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M*A*S*H (film)

M*A*S*H (film) is a science topic covered in the lgStudy science library. This page brings together a partial reference excerpt, illustrations, worked examples, real-world applications and a short study plan, so you can understand M*A*S*H (film) rather than just read about it. In short: M*A*S*H is a 1970 American satirical black comedy war film directed by Robert Altman and written by Ring Lardner Jr., based on Richard Hooker's 1968 novel MASH: A Novel About Three Army Doctors. The film depicts a unit of medical personnel stationed at a Mobile Army Surgical Hospital (MASH) during the Korean War.

M*A*S*H (film) — main illustration
M*A*S*H (film) — illustration

Key takeaways

  • M*A*S*H (film) belongs to science; place it in that map before memorising details.
  • Learn the definition first, then one example that makes the definition concrete.
  • Connect M*A*S*H (film) to a quantity you can measure, compute or draw — that is where exam questions come from.
  • Reproduce the core statement of M*A*S*H (film) from memory before moving on to harder problems.

Reference excerpt

M*A*S*H is a 1970 American satirical black comedy war film directed by Robert Altman and written by Ring Lardner Jr., based on Richard Hooker's 1968 novel MASH: A Novel About Three Army Doctors. The film depicts a unit of medical personnel stationed at a Mobile Army Surgical Hospital (MASH) during the Korean War. It stars Donald Sutherland, Tom Skerritt, and Elliott Gould, with Sally Kellerman, Robert Duvall, René Auberjonois, Gary Burghoff, Roger Bowen, Michael Murphy, and in his film debut, professional football player Fred Williamson. Although the Korean War is the film's storyline setting, the subtext is the Vietnam War – a current event at the time the film was made. After having a panel screen the film, the Army and Air Force Motion Picture Service initially banned M*A*S*H from being shown at Army and Air Force base theaters because it "reflected unfavorably" on the armed services. M*A*S*H became one of the biggest films of the early 1970s for 20th Century Fox. It won the Grand Prix du Festival International du Film, later named the Palme d'Or, at the 1970 Cannes Film Festival, received five Academy Award nominations, including Best Picture, and won for Best Adapted Screenplay. In 1996, M*A*S*H was selected for preservation in the National Film Registry by the Library of Congress being deemed "culturally, historically, or aesthetically significant". The Academy Film Archive preserved M*A*S*H in 2000. The film inspired the television series of the same name, which ran from 1972 to 1983 on CBS. Gary Burghoff, who played Radar O'Reilly, was the only actor playing a major character who appeared in both the film and the television series. Altman despised the TV series, calling it "the antithesis of what we were trying to do" with the film.

Plot In 1951, the 4077th Mobile Army Surgical Hospital in South Korea is assigned two new surgeons, "Hawkeye" Pierce and "Duke" Forrest, who arrive in a stolen Jeep. They are insubordinate, womanizing, mischievous rule-breakers, but they prove to be excellent combat surgeons. Other characters include the bungling commanding officer Henry Blake, his hyper-competent chief clerk Radar O'Reilly, dentist Walter "Painless Pole" Waldowski, the pompous and incompetent surgeon Frank Burns, and the contemplative Chaplain Father Mulcahy. Irritated by Frank's religious fervor, Hawkeye and Duke get Blake to move him to another tent so newly arrived chest surgeon Trapper John McIntyre can move in. The three draftee doctors (the "Swampmen", after the nickname for their tent) have little respect for military protocol, and pass time with pranks and heavy drinking. Frank, a straitlaced by-the-book military officer, bonds with Margaret Houlihan, the 4077th's head nurse and they develop a love affair. Radar and the Swampmen sneak a microphone into her tent and broadcast the pair's sexual encounter over the public address system, earning Houlihan the nickname "Hot Lips". The next morning, Hawkeye goads Frank into assaulting him, and Burns is removed for psychiatric evaluation. Later, when Houlihan is showering, the Swampmen pull the tent sides off and expose her, in order to settle a bet over whether she is a natural blonde. Houlihan confronts Blake for his weak leadership and threatens to resign her commission; Blake bluntly tells her she can do so. Painless, described as "best-equipped dentist in the Army" and "the dental Don Juan of Detroit", fears an incident of impotence has turned him homosexual and he announces his intent to commit suicide. The Swampmen agree to help, stage a feast to evoke Leonardo da Vinci's Last Supper, arrange for Father Mulcahy to give absolution and communion, and provide him with a "black capsule" (actually a sleeping pill) to speed him on his way. Hawkeye persuades the gorgeous Lieutenant "Dish" Schneider – who has remained faithful to her husband and is being transferred back to the United States for discharge – to spend the night with Painless and allay his concern about his "latent homosexuality". The next morning, Painless is his usual cheerful self, and a smiling Dish departs for home in a helicopter. Hawkeye and Trapper are ordered to Japan to operate on a Congressman's son, which they exploit as an opportunity to play golf. When they also perform an unauthorized operation on a local infant, they face disciplinary action from the hospital commander for misusing Army resources. Trapper uses anesthetic gas to sedate the commander. Using staged photographs of him as he awakens in bed with a prostitute, they blackmail him into keeping his mouth shut. Blake and General Hammond organize a football game between the 4077th and the 325th Evac Hospital and heavily wager on the outcome. At Hawkeye's suggestion, Blake applies to have a specific neurosurgeon – Dr. Oliver Harmon "Spearchucker" Jones, a former professional football player for the San Francisco 49ers – transferred to the 4077th as a ringer. Hawkeye also suggests Blake bet half his money up front and keep Jones out of the first half of the game. The 325th scores repeatedly and easily, even after the 4077th drugs one of their star players to incapacitate him. Hammond confidently offers high odds, against which Blake bets the rest of his money. Jones enters the second half, which quickly devolves into a free-for-all, and the 4077th gets the 325th's second ringer thrown out of the game and wins with a final trick play. Not long after the football game, Hawkeye and Duke get their discharge orders and begin their journey home – taking the same stolen Jeep in which they arrived.

