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Meštrović Pavilion

Meštrović Pavilion is a engineering topic covered in the lgStudy science library. This page brings together a partial reference excerpt, illustrations, worked examples, real-world applications and a short study plan, so you can understand Meštrović Pavilion rather than just read about it. In short: The Meštrović Pavilion (Croatian: Meštrovićev paviljon), also known as the Home of the Croatian Visual Artists (Croatian: Dom hrvatskih likovnih umjetnika) and colloquially as the Mosque (Croatian: Džamija), is a cultural venue and the official seat of the Croatian Society of Fine Artists (HDLU) located on the Square of the Victims of Fascism in central Zagreb, Croatia. Designed by Ivan Meštrović and built in 1938…

Meštrović Pavilion — main illustration
Meštrović Pavilion — illustration

Key takeaways

  • Meštrović Pavilion belongs to engineering; place it in that map before memorising details.
  • Learn the definition first, then one example that makes the definition concrete.
  • Connect Meštrović Pavilion to a quantity you can measure, compute or draw — that is where exam questions come from.
  • Reproduce the core statement of Meštrović Pavilion from memory before moving on to harder problems.

Reference excerpt

The Meštrović Pavilion (Croatian: Meštrovićev paviljon), also known as the Home of the Croatian Visual Artists (Croatian: Dom hrvatskih likovnih umjetnika) and colloquially as the Mosque (Croatian: Džamija), is a cultural venue and the official seat of the Croatian Society of Fine Artists (HDLU) located on the Square of the Victims of Fascism in central Zagreb, Croatia. Designed by Ivan Meštrović and built in 1938, it has served several functions in its lifetime. An art gallery before World War II, it was converted into a mosque under the Independent State of Croatia (NDH) and was subsequently transformed into the Museum of the Revolution in post-war Yugoslavia. In 1990, it was given back to the Croatian Association of Artists. After extensive renovation, it has served as a space for exhibitions and events since 2006.

History

Conception In the early 1930s, the Croatian Art Society Josip Juraj Strossmayer was seeking a new exhibition space. At that time, sculptor Ivan Meštrović, then the president of Art Society Strossmayer, was given the task to create a sculpture in honor of King Peter I for the Square of King Peter (Trg kralja Petra) in Zagreb. Recognizing an opportunity to combine these two needs, Meštrović suggested that instead of a single sculpture, an entire building be erected on the square. After some negotiation, Meštrović’s proposal was accepted and an endowment for the construction of the House of Fine Arts of King Petar the Great Emancipator was established in 1933.

Original construction and layout

Meštrović designed the preliminary concept for the building in 1933. Architects Ladislav Horvat and Harold Bilinić, who frequently collaborated with Meštrović, drew up detailed plans based on Meštrović's conceptual design. The resulting building was one of the first round exhibition halls in the region. The interior was designed to accommodate three categories of art: sculpture, painting, and photography/works on paper. The main entrance of the pavilion opens into a vestibule flanked on either side by staircases. Directly ahead is the central exhibition hall, a cylindrical space designed for exhibiting sculpture. Above the entrance to this space is a relief of King Peter I by Ivan Meštrović. The staircases lead to a circular exhibition hall. A smaller, concentric exhibition hall opens into the cylindrical space and offers views of the gallery below. The dome of the pavilion, planned by architect Zvonimir Kavurić, is composed of round glass tiles 57 mm (2.24 in) thick and 125 mm (4.92 in) in diameter, set into a concrete shell with a thickness of 57 mm (2.24 in), allowing natural light to fill the exhibition halls. The Arts Hall opened on 1 December 1938 with A Half Century of Croatian Art, a major retrospective exhibition.

Mosque

The pavilion functioned as an art gallery for only three years before it was turned into a mosque in 1941, at the beginning of World War II, as a gesture of the Independent State of Croatia (NDH) towards Bosnian and Croatian Muslims. Architect Zvonimir Požgaj headed the project for adapting the interior of the pavilion to better suit the functions of a mosque, and Stjepan Planić designed the exterior of the mosque. Požgaj significantly altered the interior of the pavilion, introducing a new ceiling of iron and concrete underneath the original ceiling to solve the problem of temperature and acoustics. According to Planić's plans, three 45-metre-high (148 ft) minarets were placed around the pavilion, but the exterior of the building was not altered. Planić also added a fountain flanked by benches in front of the building's main entrance. The interior of the mosque was decorated with stucco patterns based on early Croatian ribbon motifs created by the sculptors Botuhinski, Brill, Ivanković, Jean, Loboda, Lozica, Matijević, Papić, Penić, Perić, Radauš, Štigler, and Turkalj. The mosque was inaugurated on 18 July 1944 and functioned until 1945. In 1949, the minarets were demolished and the interior decor was removed to make way for the new Museum of the Revolution.

The Museum of the Revolution Architect Vjenceslav Richter headed the project to design the Museum of the Revolution, which was to display documents pertaining to Partisan battles during World War II. Richter added an additional floor and new staircases to the interior space and constructed new walls to hide its circular form. All of Richter's additions were designed to attach to the original structure, so that they could be removed without harming the building's interior. The Museum of the Revolution officially opened on 15 April 1955.

