National Museum of Scotland

The National Museum of Scotland (Scottish Gaelic: Taigh-tasgaidh Nàiseanta na h-Alba) in Edinburgh, Scotland, is a museum of Scottish history and culture. It was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Scottish Museum (opened in 1866 as the Edinburgh Museum of Science and Art, renamed in 1904, and for the period between 1985 and the merger named the Royal Museum of Scotland or simply the Royal Museum), with international collections covering science and technology, natural history, and world cultures. The two connected buildings stand beside each other on Chambers Street, by the junction with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland and admission is free. The two buildings retain distinctive characters: the Museum of Scotland is housed in a modern building opened in 1998, while the former Royal Museum building was begun in 1861 and partially opened in 1866, with a Victorian Venetian Renaissance façade and a grand central hall of cast iron construction that rises the full height of the building, designed by Francis Fowke and Robert Matheson. This building underwent a major refurbishment and reopened on 29 July 2011 after a three-year, £47 million project to restore and extend the building led by Gareth Hoskins Architects along with the concurrent redesign of the exhibitions by Ralph Appelbaum Associates. The National Museum incorporates the collections of the former National Museum of Antiquities of Scotland. As well as the national collections of Scottish archaeological finds and medieval objects, the museum contains artefacts from around the world, encompassing geology, archaeology, natural history, science, technology, art, and world cultures. The sixteen new galleries reopened in 2011 include 8,000 objects, 80% of which were not previously on display. One of the more notable exhibits is the stuffed body of Dolly the sheep, the first successful cloning of a mammal from an adult cell. Other highlights include Ancient Egyptian exhibitions, one of Sir Elton John's extravagant suits, the Jean Muir Collection of costume and a large kinetic sculpture named the Millennium Clock. A Scottish invention that is on display is the Scottish Maiden, an early beheading machine predating the French guillotine. In 2025, the museum received 2,318,305 visitors, making it Scotland's most popular visitor attraction that year.

History

Royal Museum of the University In 1697 Robert Sibbald presented the University of Edinburgh College of Medicine with a natural history collection he had put together with his friend Andrew Balfour, who had recently died. The wide range of specimens was put on permanent display in the university, as one of the first museums in the UK. Daniel Defoe, in A Tour thro' the Whole Island of Great Britain published in 1737, called it "a fine Musæum, or Chamber of Rarities, which are worth seeing, and which, in some things, is not to be match'd in Europe". Later editions of the book said it had rarities not to be found in the Royal Society or the Ashmolean Museum. In 1767 the museum became the responsibility of the first Regius Professor of natural history, Robert Ramsey, then in 1779 his successor John Walker recorded that he had found the collection was in poor condition. The Regius Professorship, and the museum, was taken over in 1804 by Robert Jameson, a mineralogist whose course covered zoology and geology, who built it up "not a private department of the university but as a public department connected in some degree with the country of Scotland". In 1812 it was renamed the "Royal Museum of the University". An enormous number of specimens were acquired, by buying from other collections and by encouraging travellers abroad to collect and preserve their finds. Packages were delivered duty-free, and half of the specimens collected by Royal Navy survey ships went to the museum (the other half going to the British Museum in London). Jameson's natural history course held practical classes three times a week in "the great museum he had collected for illustrating his teaching", including description of exhibits and identification of mineral specimens. With support from the University Authorities, Edinburgh Town Council and the Commissioners for the College Buildings, a new museum was built in 1820 as part of new university buildings (the museum is now occupied by the Talbot Rice Gallery, its main features still in place). The taxidermist John Edmonstone undertook work for the museum, and in 1826 gave private lessons to Charles Darwin, who later studied in the museum and befriended its curator, the ornithologist William MacGillivray. The collections, noted as "second only to those of the British Museum", overfilled the available space. In 1852 Jameson suggested proposals, which were put forward by the university Senatus, that the natural history collections be taken over by the government to form a new National Museum adjacent to the university, and integrated into it. Jameson was seriously ill during this time, and died on 19 April 1854, shortly after the negotiated agreement was formalised.

Chambers Street Museum For a few years after the museum first opened, its frontage looked on to a narrow lane. In the 1870s this lane was widened in forming Chambers Street. Over the following century, though there were official names, it became popularly known as the "Chambers Street Museum".

Industrial Museum of Scotland

The site for building, bought earlier to ensure unobstructed light to the university buildings, had been occupied by two properties west of Jameson's museum; an Independent Chapel with seats for 1,000 fronting West College Street, and the Trades' Maiden Hospital girls' school beside Argyle Square. The grounds of these buildings were bounded on the north by a narrow lane connecting North College Street to the square, and on the south by the Flodden Wall.

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