In mathematics, a Möbius strip, Möbius band, or Möbius loop is a surface that can be formed by attaching the ends of a strip of paper together with a half-twist. As a mathematical object, it was discovered by Johann Benedict Listing and August Ferdinand Möbius in 1858, but it had already appeared in Roman mosaics from the third century CE. The Möbius strip is a non-orientable surface, meaning that within it one cannot consistently distinguish clockwise from counterclockwise turns. Every non-orientable surface contains a Möbius strip. As an abstract topological space, the Möbius strip can be embedded into three-dimensional Euclidean space in many different ways: A clockwise half-twist is different from a counterclockwise half-twist, and it can also be embedded with odd numbers of twists greater than one, or with a knotted centerline. Any two embeddings with the same knot for the centerline and the same number and direction of twists are topologically equivalent. All of these embeddings have only one side, but when embedded in other spaces, the Möbius strip may have two sides. It has only a single boundary curve. Several geometric constructions of the Möbius strip provide it with additional structure. It can be swept as a ruled surface by a line segment rotating in a rotating plane, with or without self-crossings. A thin paper strip with its ends joined to form a Möbius strip can bend smoothly as a developable surface or be folded flat; the flattened Möbius strips include the trihexaflexagon. The Sudanese Möbius strip is a minimal surface in a hypersphere, and the Meeks Möbius strip is a self-intersecting minimal surface in ordinary Euclidean space. Both the Sudanese Möbius strip and another self-intersecting Möbius strip, the cross-cap, have a circular boundary. A Möbius strip without its boundary, called an open Möbius strip, can form surfaces of constant curvature. Certain highly symmetric spaces whose points represent lines in the plane have the shape of a Möbius strip. The many applications of Möbius strips include mechanical belts that wear evenly on both sides, dual-track roller coasters whose carriages alternate between the two tracks, and world maps printed so that antipodes appear opposite each other. Möbius strips appear in molecules and devices with novel electrical and electromechanical properties, and have been used to prove impossibility results in social choice theory. In popular culture, Möbius strips appear in artworks by M. C. Escher, Max Bill, and others, and in the design of the recycling symbol. Many architectural concepts have been inspired by the Möbius strip, including the building design for the NASCAR Hall of Fame. Performers including Harry Blackstone Sr. and T. Nelson Downs have based stage magic tricks on the properties of the Möbius strip. The canons of Johann Sebastian Bach have been analyzed using Möbius strips. Many works of speculative fiction feature Möbius strips; more generally, a plot structure based on the Möbius strip, of events that repeat with a twist, is common in fiction.
History
The discovery of the Möbius strip as a mathematical object is attributed independently to the German mathematicians Johann Benedict Listing and August Ferdinand Möbius in 1858. However, it had been known long before, both as a physical object and in artistic depictions; in particular, it can be seen in several Roman mosaics from the third century CE. In many cases these merely depict coiled ribbons as boundaries. When the number of coils is odd, these ribbons are Möbius strips, but for an even number of coils they are topologically equivalent to untwisted rings. Therefore, whether the ribbon is a Möbius strip may be coincidental, rather than a deliberate choice. In at least one case, a ribbon with different colors on different sides was drawn with an odd number of coils, forcing its artist to make a clumsy fix at the point where the colors did not match up. Another mosaic from the town of Sentinum (depicted) shows the zodiac, held by the god Aion, as a band with only a single twist. There is no clear evidence that the one-sidedness of this visual representation of celestial time was intentional; it could have been chosen merely as a way to make all of the signs of the zodiac appear on the visible side of the strip. Some other ancient depictions of the ourobouros or of figure-eight-shaped decorations are also alleged to depict Möbius strips, but whether they were intended to depict flat strips of any type is unclear. Independently of the mathematical tradition, machinists have long known that mechanical belts wear half as quickly when they form Möbius strips, because they use the entire surface of the belt rather than only the inner surface of an untwisted belt. Additionally, such a belt may be less prone to curling from side to side. An early written description of this technique dates to 1871, which is after the first mathematical publications regarding the Möbius strip. Much earlier, an image of a chain pump in a work of Ismail al-Jazari from 1206 depicts a Möbius strip configuration for its drive chain. Another use of this surface was made by seamstresses in Paris (at an unspecified date): they initiated novices by requiring them to stitch a Möbius strip as a collar onto a garment.
Properties
… excerpt ends here. Continue reading the full article.
