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Nothing Left to Do But Cry

Nothing Left to Do But Cry is a science topic covered in the lgStudy science library. This page brings together a partial reference excerpt, illustrations, worked examples, real-world applications and a short study plan, so you can understand Nothing Left to Do But Cry rather than just read about it. In short: Nothing Left to Do But Cry (Italian: Non ci resta che piangere) is a 1984 Italian fantasy comedy film written by, directed by and starring Roberto Benigni and Massimo Troisi. Distribution Three different versions of the film were distributed.

Nothing Left to Do But Cry — main illustration
Nothing Left to Do But Cry — illustration

Key takeaways

  • Nothing Left to Do But Cry belongs to science; place it in that map before memorising details.
  • Learn the definition first, then one example that makes the definition concrete.
  • Connect Nothing Left to Do But Cry to a quantity you can measure, compute or draw — that is where exam questions come from.
  • Reproduce the core statement of Nothing Left to Do But Cry from memory before moving on to harder problems.

Reference excerpt

Nothing Left to Do But Cry (Italian: Non ci resta che piangere) is a 1984 Italian fantasy comedy film written by, directed by and starring Roberto Benigni and Massimo Troisi.

Distribution Three different versions of the film were distributed. One version, never distributed in the home video market in any format, was the result of a different editing process meant for television release. The film was broadcast on TV for the first time on 8 December 1986, on Canale 5. In 2006 a new extended edition of the film was released on DVD, 18 minutes longer to show a greater development of the character of Astriaha. In March 2015 the film returned to Italian cinemas thanks to Lucky Red, which distributed a restored version of the comedy.

Plot The film opens in the Tuscan countryside. Mario (a janitor) and his friend Saverio (a teacher) are stopped at a level crossing, waiting for the train to pass. The two friends trust each other. Among other things, Saverio is worried about his sister Gabriella, who fell into depression after the failure of her relationship with an American boy. The wait continues and they eventually decide to travel down a road in the fields. After a while they find themselves with their car stuck in the middle of the countryside. When the evening comes, it begins to rain. The two find accommodation in an inn for the night, in a room that already hosts another person. The next morning they wake up and are amused by the sight of the guest urinating out of the window, but their laughter is immediately truncated by the hiss of a spear that kills him. Mario and Saverio see people in a black cloak fleeing on horseback, then rush to the ground floor and find other people, all dressed in a strange way. In disbelief, they ask a man where they are and are told they are in Frittole, an imaginary Tuscan village, at the end of the 15th century. At first they consider it a joke in bad taste, they soon resign themselves to the harsh reality of having travelled back in time and manage to get hosted by Vitellozzo, the brother of the killed man, Remigio, who tells them of a terrible feud with a man named Giuliano del Capecchio, who is exterminating his family. Once in the village they meet Parisina, mother of Vitellozzo and the late Remigio, and begin to work in their butcher shop. Saverio immediately becomes at ease with living in the Renaissance, while Mario does not want to settle down. However, during a religious function, Mario makes the acquaintance of Pia, a girl from a rich family, and falls in love with her. He begins to frequent her, showing himself outside of the wall surrounding her house. In the meantime, Vitellozzo is arrested and Saverio and Mario write a letter to Girolamo Savonarola, in vain, to obtain his liberation. Saverio shows some annoyance with the meetings between Mario and the young Pia, keeps telling his friend to ask Pia if she has any female friend to introduce to him and complains that he always remains alone working in the butcher shop. Driven by his political-intellectual fervour, Saverio convinces his friend to travel to Spain, in order to reach Christopher Columbus and dissuade him from leaving for the Indies and discovering America. By doing this, Saverio intends to alter history so that in the future his sister cannot meet the American boy who left her. In an unspecified place the two come across a beautiful amazon, Astriaha, who intimidates them by throwing an arrow against their wagon. At this point the story differs depending on the version, standard or extended.

Standard version In France, Mario and Saverio come across Leonardo da Vinci. Driven by an unstoppable enthusiasm, they try to explain to him modern inventions such as the train, the thermometer, electricity and traffic lights; as Leonardo apparently struggles to understand their confused descriptions, the two resign themselves to just explaining him the popular card game of scopa. In a tavern the two meet Astriaha, who tells them that her task was to prevent the arrival of any foreigner to Spain, to guarantee the departure of Columbus' ships. Hearing these words they rush to the Spanish coast, without seeing the three caravels at all. The two try to return to Italy and with amazement they see smoke coming out of a locomotive. Convinced that they have returned to the 20th century, they are disappointed to discover that the driver is Leonardo, who made treasure of their teachings. Sensing their disappointment, he reassures them that the proceeds will be split in equal parts.

