieri is a long allegorical poem in three parts (or canticas): the Inferno (Hell), Purgatorio (Purgatory), and Paradiso (Paradise), and 100 cantos, with the Inferno having 34, Purgatorio having 33, and Paradiso having 33 cantos. Set at Easter 1300, the poem describes the living poet's journey through hell, purgatory, and paradise.

List of cultural references in the Divine Comedy — main illustration
List of cultural references in the Divine Comedy — illustration

Key takeaways

  • List of cultural references in the Divine Comedy belongs to science; place it in that map before memorising details.
  • Learn the definition first, then one example that makes the definition concrete.
  • Connect List of cultural references in the Divine Comedy to a quantity you can measure, compute or draw — that is where exam questions come from.
  • Reproduce the core statement of List of cultural references in the Divine Comedy from memory before moving on to harder problems.

Reference excerpt

The Divine Comedy by Dante Alighieri is a long allegorical poem in three parts (or canticas): the Inferno (Hell), Purgatorio (Purgatory), and Paradiso (Paradise), and 100 cantos, with the Inferno having 34, Purgatorio having 33, and Paradiso having 33 cantos. Set at Easter 1300, the poem describes the living poet's journey through hell, purgatory, and paradise. Throughout the poem, Dante refers to people and events from Classical and Biblical history and mythology, the history of Christianity, and the Europe of the Medieval period up to and including his own day. A knowledge of at least the most important of these references can aid in understanding the poem fully. For ease of reference, the cantica names are abbreviated to Inf., Purg., and Par. Roman numerals are used to identify cantos and Arabic numerals to identify lines. This means that Inf. X, 123 refers to line 123 in Canto X (or 10) of the Inferno and Par. XXV, 27 refers to line 27 in Canto XXV (or 25) of the Paradiso. The line numbers refer to the original Italian text. Boldface links indicate that the word or phrase has an entry in the list. Following that link will present that entry.

A Abbagliato: See Spendthrift Club. Abel: Biblical second son of Adam and brother of Cain. Raised by Jesus from Limbo into Paradise. Inf. IV, 56.

Abraham the Patriarch: Important biblical figure. Raised by Jesus from Limbo into Paradise. Inf. IV, 58. Absalom and Ahithophel: Absalom was the rebellious son of King David who was incited by Ahithophel, the king's councilor. Bertran de Born compares his fomenting with the "malicious urgings" of Ahithophel. Inf. XXVIII, 136–138. Achan: Ancient Israelite who stole from Jericho during Joshua's conquest. He was stoned to death for the theft. (Joshua 7:1–26) Cited by souls on the terrace of the greedy as an example of greed. Purg. XX, 109–111. Acheron: The mythological Greek underworld river over which Charon ferried souls of the newly dead into Hades. The "melancholy shore" encountered. Inf. III, 71–78. Formed from the tears of the statue of the Old Man of Crete. Inf. XIV, 94–116. Achilles: The greatest Greek hero in the Trojan War. An account well known in the Middle Ages has him killed by Paris after having been lured with the promise of Priam's daughter Polyxena. Found amongst the sexual sinners. Inf. V, 65. Remembered by Virgil for having been educated by Chiron. Inf. XII, 71. His abandonment of Deidamia and his only son, at the urging of Ulysses, to go to the war against Troy. Inf. XXVI, 61–62. Statius identifies himself in Purgatory as the author of the Achilleid, an unfinished epic poem on the life of Achilles. Purg. XXI, 92. Acre: Ancient city in Western Galilee, it was the last Christian possession in the Holy Land, finally lost in 1291. Inf. XXVII, 86. "Ad vocem tanti senis" ("To the voice of such a great elder") Latin line used to maintain the rhyme scheme with neighboring Latin quotations. Purg. XXX, 18. Adam: According to the Bible, the first man created by God. His "evil seed". Inf. III, 115–117. Our "first parent", raised by Jesus from Limbo into Paradise. Inf. IV, 55. Dante sees the tree in the Garden of Eden which caused the fall of Adam and Eve. (See Genesis 3.) Purg. XXXII, 37–39. Speaks to Dante. Par. XXVI, 103–142 Adam of Brescia: See Master Adam. "Adhaesit pavimento anima mea": ("My soul cleaveth unto the dust.") (Psalm 119:25; 118:25 in the Vulgate.) Recited penitentially by prostrate souls on the terrace of greed in Purgatory. Purg. XIX, 73. Aegina: A Greek island between Attica and Argolis in the Saronic Gulf. According to tradition it was named by its ruler Aeacus—son of Zeus and Aegina, daughter of the river-god Asopus—after his mother. In Ovid's Metamorphoses (VII, 501–660), Aeacus, tells of a terrible plague inflicted by a jealous Juno (Hera), killing everyone on the island but Aeacus; and how he begged Jupiter (Zeus) to give him back his people or take his life as well. Jupiter then turned the islands ants into a race of men called the Myrmidons, some of whom Achilles ultimately led to war against Troy. "... all Aegina's people sick ... when the air was so infected ... received their health again through seed of ants.", compared with "the spirits languishing in scattered heaps" of the tenth Malebolge. Inf. XXIX, 58–65.