Restoration and renovation By the mid-1980s, discussions about the function of the pavilion had resumed, and in 1988, the curators of the Museum of the Revolution invited architects Ivan Crnković and Dubravka Kisić to draw up a study on the feasibility of restoring the pavilion to its original form. In May 1990, the Croatian Association of Artists (HDLU), headed by Ante Rašić, organized the exhibition Dokumenti-Argumenti to present the history of the building. In 1993, the City Council of Zagreb granted permission to the Croatian Association of Artists to move their seat back to the pavilion. Renovation of the pavilion began in 2001 according to the plans of architect Andrija Mutnjaković. The first phase of construction included the removal of all non-original layers and structures and was completed in 2003. In 2006, parts of the cellar and ground floor were renovated following the plans of architect Branko Silađin.

Croatian Association of Artists Since 1993, the pavilion has served as the official seat of the Croatian Association of Artists (HDLU), a union of professional artists established in 1868. The aims of the association are to support and encourage contemporary visual expression, to improve and protect the freedom of visual expression, and to influence legislation regulating visual arts production and the social rights of artists. Additionally, HDLU organizes over 40 exhibitions and events annually, held in the pavilion's three exhibition spaces: the Ring Gallery, the Barrel Gallery, and the Extended Media (PM) Gallery. A fourth exhibition space, Karas Gallery, is located on Praška Street near Ban Jelačić Square. The Meštrović Pavilion is also one of the founding members of The 360° Project, an international network of round arts venues in Europe and Canada.

… excerpt ends here. Continue reading the full article.

Illustrations

Meštrović Pavilion illustration
Meštrović Pavilion: Aerial view from the south-east
Aerial view from the south-east
Meštrović Pavilion illustration

Worked examples

Example 1 — a first encounter with Meštrović Pavilion

Start with the simplest possible case. Write down what Meštrović Pavilion claims or describes in one sentence, then invent the smallest concrete situation in which that sentence is true. In engineering, the smallest case is usually a single object, a single equation or a single measurement. Check that every symbol or term in your sentence has a meaning in that case.

Example 2 — changing one variable

Take the situation from Example 1 and change exactly one quantity: double it, halve it, or set it to zero. Predict what should happen to Meštrović Pavilion before you calculate. Comparing your prediction with the result is the fastest way to find out whether you understand the idea or only the words.

Example 3 — an exam-style question

Typical questions about Meštrović Pavilion ask you to (a) state it precisely, (b) apply it to given data, and (c) explain a limitation. Practise writing all three answers in under five minutes; the third part is what separates a full-mark answer from an average one.

Applications of Meštrović Pavilion

In research
Meštrović Pavilion appears in engineering research whenever the underlying quantities have to be modelled precisely. Papers usually cite it as a starting assumption and then explore where it breaks down.
In technology and industry
Engineering practice reuses Meštrović Pavilion in design rules, simulations and safety margins. Knowing the idea lets you read a specification sheet and understand why the numbers look the way they do.
In the classroom
Meštrović Pavilion is common in secondary-school and first-year university syllabi. It links to neighbouring topics 1938 establishments in Croatia, 1941 establishments in Croatia, 1949 establishments in Croatia, so understanding it makes those chapters shorter.
In everyday life
Look for Meštrović Pavilion outside the textbook — in sport, cooking, traffic, electronics or the sky above you. An example you found yourself is remembered far longer than one you were given.
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How to study Meštrović Pavilion in 20 minutes

  1. Read the reference excerpt below once, without taking notes.
  2. Close the page and write down what Meštrović Pavilion means in your own words.
  3. Compare your version with the excerpt and mark what you missed.
  4. Work through the three examples above with pen and paper.
  5. Explain Meštrović Pavilion out loud to somebody else — or to Teacher Smith in the lgStudy chat.

Frequently asked questions

What is Meštrović Pavilion in simple terms?

The Meštrović Pavilion (Croatian: Meštrovićev paviljon), also known as the Home of the Croatian Visual Artists (Croatian: Dom hrvatskih likovnih umjetnika) and colloquially as the Mosque (Croatian: Džamija), is a cultural venue and the official seat of the Croatian Society of Fine Artists (HDLU) lo…

Why does Meštrović Pavilion matter?

Because it connects several engineering ideas at once: it gives you a definition you can apply, a quantity you can calculate, and a way to check whether a result is plausible.

How should I study Meštrović Pavilion?

Read the excerpt, restate it from memory, then work through the examples and applications listed on this page. The five-step study plan above takes about twenty minutes.

What does this page cover?

It gives you a compact reference excerpt plus original lgStudy explanations, examples, applications and study material on Meštrović Pavilion.

Tags

  • 1938 establishments in Croatia
  • 1941 establishments in Croatia
  • 1949 establishments in Croatia
  • 1990 establishments in Croatia
  • Art museums and galleries established in 1938
  • Art museums and galleries established in 1990
  • Art museums and galleries in Zagreb
  • Buildings and structures completed in 1938
  • Donji grad, Zagreb
  • Former mosques in Croatia
  • History of Zagreb
  • Ivan Meštrović

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