Milos or Melos (; Modern Greek: Μήλος, romanized: Mílos, IPA: [ˈmilos]; Ancient Greek: Μῆλος, romanized: Mêlos) is a volcanic Greek island in the Aegean Sea, just north of the Sea of Crete. It is the southwestern-most of the Cyclades islands. Sculptures from Milos include the Venus de Milo (now in the Louvre), the Poseidon of Melos (now in the NAMA), the Asclepius of Milos (now in the British Museum), and an archaic Apollo now in Athens. Milos is a popular tourist destination during the summer. The municipality of Milos also includes the uninhabited offshore islands of Antimilos and Akradies. The combined land area is 160.147 square kilometres (61.833 sq mi) and at the 2021 census the population was 5,193 inhabitants.
History
Obsidian (a glass-like volcanic rock) from Milos was a commodity as early as 15,000 years ago. Obsidian from Milos was traded over long distances and fashioned into extremely sharp stone tools well before farming began and later: "There is no early farming village in the Near East that doesn't get obsidian". The mining of obsidian did not lead to the development of permanent habitation or manufacturing on the island. Instead, those in search of obsidian arrived by boat, beaching it in a suitable cove and cutting pieces of the volcanic glass from the quarries. The position of Milos, between mainland Greece and Crete, and its possession of obsidian, made it an important centre of early Aegean civilisation. Milos lost its arms-making importance when bronze became the preferred material for the manufacture of weapons.
The Bronze Age The first settlement at Phylakopi (Greek Φυλακωπή) arose in the Bronze Age, flourishing as the extraction of obsidian was in the decline. The first settlers were tuna fishermen. Lying on the north-east coast, 1896 excavations by the British School at Athens and later in 1973 by the British archaeologist Colin Renfrew, revealed a town wall and a Minoan-inspired structure, dubbed the Pillar room, which contained fragments of vivid wall paintings. The famous fresco of the flying fish was found in the ruins of the Pillar room and was executed with delicate colouring and graphic observation of nature in the graceful movement of a fish. Stylistic similarities to Minoan frescoes are suggested, and it could perhaps have been the work of a Cretan artist. Part of the site has been washed away by the sea. The antiquities found at the site covered three major periods, from the Early Cycladic period to the Mycenaean period. At the site much pottery was excavated, with several changing styles and influences over the site's long occupation. In the early occupation of the site, there are many similarities and imports from other Cycladic islands and the settlement was very small. During the Middle Bronze Age however, the site expanded significantly and the expansion of Minoan Crete saw an influx of Minoan pottery into the Cyclades, particularly at Akrotiri on Thera, though much found its way to Phylakopi. The quantities found at the Cycladic sites have been taken to suggest a Minoan control over the region, though it could also be the consumptive nature of the islanders adopting Cretan fashions. There is more than just pottery at Phylakopi however, the eruption of the Thera volcano saw a reduction in Minoan presence in the Cyclades and it is at this time that Mycenaean involvement on the islands increases. At Phylakopi (and unknown in the rest of the Cyclades) a megaron structure, which is typically associated with the Mycenaean palaces, such as those at Tiryns, Pylos and Mycenae has been discovered. This has been taken to suggest that the Mycenaeans conquered the settlement and installed a seat of power for a governor. The evidence is not clear, though again it could be a legacy of the islanders adopting foreign elements into their culture. Particularly unexpected was the discovery in the 1970s of a shrine at the site, which contained many examples of Aegean figurines, including the famous "Lady of Phylakopi". The shrine is unprecedented in the Bronze Age Cyclades and has provided a valuable insight into the beliefs and rituals of the inhabitants of Phylakopi. The site was eventually abandoned and was never reoccupied.
Dorian settlement
The first Dorian settlement on Melos was established no earlier than the 1st millennium BC. Dorians are the ethnic group to which the Spartans belonged, but the Dorian settlers of Melos made themselves independent. They eventually established a city whose site lies on the eastern shore of the bay, just south-west of the present-day community of Trypiti. From the 6th century BC up to the siege of 416 BC, Melos issued its own coinage, struck according to the Milesian weight standard: the base coin was the stater which weighed just over 14 grams. Melos was the only island in the Aegean Sea to use this standard. Most coins bore the image of an apple, which is a pun because the ancient Greek word for "apple" (mêlon) sounded similar to the name of the island. The coins also often bore the name of its people: ΜΑΛΙΟΝ (Malion) or some abbreviation thereof. By the 6th century BC, the Melians had also learned to write, and they used an archaic variant of the ancient Greek script that exhibited Cretan and Theraic influences. It was discarded after the siege of 416 BC.
From at least as early as 470 BC and ending with the siege of 416 BC, the Melians exported terracotta reliefs, which were typically used as door or chest ornaments and depicted scenes from mythology. During the second Persian invasion of Greece in 480 BC, the Melians refused to submit to Persia and contributed two warships to the Greek war effort, which were used at the Battle of Salamis. After the battle, the Melians returned to their traditional isolationism.
Siege of 416 BC
… excerpt ends here. Continue reading the full article.
