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Meltdown (Red Dwarf)

Meltdown (Red Dwarf) is a science topic covered in the lgStudy science library. This page brings together a partial reference excerpt, illustrations, worked examples, real-world applications and a short study plan, so you can understand Meltdown (Red Dwarf) rather than just read about it. In short: "Meltdown" is the sixth, and final, episode of science fiction sitcom Red Dwarf Series IV and the twenty-fourth episode in the series run. It was first broadcast on the British television channel BBC2 on 21 March 1991.

Key takeaways

  • Meltdown (Red Dwarf) belongs to science; place it in that map before memorising details.
  • Learn the definition first, then one example that makes the definition concrete.
  • Connect Meltdown (Red Dwarf) to a quantity you can measure, compute or draw — that is where exam questions come from.
  • Reproduce the core statement of Meltdown (Red Dwarf) from memory before moving on to harder problems.

Reference excerpt

"Meltdown" is the sixth, and final, episode of science fiction sitcom Red Dwarf Series IV and the twenty-fourth episode in the series run. It was first broadcast on the British television channel BBC2 on 21 March 1991. It was written by Rob Grant and Doug Naylor, and directed by Ed Bye. The episode, featuring Wax-Droids of famous historical figures involved in a war of good versus evil, was originally supposed to open the series but was postponed due to the Gulf War.

Plot Kryten (Robert Llewellyn) discovers a matter transporter paddle in the research lab of Red Dwarf – a device capable of transmitting an individual as light beams to another point in space within 500,000 light-years. Kryten and Arnold Rimmer (Chris Barrie) are sent to sent to test the device by travelling to an interesting planet with breathable air within range of the ship, When the pair reach the planet, they find a number of unrealistic-looking dinosaur-like creatures, and are then taken prisoner by Elvis Presley (Clayton Mark) and Pope Gregory XIII (Michael Burrell) wielding guns. After some time, the paddle returns to Dave Lister (Craig Charles) and Cat (Danny John-Jules), who follow after their friends. However, the pair find themselves seemingly transported through time, materializing in a war room somewhere in the Third Reich and thrown into jail on the orders of Adolf Hitler (Kenneth Hadley), with the device being confiscated. Kryten and Rimmer discover that the group have travelled to Wax-World, a theme park inhabited by wax-droids—animatronic replicas of famous real-life and fictional characters in human history. The pair discover that since the park was abandoned, the droids gained sentience over time, but divided into two warring factions – "Heroes" and "Villains" – with the heroes being on the brink of defeat as their captured comrades are melted down and turned into more villains. Meanwhile in their jail cell, Lister and Cat, after observing a parade of villains from different eras of history executing Winnie the Pooh, are brought up to speed on the situation by a captured Abraham Lincoln (Jack Klaff). They escape an interrogation about the matter paddle conducted by Caligula (Tony Hawks) and Gregory Rasputin, and make it back to the Heroes' HQ. Rimmer trains the heroic wax-droids up into a fighting unit, detaining Lister and Cat after the former objects, and devises a strategy to send in the heroes in as a distraction, while Kryten is smuggled into the Villains' Third Reich HQ and turns up the building's thermostat to melt them. The plan succeeds and the device is recovered, though Rimmer is forced to admit that all the droids were destroyed as a result. Disgusted by the pointlessness of war and Rimmer's plan, Lister requests Rimmer's hologram-projecting light bee and swallows it, assuring Kryten he will be okay for the next couple of days, before the group use the paddle to return to Red Dwarf.

Production For the scene transitional cuts the usual Red Dwarf model shots were replaced by a technique of stretching the shot, cutting then releasing it back. These scenes were produced in post-production and were accompanied by a military style drum riff. The intentionally unconvincing monsters of Wax World's prehistoric section were taken from footage of the kaiju movie Daikyojū Gappa (1967). The many guest appearances included Clayton Mark as wax-droid Elvis Presley, Kenneth Hadley as wax-droid Adolf Hitler, Martin Friend as wax-droid Albert Einstein, Stephen Tiller as wax-droid Pythagoras, Jack Klaff as wax-droid Abraham Lincoln, Tony Hawks as wax-droid Caligula, Michael Burrell as wax-droid Pope Gregory, Forbes Masson as wax-droid Stan Laurel, Roger Blake as wax-droid Noël Coward and Pauline Bailey as wax-droid Marilyn Monroe. For the second time in as many episodes, the arrangement of the end theme tune was changed. The tune itself was retained as normal; however, the lyrics were sung by the Elvis wax-droid instead of by Jenna Russell.

