Miraflores Charterhouse (Spanish: Cartuja de Miraflores) is an Isabelline style charterhouse, or Carthusian monastery of the Order of the Carthusians, built on a hill (known as Miraflores) about three kilometres from the center of the Spanish city of Burgos, autonomous community of Castile and León. Its origin dates back to 1442, when King John II of Castile donated a hunting lodge outside Burgos, which had been erected by his father Henry III of Castile "the Mourner" in 1401, to the Order of the Carthusians for its conversion into a monastery, thus fulfilling his father's wishes, as stated in his will. A fire in 1452 caused the destruction of the pavilion, and construction of a new building began in 1454. It is this building, which was placed under the patronage of Saint Mary of the Annunciation, which exists today. The construction was commissioned to Juan de Colonia, and was continued after his death by his son, Simón de Colonia, who completed the structure in 1484 at the behest of Queen Isabella I of Castile, surviving daughter of king John II of Castile and queen Isabella of Portugal, whose impressive buried are housed in the monastery. It is a late-Gothic jewel, and its highlights include the church, whose Isabelline style western facade is decorated with the coats-of-arms of its founders. The monastery consists of a single nave with stellar vault and side chapels, and is topped by a polygonal apse.
Situation and access The Charterhouse is 3 km east of the city center of Burgos, in the parque de Fuentes Blancas, close to the Arlanzón River. The monument is easily accessible from the city of Burgos, and can be reached along an easy footpath in a natural setting. It is possible to go by bus or taxi from the city, and it has free parking for private vehicles and buses. Visits are free and open to the public.
Origins First in 1401 was erected the Palace-alcázar of Miraflores, built by King Henry III of Castile "the Mourner". Later, the Miraflores Charterhouse was founded in 1442 after the donation to Order of the Carthusians by King John II of Castile inside the Palace-alcázar of Miraflores. That original monastery, originally placed under the patronage of Saint Francis of Assisi, suffered a fire in 1452 causing a new approach to the building according to the current design, which was commissioned architect Juan de Colonia, who worked at that time in the Cathedral of Burgos.
[...] Por la cual ofrescí a la dicha su orden [cartuja] los que entonces eran mis palacios de la dicha Miraflores e agora son el dicho monesterio de Sant Francisco de la dicha Orden de Cartuxa. (written in Medieval Spanish) [...] By which I offered to their blessed order [Charterhouse] then were my palaces of the blessed Miraflores and are now blessed monastery of Saint Francis of Assisi of the blessed Cartuxa Order. With the arrival to the throne of the John II's daughter, Isabella I of Castile, return the work in monastery from the year 1477, undertaking new projects such as the Sepulchers of the Kings or the Altarpiece. It will continue the architectural tracery of Garci Fernández de Matienzo and later of Simón de Colonia, son of Juan de Colonia, finishing the works of vaulting of the monastery in year 1484. Between 1532 and 1539, undertaken other architectural works in the monastery under direction of Diego de Mendieta, designed to create the side chapels and give greater height to the church as well as the incorporation of spires and pinnacles, and incorporation of the cresting.
19th-century drawings of the Miraflores Charterhouse Both of these sights preverves within today
Written sources The sources for the study of the Miraflores Charterhouse include writings of various kinds
Compendium of the Libro becerro entitled Brief and compendious news of the foundation of this Miraflores Charterhouse taken from Libro Becerro with worthy of knowing's other news, and covering events and privileges granted to the Charterhouse from 1442 to 1764. Other sources, among which are the following contributions: Iglesia, Fr. Nicolás, "Flowers of Miraflores sacred hieroglyphics, figurative truths, true shadows of the Mistery of the Immaculate Conception of the Virgin and Mother of God Our Lady Mary […]», Burgos, 1659. Vallés, José de, "First Institute of the Sacred Religion of the Cartuxa: foundations of convents throughout Spain, martyrs of England and generals of the whole order" Madrid, 1663. Arias de Miranda, Juan, "Historical Notes about Miraflores Charterhouse Burgos» Burgos, 1843. Tarín and Juaneda, Francisco, "The Royal Miraflores Charterhouse (Burgos). History and description" Burgos, 1896.
Exterior set
Floor
The floor of the monastery follows other Carthusian monasteries's pattern of the Middle Ages. The floor develops from the placement of the church and the layout of two main cloisters for each of the groups of Carthusian monks who inhabit: Fathers and Brothers. Around these two cloisters are individual hermitages that allows the monk to live solitude and silence own of the Carthusian spirituality. This part of the monastery is not visitable. The floor of the church is formed by a single quadripartite longitudinal nave, distinguishing the spaces of the chancel, the choir of the Fathers, the choir of the Brothers and the faithfuls stay. The nave is closed with vaults with tiercerons, keeping the Gothic original layout.
Portal
The church's portal rose in year 1486 and was originally located on left side of the monastery, providing access to faithfuls directly from outside the monastery. It consists of pointed archivolts decorated with plants, animals and some human figurative motifs located under a big ogee with poaceaes. In the tympanum represents the motive of the Compassion of the Virgin, which according to late-Medieval iconographic canons, shows the Virgin sitting with her died Son in her arms, accompanied by the symbols of the moon and sun. Stylistically it is linked to the works of the Colonia (father and son), who participated in the rising of the monastery. It can also relate with other portals of other Burgalese monasteries, i.e. the church of San Nicolás de Bari or the church of San Lesmes Abad. Between 1657 and 1659 was ordered its move to the current location, accessing from courtyard de la Portería and connecting to the nave of the monastery. In year 2010 proceeded to restore the portal to returning to its original condition, especially recovering the Compassion of the Virgin's sculpture.
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