This is a list of unmade and unreleased film projects based on Marvel Comics. Some of these productions were, or still are, in development hell. Projects that have not provided significant production announcements within at least a year are considered to be in development limbo until further announcements are released. The following includes live-action and animated film productions.
The Fantastic Four
In 1983, German producer Bernd Eichinger met with Marvel Comics' Stan Lee at Lee's Los Angeles home to explore obtaining an option for a movie based on the Fantastic Four. The option was not available until three years later, when Eichinger's Neue Constantin film company obtained it for a price the producer called "not enormous" and which has been estimated to be $250,000. Despite some interest from Warner Bros. and Columbia Pictures, budget concerns precluded any production, and with the option scheduled to expire on December 31, 1992, Neue Constantin asked Marvel for an extension. With none forthcoming, Eichinger planned to retain his option by producing a low-budget Fantastic Four film, reasoning, he said in 2005, "They didn't say I had to make a big movie." In September 1992, he teamed with B-movie specialist Roger Corman, who agreed to produce the film on a $1 million budget. Production began on December 28, 1992, under music video director Oley Sassone. Storyboards were drawn by artist Pete Von Sholly. The 21-day or 25-day production was shot on the Concorde Pictures sound stage in Venice, California, as well as in Agoura, California for a spacecraft-crash scene, the Loyola Marymount University campus for a lab-explosion scene, and the former Pacific Stock Exchange building in downtown Los Angeles for team-meeting scenes. Costume designer Réve Richards recalled in 1993 going to Golden Apple Comics on Melrose Avenue in Los Angeles to buy Fantastic Four comic books for research, and, upon explaining his task, "[T]hese people in the store just swarmed me and said, 'You are going to be faithful to it?' And I told them, 'This is why I am buying these books.'" Paul Ahern was hired as weapons consultant, and Scott Billups for computer visual effects. The special-effects makeup was by John Vulich and Everett Burrell of Optic Nerve. Stuntman Carl Ciarfalio, who wore a rubber suit to portray the monstrous superhero Thing, worked with actor Michael Bailey Smith, who played the Thing's human self, Ben Grimm, so that their mannerisms would match. During the months of post-production, music composers David and Eric Wurst personally contributed $6,000 to finance a 48-piece orchestra for the soundtrack. A 1993 magazine article gave a tentative release date of Labor Day weekend 1993. During that summer, trailers ran in theaters and on the video release of Corman's Carnosaur. The cast members hired a publicist, at their own expense, to help promote the film at a clips-screening at the Shrine Auditorium in Los Angeles and at San Diego Comic-Con. By this time, the world premiere was announced to take place at the Mall of America in Minneapolis, Minnesota, on January 19, 1994, with proceeds from the event earmarked for the charities Ronald McDonald House and Children's Miracle Network. However, the premiere was halted, the actors received a cease and desist order on all promotion from the producers and the studio confiscated the negatives. Eichinger then informed Sassone that the film would not be released. Speculation arose that the film had never been intended for release, but had gone into production solely as a way for Eichinger to retain rights to the characters; Stan Lee said in 2005 that this was indeed the case, insisting, "The movie was never supposed to be shown to anybody," and adding that the cast and crew had been left unaware. Corman and Eichinger dismissed Lee's claims, with the former stating in the same article, "We had a contract to release it, and I had to be bought out of that contract" by Eichinger. Eichinger, also in that article, calls Lee's version of events "definitely not true. It was not our [original] intention to make a B movie, that's for sure, but when the movie was there, we wanted to release it." He said future Marvel film impresario Avi Arad, at this point, in 1993, a Marvel executive, "...calls me up and says, 'Listen, I think what you did was great, it shows your enthusiasm for the movie and the property, and ... I understand that you have invested so-and-much, and Roger has invested so-and-much. Let's do a deal.' Because he really didn't like the idea that a small movie was coming out and maybe ruining the franchise.... So he says to me that he wants to give me back the money that we spent on the movie and that we should not release it. In 2002, Arad recalled that, while on a trip to Puerto Rico in 1993, a fan noticing Arad's Fantastic Four shirt expressed excitement over the film's upcoming premiere, of which Arad said he was unaware. Concerned how the low-budget film might cheapen the brand, he said he purchased the film "for a couple of million dollars in cash" and, not having seen it, ordered all prints destroyed in order to prevent its release. Eichinger continued negotiations to produce a big-budget adaptation, speaking with directors including Chris Columbus, Peyton Reed, and Peter Segal. After pre-production briefly went underway in 1996, Eichinger and his company, by that time called Constantin Film, began production in 2004 of Fantastic Four with an estimated $90 million budget. Following that film's 2005 release, Eichinger and Constantin produced a $130 million sequel, Fantastic Four: Rise of the Silver Surfer (2007). Although never officially released to the general public, but exhibited once on May 31, 1994, The Fantastic Four has been subject to bootleg recordings. The film is available to watch on YouTube and Dailymotion.
Mongrel: The Legend of Copperhead In the early 1980s, famed filmmaker George Romero was attached to direct a feature film adaptation of the Marvel Comics character Copperhead titled Mongrel: The Legend of Copperhead. At the time, it was planned to be the first film adaptation of a Marvel Comics property. However, the project was ultimately cancelled due to a lack of funds from Marvel. Romero would go on to work on other projects, while the first Marvel Comics film adaptation would be Howard the Duck, released in 1986.
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