Reception The episode was first broadcast on the British television channel BBC2 on 21 March 199. Because of the Gulf War conflict at the time the BBC decided to place the episode back in the running order. When the hostilities had ceased the episode was able to be broadcast at the end of the series' run. Although Series IV performed well overall in the Red Dwarf magazine poll, "Meltdown" was considered the least favourite from the series, gaining 1.3% of the overall votes. One review in 2004 said that "this episode gets overlooked because fans feel it's hokey", but added "there really are a lot of laughs to be had here." In the Series IV DVD commentary, the cast talk about how most fans dislike the episode, speculating that perhaps it wasn't 'space-y' enough. In contrast, the cast all talk about their love for it and how many classic scenes it contains. Sophie Davies writing in 2017 for CultBox said that the episode "is a bit of an underwhelming finale to Red Dwarf IV and for me it's the weakest episode of the series", and said that the sequence of Lister witnessing the summary execution of Winnie the Pooh is a "probably the episode's highlight".

Notes

References Howarth, Chris; Steve Lyons (1993). Red Dwarf Programme Guide. Virgin Books. ISBN 0-86369-682-1.

External links

"Meltdown" at BBC Online "Meltdown" at IMDb Series IV episode guide at www.reddwarf.co.uk Archived 27 December 2012 at the Wayback Machine

Worked examples

Example 1 — a first encounter with Meltdown (Red Dwarf)

Start with the simplest possible case. Write down what Meltdown (Red Dwarf) claims or describes in one sentence, then invent the smallest concrete situation in which that sentence is true. In science, the smallest case is usually a single object, a single equation or a single measurement. Check that every symbol or term in your sentence has a meaning in that case.

Example 2 — changing one variable

Take the situation from Example 1 and change exactly one quantity: double it, halve it, or set it to zero. Predict what should happen to Meltdown (Red Dwarf) before you calculate. Comparing your prediction with the result is the fastest way to find out whether you understand the idea or only the words.

Example 3 — an exam-style question

Typical questions about Meltdown (Red Dwarf) ask you to (a) state it precisely, (b) apply it to given data, and (c) explain a limitation. Practise writing all three answers in under five minutes; the third part is what separates a full-mark answer from an average one.

Applications of Meltdown (Red Dwarf)

In research
Meltdown (Red Dwarf) appears in science research whenever the underlying quantities have to be modelled precisely. Papers usually cite it as a starting assumption and then explore where it breaks down.
In technology and industry
Engineering practice reuses Meltdown (Red Dwarf) in design rules, simulations and safety margins. Knowing the idea lets you read a specification sheet and understand why the numbers look the way they do.
In the classroom
Meltdown (Red Dwarf) is common in secondary-school and first-year university syllabi. It links to neighbouring topics 1991 British television episodes, Cultural depictions of Adolf Hitler, Cultural depictions of Al Capone, so understanding it makes those chapters shorter.
In everyday life
Look for Meltdown (Red Dwarf) outside the textbook — in sport, cooking, traffic, electronics or the sky above you. An example you found yourself is remembered far longer than one you were given.
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How to study Meltdown (Red Dwarf) in 20 minutes

  1. Read the reference excerpt below once, without taking notes.
  2. Close the page and write down what Meltdown (Red Dwarf) means in your own words.
  3. Compare your version with the excerpt and mark what you missed.
  4. Work through the three examples above with pen and paper.
  5. Explain Meltdown (Red Dwarf) out loud to somebody else — or to Teacher Smith in the lgStudy chat.

Frequently asked questions

What is Meltdown (Red Dwarf) in simple terms?

"Meltdown" is the sixth, and final, episode of science fiction sitcom Red Dwarf Series IV and the twenty-fourth episode in the series run. It was first broadcast on the British television channel BBC2 on 21 March 1991.

Why does Meltdown (Red Dwarf) matter?

Because it connects several science ideas at once: it gives you a definition you can apply, a quantity you can calculate, and a way to check whether a result is plausible.

How should I study Meltdown (Red Dwarf)?

Read the excerpt, restate it from memory, then work through the examples and applications listed on this page. The five-step study plan above takes about twenty minutes.

What does this page cover?

It gives you a compact reference excerpt plus original lgStudy explanations, examples, applications and study material on Meltdown (Red Dwarf).

Tags

  • 1991 British television episodes
  • Cultural depictions of Adolf Hitler
  • Cultural depictions of Al Capone
  • Cultural depictions of Albert Einstein
  • Cultural depictions of Benito Mussolini
  • Cultural depictions of Elvis Presley
  • Cultural depictions of Grigori Rasputin
  • Cultural depictions of Laurel & Hardy
  • Cultural depictions of Mahatma Gandhi
  • Cultural depictions of Marilyn Monroe
  • Cultural depictions of Messalina
  • Cultural depictions of Mother Teresa

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