… excerpt ends here. Continue reading the full article.

Illustrations

List of cultural references in the Divine Comedy: Dante, poised between the mountain of purgatory and the city of Florence, a detail of a painting by Domenico di Michelino, Florence 1465.
Dante, poised between the mountain of purgatory and the city of Florence, a detail of a painting by Domenico di Michelino, Florence 1465.
List of cultural references in the Divine Comedy: Abraham Sacrificing Isaac by Laurent de La Hyre, 1650
Abraham Sacrificing Isaac by Laurent de La Hyre, 1650
List of cultural references in the Divine Comedy: Aeneas flees burning Troy, Federico Barocci, 1598 Galleria Borghese, Rome
Aeneas flees burning Troy, Federico Barocci, 1598 Galleria Borghese, Rome
List of cultural references in the Divine Comedy: Albertus Magnus (fresco, 1352, Treviso, Italy) by Tommaso da Modena (1326–1379)
Albertus Magnus (fresco, 1352, Treviso, Italy) by Tommaso da Modena (1326–1379)
List of cultural references in the Divine Comedy: Alexander the Great, mosaic detail, The National Archaeological Museum of Naples, 1st century BCE
Alexander the Great, mosaic detail, The National Archaeological Museum of Naples, 1st century BCE

Worked examples

Example 1 — a first encounter with List of cultural references in the Divine Comedy

Start with the simplest possible case. Write down what List of cultural references in the Divine Comedy claims or describes in one sentence, then invent the smallest concrete situation in which that sentence is true. In science, the smallest case is usually a single object, a single equation or a single measurement. Check that every symbol or term in your sentence has a meaning in that case.

Example 2 — changing one variable

Take the situation from Example 1 and change exactly one quantity: double it, halve it, or set it to zero. Predict what should happen to List of cultural references in the Divine Comedy before you calculate. Comparing your prediction with the result is the fastest way to find out whether you understand the idea or only the words.

Example 3 — an exam-style question

Typical questions about List of cultural references in the Divine Comedy ask you to (a) state it precisely, (b) apply it to given data, and (c) explain a limitation. Practise writing all three answers in under five minutes; the third part is what separates a full-mark answer from an average one.

Applications of List of cultural references in the Divine Comedy

In research
List of cultural references in the Divine Comedy appears in science research whenever the underlying quantities have to be modelled precisely. Papers usually cite it as a starting assumption and then explore where it breaks down.
In technology and industry
Engineering practice reuses List of cultural references in the Divine Comedy in design rules, simulations and safety margins. Knowing the idea lets you read a specification sheet and understand why the numbers look the way they do.
In the classroom
List of cultural references in the Divine Comedy is common in secondary-school and first-year university syllabi. It links to neighbouring topics Ali, Caiaphas, Classical mythology in popular culture, so understanding it makes those chapters shorter.
In everyday life
Look for List of cultural references in the Divine Comedy outside the textbook — in sport, cooking, traffic, electronics or the sky above you. An example you found yourself is remembered far longer than one you were given.
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How to study List of cultural references in the Divine Comedy in 20 minutes

  1. Read the reference excerpt below once, without taking notes.
  2. Close the page and write down what List of cultural references in the Divine Comedy means in your own words.
  3. Compare your version with the excerpt and mark what you missed.
  4. Work through the three examples above with pen and paper.
  5. Explain List of cultural references in the Divine Comedy out loud to somebody else — or to Teacher Smith in the lgStudy chat.

Frequently asked questions

What is List of cultural references in the Divine Comedy in simple terms?

The Divine Comedy by Dante Alighieri is a long allegorical poem in three parts (or canticas): the Inferno (Hell), Purgatorio (Purgatory), and Paradiso (Paradise), and 100 cantos, with the Inferno having 34, Purgatorio having 33, and Paradiso having 33 cantos. Set at Easter 1300, the poem describes…

Why does List of cultural references in the Divine Comedy matter?

Because it connects several science ideas at once: it gives you a definition you can apply, a quantity you can calculate, and a way to check whether a result is plausible.

How should I study List of cultural references in the Divine Comedy?

Read the excerpt, restate it from memory, then work through the examples and applications listed on this page. The five-step study plan above takes about twenty minutes.

What does this page cover?

It gives you a compact reference excerpt plus original lgStudy explanations, examples, applications and study material on List of cultural references in the Divine Comedy.

Tags

  • Ali
  • Caiaphas
  • Classical mythology in popular culture
  • Cultural depictions of Abraham
  • Cultural depictions of Adam and Eve
  • Cultural depictions of Alexander the Great
  • Cultural depictions of Aristotle
  • Cultural depictions of Attila the Hun
  • Cultural depictions of Averroes
  • Cultural depictions of Cain and Abel
  • Cultural depictions of Catiline
  • Cultural depictions of Cicero

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