The MIT Media Lab is a research laboratory within the School of Architecture and Planning at the Massachusetts Institute of Technology. It is located in Cambridge, Massachusetts, United States.
History The media lab was founded in 1985 by Nicholas Negroponte and former MIT President Jerome Wiesner, and is housed in the Wiesner Building (designed by I. M. Pei), also known as Building E15. The lab has been written about in the popular press since 1988, when Stewart Brand published The Media Lab: Inventing the Future at M.I.T., and its work was a regular feature of technology journals in the 1990s. In 2009, it expanded into a second building. Growing out of the Architecture Machine Group in the MIT School of Architecture, its research does not restrict to fixed academic disciplines but draws from technology, media, science, art, and design. As of 2014, Media lab's research groups include neurobiology, biologically inspired fabrication, socially engaging robots, emotive computing, bionics, and hyperinstruments. The media lab came under scrutiny in 2019 due to its acceptance of donations from convicted child sex offender Jeffrey Epstein. This led to the resignation of its director, Joi Ito, and the launch of an "immediate, thorough and independent" investigation into the "extremely serious" and "deeply disturbing allegations about the engagement between individuals at the Media Lab and Jeffrey Epstein" by L. Rafael Reif, the president of MIT. In December 2020, Dava Newman, professor of aeronautics and astronautics and former deputy administrator of NASA under President Barack Obama, was named the new director of the MIT Media Lab.
Administration The founding director of the lab was Nicholas Negroponte, who directed it until 2000. Later directors were Walter Bender (2000–2006), Frank Moss (2006–2011), and Joi Ito (2011–2019) who resigned in connection with the Jeffrey Epstein scandal. Later, Dava Newman (2021–2025) took the position as the first woman to do so. Following Newman's departure, Jessica Rosenworcel was selected for a new role of "Executive Director", in charge of the public-facing duties, sharing responsibilities with Tod Machover, who was named "Faculty Director" to oversee the academic and research side of the lab. As of 2014, the media lab had roughly 70 administrative and support staff members. Associate directors of the lab were Hiroshi Ishii and Andrew Lippman. Pattie Maes and Mitchel Resnick were co-heads of the program in media arts and sciences, and the lab's chief knowledge officer was Henry Holtzman. The media lab has at times had regional branches in other parts of the world, such as Media Lab Europe and Media Lab Asia, each with their own staff and governing bodies.
Funding model The lab's primary funding comes from corporate sponsorship. Rather than accepting funding on a per-project or per-group basis, the lab asks sponsors to fund general themes; sponsors can then connect with media lab research. Specific projects and researchers are also funded more traditionally through US government institutions including the NIH, NSF, and DARPA. Also, consortia with other schools or other departments at MIT are often able to have money that does not enter into the common pool. MIT Media Lab has an approximately $75 million annual operating budget.
Intellectual property Companies sponsoring the lab can share in the lab's intellectual property without paying license fees or royalties. Non-sponsors cannot make use of media lab developments for two years after technical disclosure is made to MIT and media lab sponsors. The media lab generates approximately 20 new patents every year.
Research at the lab Some recurring themes of work at the media lab include human adaptability, human computer interaction, education and communication, artistic creation and visualization, and designing technology for the developing world. Other research focus includes machines with common sense, sociable robots, prosthetics, sensor networks, musical devices, city design, and public health. Research programs all include iterative development of prototypes which are tested and displayed for visitors. Each of these areas of research may incorporate others. Interaction design research includes designing intelligent objects and environments. Educational research has also included integrating more computation into learning activities – including software for learning, programmable toys, and artistic or musical instruments. Examples include Lego Mindstorms, the PicoCricket, and One Laptop per Child. The lab has over twenty research groups.
Academic program The media arts and sciences program is a part of MIT's school of architecture and planning, and includes three levels of study: a doctoral program, a master's of science program, and a program that offers an alternative to the standard MIT freshman year as well as a set of undergraduate subjects that may form the basis for a future joint major. All graduate students are fully supported (tuition plus a stipend) from the outset, normally by appointments as research assistants at the media laboratory, where they work on research programs and faculty projects, including assisting with courses. These research activities typically take up about half of a student's time in the degree program. The media arts and sciences academic program have a close relationship with the media lab. Most media lab faculty are professors of media arts and sciences. Students who earn a degree in media arts and sciences have been predominantly in residence at the media lab, taking classes and doing research. Some students from other programs at MIT, such as mechanical engineering, or electrical engineering and computer science, do their research at the media lab, working with a media lab/Media Arts and Sciences faculty advisor, but earn their degrees (such as MEng or an MS in EECS) from other departments. Over 1,000 students apply to the MAS program and the admission is less than 5% per year.
Buildings
… excerpt ends here. Continue reading the full article.