Cast

Production

… excerpt ends here. Continue reading the full article.

Illustrations

M*A*S*H (film) illustration

Worked examples

Example 1 — a first encounter with M*A*S*H (film)

Start with the simplest possible case. Write down what M*A*S*H (film) claims or describes in one sentence, then invent the smallest concrete situation in which that sentence is true. In science, the smallest case is usually a single object, a single equation or a single measurement. Check that every symbol or term in your sentence has a meaning in that case.

Example 2 — changing one variable

Take the situation from Example 1 and change exactly one quantity: double it, halve it, or set it to zero. Predict what should happen to M*A*S*H (film) before you calculate. Comparing your prediction with the result is the fastest way to find out whether you understand the idea or only the words.

Example 3 — an exam-style question

Typical questions about M*A*S*H (film) ask you to (a) state it precisely, (b) apply it to given data, and (c) explain a limitation. Practise writing all three answers in under five minutes; the third part is what separates a full-mark answer from an average one.

Applications of M*A*S*H (film)

In research
M*A*S*H (film) appears in science research whenever the underlying quantities have to be modelled precisely. Papers usually cite it as a starting assumption and then explore where it breaks down.
In technology and industry
Engineering practice reuses M*A*S*H (film) in design rules, simulations and safety margins. Knowing the idea lets you read a specification sheet and understand why the numbers look the way they do.
In the classroom
M*A*S*H (film) is common in secondary-school and first-year university syllabi. It links to neighbouring topics 1970 American films, 1970 English-language films, 1970 black comedy films, so understanding it makes those chapters shorter.
In everyday life
Look for M*A*S*H (film) outside the textbook — in sport, cooking, traffic, electronics or the sky above you. An example you found yourself is remembered far longer than one you were given.
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How to study M*A*S*H (film) in 20 minutes

  1. Read the reference excerpt below once, without taking notes.
  2. Close the page and write down what M*A*S*H (film) means in your own words.
  3. Compare your version with the excerpt and mark what you missed.
  4. Work through the three examples above with pen and paper.
  5. Explain M*A*S*H (film) out loud to somebody else — or to Teacher Smith in the lgStudy chat.

Frequently asked questions

What is M*A*S*H (film) in simple terms?

M*A*S*H is a 1970 American satirical black comedy war film directed by Robert Altman and written by Ring Lardner Jr., based on Richard Hooker's 1968 novel MASH: A Novel About Three Army Doctors. The film depicts a unit of medical personnel stationed at a Mobile Army Surgical Hospital (MASH) during…

Why does M*A*S*H (film) matter?

Because it connects several science ideas at once: it gives you a definition you can apply, a quantity you can calculate, and a way to check whether a result is plausible.

How should I study M*A*S*H (film)?

Read the excerpt, restate it from memory, then work through the examples and applications listed on this page. The five-step study plan above takes about twenty minutes.

What does this page cover?

It gives you a compact reference excerpt plus original lgStudy explanations, examples, applications and study material on M*A*S*H (film).

Tags

  • 1970 American films
  • 1970 English-language films
  • 1970 black comedy films
  • 1970 comedy-drama films
  • 1970 films
  • 1970s political films
  • 1970s satirical films
  • 1970s war comedy-drama films
  • 20th Century Fox films
  • American black comedy films
  • American football films
  • American satirical films

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