Extended version In the extended version, the meeting with Leonardo is anticipated to make space for events that concern Astriaha. The girl says that because of them she has not slept and has not eaten for three days and orders them to return to their boss, Alonso. Mario and Saverio do not know who Alonso is and try to clear themselves. As the girl passes out, Saverio helps her and he immediately falls in love with her. When she recovers, Astriaha forces the two men to follow her to her father. Saverio constantly courts her, but she does not seem to correspond his love, and in fact one night she goes up to the stable where Mario is lodging and they make love. Saverio sees them and the next morning he decides to take revenge. While Mario rests near a river, Saverio speaks to Astriaha and confides that Mario is actually a man from Alonso. The woman, disdained, runs away. Mario gets angry, the two fight, beat each other, chase each other until they reach a beach. Together they call out the name of Columbus, but they discover that the three caravels have already sailed. Saverio reveals to Mario that the real reason he wanted to stop the navigator was to prevent his sister from forming a relationship with her American boyfriend. The two versions join in the scene where the two protagonists run on the beach.

Production

… excerpt ends here. Continue reading the full article.

Worked examples

Example 1 — a first encounter with Nothing Left to Do But Cry

Start with the simplest possible case. Write down what Nothing Left to Do But Cry claims or describes in one sentence, then invent the smallest concrete situation in which that sentence is true. In science, the smallest case is usually a single object, a single equation or a single measurement. Check that every symbol or term in your sentence has a meaning in that case.

Example 2 — changing one variable

Take the situation from Example 1 and change exactly one quantity: double it, halve it, or set it to zero. Predict what should happen to Nothing Left to Do But Cry before you calculate. Comparing your prediction with the result is the fastest way to find out whether you understand the idea or only the words.

Example 3 — an exam-style question

Typical questions about Nothing Left to Do But Cry ask you to (a) state it precisely, (b) apply it to given data, and (c) explain a limitation. Practise writing all three answers in under five minutes; the third part is what separates a full-mark answer from an average one.

Applications of Nothing Left to Do But Cry

In research
Nothing Left to Do But Cry appears in science research whenever the underlying quantities have to be modelled precisely. Papers usually cite it as a starting assumption and then explore where it breaks down.
In technology and industry
Engineering practice reuses Nothing Left to Do But Cry in design rules, simulations and safety margins. Knowing the idea lets you read a specification sheet and understand why the numbers look the way they do.
In the classroom
Nothing Left to Do But Cry is common in secondary-school and first-year university syllabi. It links to neighbouring topics 1980s films about time travel, 1984 Italian-language films, 1984 Italian films, so understanding it makes those chapters shorter.
In everyday life
Look for Nothing Left to Do But Cry outside the textbook — in sport, cooking, traffic, electronics or the sky above you. An example you found yourself is remembered far longer than one you were given.
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How to study Nothing Left to Do But Cry in 20 minutes

  1. Read the reference excerpt below once, without taking notes.
  2. Close the page and write down what Nothing Left to Do But Cry means in your own words.
  3. Compare your version with the excerpt and mark what you missed.
  4. Work through the three examples above with pen and paper.
  5. Explain Nothing Left to Do But Cry out loud to somebody else — or to Teacher Smith in the lgStudy chat.

Frequently asked questions

What is Nothing Left to Do But Cry in simple terms?

Nothing Left to Do But Cry (Italian: Non ci resta che piangere) is a 1984 Italian fantasy comedy film written by, directed by and starring Roberto Benigni and Massimo Troisi. Distribution Three different versions of the film were distributed.

Why does Nothing Left to Do But Cry matter?

Because it connects several science ideas at once: it gives you a definition you can apply, a quantity you can calculate, and a way to check whether a result is plausible.

How should I study Nothing Left to Do But Cry?

Read the excerpt, restate it from memory, then work through the examples and applications listed on this page. The five-step study plan above takes about twenty minutes.

What does this page cover?

It gives you a compact reference excerpt plus original lgStudy explanations, examples, applications and study material on Nothing Left to Do But Cry.

Tags

  • 1980s films about time travel
  • 1984 Italian-language films
  • 1984 Italian films
  • 1984 films
  • 1984 science fiction comedy films
  • Cultural depictions of Leonardo da Vinci
  • Films directed by Massimo Troisi
  • Films directed by Roberto Benigni
  • Films scored by Pino Donaggio
  • Films set in the 15th century
  • Films set in the 16th century
  • Italian-language science fiction comedy films

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