After the Fall of Constantinople to the Ottomans and the following trends of Greek migration to the Diaspora, Greek architecture was concentrated mainly on the Greek Orthodox churches of the Diaspora. These churches, such as other intellectual centres built by Greeks (foundations, schools, etc.), were used also as a meeting-place. The architectural style of these buildings was heavily influenced by the western European architecture. After the Greek War of Independence and the creation of the modern Greek state, the modern Greek architecture tried to combine the traditional Greek architecture and Greek elements and motives with the western European movements and styles. The 19th-century architecture of Athens and other cities of the Greek Kingdom is mostly influenced by the Neoclassical architecture, with architects such as Theophil Hansen, Ernst Ziller, Panagis Kalkos, Lysandros Kaftanzoglou and Stamatios Kleanthis.
History
Venetian and Ottoman architecture The architecture of the modern Greek cities, especially the old centres ("old towns") is mostly influenced either by the Ottoman or the Venetian architecture, two forces that dominated the Greek space from the early modern period. The most notable examples of Gothic architecture in modern-day Greece include the former Dominican church of St. Peter in Heraklion and the Palace of the Grand Master of the Knights of Rhodes in Rhodes, whilst the Venetian Loggia in Heraklion is a prime example of Renaissance architecture. Ottoman architecture is represented by the Alaca Imaret Mosque in Thessaloniki, the former Tzistarakis Mosque in Athens, and the Saint Titus Cathedral in Heraklion.
Neoclassical architecture
After the Greek Independence, the modern Greek architects tried to combine traditional Greek and Byzantine elements and motives with the western European movements and styles. Patras was the first city of the modern Greek state to develop a city plan. In January 1829, Stamatis Voulgaris, a Greek engineer of the French army, presented the plan of the new city to the Governor Kapodistrias, who approved it. Voulgaris applied the orthogonal rule in the urban complex of Patras. However his initial plan was modified in 1830. Two special genres can be considered the Cycladic architecture, featuring whitewashedhouses, in the Cyclades and the Epirotic architecture in the region of Epirus, featuring stone houses. After the establishment of the Greek Kingdom, the architecture of Athens and other cities was mostly influenced by the Neoclassical architecture. For Athens, the first King of Greece, Otto of Greece, commissioned the architects Stamatios Kleanthis and Eduard Schaubert to design a modern city plan fit for the capital of a state. However, the first buildings in this style had already appeared somewhat earlier in what is now Greece, an example being the Palace of St. Michael and St. George in Corfu, which originally served as the residence of the British Lord High Commissioner of the Ionian Islands.
Neo-Renaissance architecture Alongside Neoclassicism, Neo-Renaissance architecture was also developed, although on a smaller scale. The most significant example is the St. Dionysius the Areopagite Catholic Cathedral in Athens. In the architecture of Orthodox churches, this style was less popular, however, examples can also be found in the cathedrals of Chania and Heraklion on Crete.
Neo-Byzantine architecture Another important style was the Neo-Byzantine style, in which many churches were built. The most notable examples include the Cathedral of Saint Andrew in Patras, the Greek-Catholic Cathedral of Athens and the Cathedral of Saint Nectarios of Aegina. In 1917 most of Thessaloniki's old center of the city was destroyed by the Great Thessaloniki Fire of 1917. Following the fire the government prohibited quick rebuilding, so it could implement the new redesign of the city according to the European-style urban plan prepared by a commission of architects headed by French architect Ernest Hébrard. The main square is Aristotle Square, which is lined with Neo-Byzantine buildings.
Antiparochi laws In 1929, two important laws concerning apartment buildings took effect. The law about "horizontal property" made it possible that many different owners own one apartment building, each by owning one or more apartment units. Theoretically, each apartment corresponds to a percentage of the original plot. The most important effect of this law was the practice of "αντιπαροχή" (Antiparochí, literally "a supply in exchange"). With antiparochí, the owner of a plot, who can't afford to build an apartment building by himself, makes a contract with a construction company so that the latter will build the apartment building but keep the ownership of as many apartments as the contract states. Although during the inter-war period the practice of antiparochí was limited, as the construction of most apartment buildings was financed solely by the original owners of the plot, antiparochí became the most common method for financing the construction of condominiums (polykatoikíes) from the 1950s onwards. However this practice had the negative effect of the destruction of many old-era (mostly of 19th century) buildings and mansions in the major Greek cities, to be replaced by common apartment buildings. Even today (2019), the owners of old buildings or mansions, listed as architecturally preserved, prefer to let them collapse to avoid the preservation cost and exploit the plot.
Italian fascist architecture Within the borders of modern Greece, there are also works by Italian architects in the Dodecanese, which were ruled by Italy from 1912 to 1947. The most notable examples are Palazzi del Governo in Rhodes and Kos.
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