Nastaliq is one of the main calligraphic hands used to write the Persian and sometimes Arabic scripts, and is used for several significant Indo-Iranian languages (namely all Iranian and some Indo-Aryan languages), predominantly Persian, Kurdish, Pashto, Balochi, Urdu, Sindhi, Saraiki, Kashmiri and Punjabi (in Pakistan). It is also often used for Ottoman Turkish, but rarely for Arabic (particularly in Iraq) and Arwi. Nastaliq developed in Iran from a combination of Naskh and Ta'liq, beginning in the 13th century and it remains widely used in Iran, India, Pakistan, Afghanistan, and other countries for writing poetry and as a form of art.
History
The name Nastaliq "is a contraction of the Persian naskh-e ta'liq (Persian: نَسْخِ تَعلیق), meaning a hanging or suspended naskh." Virtually all Safavid authors (like Dust Muhammad or Qadi Ahmad) attributed the invention of nastaliq to Mir Ali Tabrizi, who lived at the end of the 14th and the beginning of the 15th century. That tradition was questioned by Elaine Wright, who traced the evolution of Nastaliq in 14th-century Iran and showed how it developed gradually among scribes in Shiraz. According to her studies, nastaliq has its origin from naskh alone, and not by combining naskh and taliq, as was commonly thought. In addition to study of the practice of calligraphy, Elaine Wright also found a document written by Jafar Tabrizi c. 1430, according to whom:
It must be known that nastaʿliq is derived from naskh. Some Shirazi [scribes] modified it [naskh] by taking out the flattened [letter] kaf and straight bottom part of [the letters] sin, lam and nun. From other scripts they then brought in a curved sin and stretched forms and introduced variations in the thickness of the line. So a new script was created, to be named nastaʿliq. After a while Tabrizi [scribes] modified what Shirazi [scribes] had created by gradually rendering it thinner and defining its canons, until the time when Khwaja Mir ʿAli Tabrizi brought this script to perfection.
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