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Metropolis (2001 film)

Metropolis (2001 film) is a engineering topic covered in the lgStudy science library. This page brings together a partial reference excerpt, illustrations, worked examples, real-world applications and a short study plan, so you can understand Metropolis (2001 film) rather than just read about it. In short: Metropolis (Japanese: メトロポリス, Hepburn: Metoroporisu) is a 2001 Japanese animated cyberpunk drama film loosely based upon Osamu Tezuka's 1949 manga of the same name. The film was directed by Rintaro, written by Katsuhiro Otomo, and produced by Madhouse, with conceptual support from Tezuka Productions.

Metropolis (2001 film) — main illustration
Metropolis (2001 film) — illustration

Key takeaways

  • Metropolis (2001 film) belongs to engineering; place it in that map before memorising details.
  • Learn the definition first, then one example that makes the definition concrete.
  • Connect Metropolis (2001 film) to a quantity you can measure, compute or draw — that is where exam questions come from.
  • Reproduce the core statement of Metropolis (2001 film) from memory before moving on to harder problems.

Reference excerpt

Metropolis (Japanese: メトロポリス, Hepburn: Metoroporisu) is a 2001 Japanese animated cyberpunk drama film loosely based upon Osamu Tezuka's 1949 manga of the same name. The film was directed by Rintaro, written by Katsuhiro Otomo, and produced by Madhouse, with conceptual support from Tezuka Productions.

Plot In the plutocratic city of Metropolis, humans co-exist with robot laborers designed to build and maintain the city. However, its impoverished human citizens discriminate against robots, blaming them for their unemployment and being forced to live in the squalid lower levels of Metropolis. Duke Red, Metropolis's wealthiest citizen, celebrates the completion of a massive military/scientific complex, the "Ziggurat". His adopted son, Rock, leads a paramilitary organization known as the Marduks, tasked with destroying malfunctioning and rogue robots - including those that escaped from their designated zones in the lower city. Meanwhile, Japanese detective Shunsaku Ban and his young nephew, Kenichi Shikishima, have traveled to Metropolis to apprehend rogue scientist Dr. Laughton, wanted for organ trafficking and animal rights violations. Unbeknownst to Shunsaku, Red hired Laughton to secretly build a highly advanced android, modeled and named after his deceased daughter Tima. He intends to have her become the central control unit for a powerful nuclear superweapon hidden at the top of the Ziggurat, which he will use to conquer the world. Rock learns of Tima's existence, and jealously shoots Laughton and sets his laboratory ablaze. Discovering the burning lab, Shunsaku locates the dying Laughton, who directs Shunsaku to a notebook containing his research. Meanwhile, Kenichi stumbles upon the newly activated Tima. The two fall into the sewers and are separated from Shunsaku. As they search for a way back to the surface, the pair grow close as Kenichi protects Tima and her humanity evolves, both unaware that she is a robot. Learning that Tima is alive, Rock and his subordinates hunt the pair. Kenichi and Tima encounter a resistance movement of disgruntled humans, who stage an armed revolution against Metropolis's leaders and robot workers. Unhappy with the Duke's influence, the nation's president and Metropolis's mayor conspire with the revolutionaries to seize power. However, the president's top military commander, General Kusai Skunk, betrays them to Red and has them assassinated. Red imposes martial law and ends the revolution. The kids reunite with Shunsaku, but Rock finds them and attempts to kill Tima. Red intervenes, disowning Rock and discharging him from the Marduks before taking Tima and Kenichi away. Determined to kill her and regain his father's affection, Rock kidnaps Tima, but Shunsaku incapacitates him and rescues her. Following instructions from Laughton's notebook, Shunsaku has her tap into the Ziggurat's computer mainframe and they discover Kenichi being held in the Ziggurat. Red and the Marduks capture them and bring everyone to the top of the Ziggurat, where Red reveals Tima's true purpose and introduces her "throne", the control system for the superweapon. Disguised as a maid, Rock shoots Tima in the chest, exposing her internal circuitry before being wounded by Red's men. Horrified by her true identity, Tima goes insane, causing her implanted programming to take control. She physically integrates with the throne and begins ordering robots around the world to destroy humanity as punishment for abusing them. Robots all across Metropolis assault the Ziggurat; while the others flee, Kenichi reaches Tima and eventually separates her from the throne. Still possessed by her hostile programming, Tima tries to kill Kenichi. Rock triggers an overload in the superweapon, killing himself and Red in a massive explosion. As the Ziggurat collapses and spreads destruction to the rest of Metropolis, Tima's programming deactivates and she falls, suspended by a cable on her arm. Kenichi tries to pull her up; Tima's memories of Kenichi resurface and she asks him "Who am I?", before her hand slips and she falls to the ruins far below. In the aftermath, survivors emerge from the ruins, and Kenichi discovers robots have salvaged some of Tima's parts. While Shunsaku departs Metropolis, Kenichi chooses to remain behind. A photograph shown during the end credits reveals that Kenichi eventually rebuilds Tima and opens a robot workshop bearing their names.

