A miniseries or mini-series, sometimes called a limited-run series, is a television program that tells a story in a predetermined, limited number of episodes. Many miniseries can also be referred to, and shown, as a television film in several parts. The term "serial" is used in the United Kingdom and in other Commonwealth nations to describe a show that has an ongoing narrative plotline, while "series" is used for a set of episodes in a similar way that "season" is used in North America.
Definitions A miniseries is distinguished from an ongoing television series; the latter does not usually have a predetermined number of episodes and may continue for several years. Before the term was coined in the United States in the early 1970s, the ongoing episodic form was always called a "serial", just as a novel appearing in episodes in successive editions of magazines or newspapers is called a serial. In Britain, miniseries are often still referred to as serials or series. Several commentators have offered more precise definitions of the term. In Halliwell's Television Companion (1987), Leslie Halliwell and Philip Purser suggest that miniseries tend to "appear in four to six episodes of various lengths", while Stuart Cunningham in Textual Innovation in the Australian Historical Mini-series (1989) defined a miniseries as "a limited run program of more than two and less than the 13-part season or half season block associated with serial or series programming". With the proliferation of the format in the 1980s and 1990s, television films broadcast over even two or three nights were commonly referred to as miniseries in the United States. In Television: A History (1985), Francis Wheen points out a difference in character development between the two: "Both soap operas and primetime series cannot afford to allow their leading characters to develop, since the shows are made with the intention of running indefinitely. In a miniseries on the other hand, there is a clearly defined beginning, middle, and end (as in a conventional play or novel), enabling characters to change, mature, or die as the serial proceeds". In 2015, the Academy of Television Arts & Sciences changed its guidelines on how Emmy nominees are classified, with shows with a limited run all referred to as "limited series" instead of "miniseries". This was a reversion to 1974, when the category was named "outstanding limited series". It had been changed to "outstanding miniseries" in 1986. Miniseries were put in the same category as made-for-television films from 2011 to 2014, before being given separate categories again.
21st-century definitions The Collins English Dictionary defines a miniseries as "a television programme in several parts that is shown on consecutive days or weeks for a short period; while Webster's New World College Dictionary's (4th ed., 2010, US) definition is "a TV drama or docudrama broadcast serially in a limited number of episodes". In popular usage, by around 2020, the boundaries between miniseries and limited series have become somewhat blurred; the format has been described as a series with "a self-contained narrative – whether three or 12 episodes long".
History
United Kingdom The British television "serial" is rooted in dramatic radio productions developed between the first and second World Wars. In the 1920s, the BBC pioneered dramatic readings of books. In 1925, it broadcast A Christmas Carol, which became a holiday favourite. Later, John Reith, wanting to use radio waves to "part the clouds of ignorance", came up with the idea for Classic Serial, based on a "classical" literary text. In 1939, the BBC adapted the romantic novel The Prisoner of Zenda for radio broadcast. Its adapter, Jack Inglis, compressed several characters into one and simplified the plotline. The production struck a chord with listeners and served as a prototype for serials that followed it. Post-war, BBC Television picked up the classic radio serial tradition by broadcasting The Warden by Anthony Trollope over six episodes in 1951. Pride and Prejudice was serialised in 1952, Jane Eyre in 1955. In 1953, the BBC broadcast the first serial written specifically for television: the six-part The Quatermass Experiment. Its success paved the way for two more six-part serials: Quatermass II in 1955 and Quatermass and the Pit in 1958. In November 1960, the BBC televised a 13-episode adaptation of Charles Dickens's Barnaby Rudge. In December of that year, it broadcast a four-episode dramatisation of Jane Austen's Persuasion. To compete with commercial television, BBC launched BBC2 in 1964. It had a new time slot allocated for classic serial adaptations on Saturday evenings. The late-night broadcast allowed for more risky and sophisticated choices and for longer episodes. In 1967, The Forsyte Saga was broadcast in 26 50-minute episodes. Following its success in Britain, the series was shown in the United States on public television and broadcast all over the world and became the first BBC television series to be sold to the Soviet Union.
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