The Missorium of Theodosius I is a large ceremonial silver dish preserved in the Real Academia de la Historia, in Madrid, Spain. It was probably made in Constantinople for the tenth anniversary (decennalia) in 388 AD of the reign of the Emperor Theodosius I, the last Emperor to rule both the Eastern and Western Empires. It is one of the best surviving examples of Late Antique Imperial imagery and one of the finest examples of late Roman goldsmith work. It is the largest and most elaborate, and the most famous, of the 19 surviving vessels believed to represent largitio ("largesse") or a "ceremonial gift given by the emperor to a civil or military official".
Iconography
The dish shows a hieratic image of the Emperor framed in an arcade, giving a document contained in a diptych, possibly a letter of appointment, to a much smaller senior official, flanked by his two co-emperors, Valentinian II and his own son Arcadius, and bodyguards who can be identified by their hairstyles, torcs and shields as belonging to the German imperial bodyguard. The official receives the document with hands covered by his chlamys (cloak). Theodosius is shown far larger than the other figures, as is common in the hieratic Late Antique style, despite the fact that Valentinian II had been an Emperor for longer (he in turn is significantly larger than Arcadius or the unknown official). The three emperors have haloes which is usual at this period.
Their clothing is early Byzantine dress consistent with other Imperial portraits of the period. The two co-emperors have decorated tablions (patches showing rank attached to their main garment) at their knees, or possibly Epigonations (unattached ceremonial "handkerchiefs", which survive as an Eastern Orthodox vestment). These would have been highly decorated with embroidery and probably jewels. The official receiving the document wears clothes decorated with stripes and patches which would have been a kind of uniform for his office. The three Imperial figures have tightly curled hairstyles, and wear diadems of pearls. Their cloaks are fastened with large circular jewelled fibulae, comparable to that worn by Justinian in the mosaic at San Vitale, Ravenna, while the official has a "crossbow" fibula. The architectural surround has often been compared to a peristyle at Diocletian's Palace in Split, Croatia, where the emperor retired after abdicating his powers. This opens from the imperial residence to a courtyard that has been regarded as a setting for ceremonial audiences such as the one shown on the dish, but this interpretation is uncertain. Below the groundline of the imperial scene there is a scene of putti offering garlands and other objects, up to the Emperor above; with the two on the pediment above, there are five in total, and various significances have been given to this number, as representing years, "dioceses" of the Eastern Empire, or other things. Their offerings are held in hand-cloths, just as the official uses his clothes to receive his gift; it was considered disrespectful to hold bare hands out to the emperor. The putti fly above a reclining figure of Tellus or Terra, the Roman earth goddess. Vaguer figures from Roman mythology such as personifications, putti, and winged victories continued to be acceptable in Christian art of the Roman elite, and apparently retained for reasons of what we might call "cultural heritage", where representations of specific major deities were not. Tellus is shown in a pose that continues Hellenistic style, rather than the frontal iconic Late Antique style of the figures in the upper zone. Any Christian imagery is noticeably absent.
Discovery and condition
The missorium comes from a treasure of silver objects that also included two plain silver cups, now missing, discovered by a labourer in 1847 in Almendralejo, close to Mérida in the Spanish province of Badajoz. When found it was folded flat along the line of the diagonal cut that now divides it into two pieces, which was made as part of an attempt to restore it, though an attempt at a cut along the same line may also have been made in antiquity. It is in good condition apart from the areas affected by this, but that it was folded may suggest it was being treated as bullion when deposited. The height of the silver relief varies, and is highest in the face of Theodosius and other highlights of the composition; much of the detail on the clothing is engraved.
A commemorative dish The dish is one of the most beautiful examples of silversmith's work of imperial largesse, that is to say of the category of luxury articles made for imperial celebrations such as accession to the throne and anniversaries and given on these occasions by the emperor to high-ranking dignitaries of the empire: they were mainly dishes, plates, cups, and bowls in silver. The recipient may well be the official represented on the dish (possibly a generalized figure, especially if the design was made in several copies, which we cannot judge), and the find-spot in Spain, Theodosius's home province, suggests it was one of his Spanish friends or relations. A missorium is a large dish or shallow bowl that could be used in ceremonial washing of hands and face in both secular and pagan and Christian religious contexts, though this dish is too flat to be very useful for this, and was probably intended mainly to be displayed as a sign of wealth and imperial favour. The term now tends to be avoided by scholars, as rather imprecise, but has become traditional in the case of the dish in Madrid. This is made of solid silver and has traces of gilding on the inscriptions. Its size is exceptional compared to other contemporary silver dishes, measuring 74 cm in diameter with a thickness which varies between 4 and 8 mm. It rests on a ring, 3 cm thick with a diameter of 26 cm, which was welded to the base. This ring has a Greek inscription specifying the official weight of the object: ποc ↑Ν ΜεΤ, i.e. ποσότης λιτρῶν 50 μετάλλου (“50 metal pounds”) The 50 "pounds" correspond to an official weight of 16.13 kg of silver, whereas the dish actually weighs only 15.35 kg; the difference could be because the dish was weighed and marked before being decorated: a piece of the dish is also missing. The decoration, at the same time engraved and with repoussé decoration (pushed out from the back), would have removed a little metal, although this is unlikely to account for the whole difference.
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