… excerpt ends here. Continue reading the full article.

Worked examples

Example 1 — a first encounter with Metropolis (2001 film)

Start with the simplest possible case. Write down what Metropolis (2001 film) claims or describes in one sentence, then invent the smallest concrete situation in which that sentence is true. In engineering, the smallest case is usually a single object, a single equation or a single measurement. Check that every symbol or term in your sentence has a meaning in that case.

Example 2 — changing one variable

Take the situation from Example 1 and change exactly one quantity: double it, halve it, or set it to zero. Predict what should happen to Metropolis (2001 film) before you calculate. Comparing your prediction with the result is the fastest way to find out whether you understand the idea or only the words.

Example 3 — an exam-style question

Typical questions about Metropolis (2001 film) ask you to (a) state it precisely, (b) apply it to given data, and (c) explain a limitation. Practise writing all three answers in under five minutes; the third part is what separates a full-mark answer from an average one.

Applications of Metropolis (2001 film)

In research
Metropolis (2001 film) appears in engineering research whenever the underlying quantities have to be modelled precisely. Papers usually cite it as a starting assumption and then explore where it breaks down.
In technology and industry
Engineering practice reuses Metropolis (2001 film) in design rules, simulations and safety margins. Knowing the idea lets you read a specification sheet and understand why the numbers look the way they do.
In the classroom
Metropolis (2001 film) is common in secondary-school and first-year university syllabi. It links to neighbouring topics 2000s dystopian films, 2001 American films, 2001 anime films, so understanding it makes those chapters shorter.
In everyday life
Look for Metropolis (2001 film) outside the textbook — in sport, cooking, traffic, electronics or the sky above you. An example you found yourself is remembered far longer than one you were given.
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How to study Metropolis (2001 film) in 20 minutes

  1. Read the reference excerpt below once, without taking notes.
  2. Close the page and write down what Metropolis (2001 film) means in your own words.
  3. Compare your version with the excerpt and mark what you missed.
  4. Work through the three examples above with pen and paper.
  5. Explain Metropolis (2001 film) out loud to somebody else — or to Teacher Smith in the lgStudy chat.

Frequently asked questions

What is Metropolis (2001 film) in simple terms?

Metropolis (Japanese: メトロポリス, Hepburn: Metoroporisu) is a 2001 Japanese animated cyberpunk drama film loosely based upon Osamu Tezuka's 1949 manga of the same name. The film was directed by Rintaro, written by Katsuhiro Otomo, and produced by Madhouse, with conceptual support from Tezuka Production…

Why does Metropolis (2001 film) matter?

Because it connects several engineering ideas at once: it gives you a definition you can apply, a quantity you can calculate, and a way to check whether a result is plausible.

How should I study Metropolis (2001 film)?

Read the excerpt, restate it from memory, then work through the examples and applications listed on this page. The five-step study plan above takes about twenty minutes.

What does this page cover?

It gives you a compact reference excerpt plus original lgStudy explanations, examples, applications and study material on Metropolis (2001 film).

Tags

  • 2000s dystopian films
  • 2001 American films
  • 2001 anime films
  • 2001 films
  • 2001 science fiction action films
  • Animated films about discrimination
  • Animated films about robots
  • Animated films based on works by Osamu Tezuka
  • Animated films set in the future
  • Anime films based on manga
  • Cyberpunk anime and manga
  • Destination Films films

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