An oil-paper umbrella (Chinese: 油紙傘; Chinese: 油纸伞; pinyin: yóuzhǐsǎn, Mandarin pronunciation: [i̯ǒu̯ʈʂɨ̀sàn]) is a type of paper umbrella that originated in China. It subsequently spread across several East, South and Southeast Asian countries such as Japan, Korea, Malaysia, Myanmar, Bangladesh, India, Sri Lanka, Thailand, Laos, Vietnam, Cambodia and Philippines — where it was further developed with distinct characteristics. In addition to being used for shade, oil-paper umbrellas are also traditional wedding items. In traditional Chinese and Japanese weddings, the matron of honor would cover the bride with a red oil-paper umbrella upon her arrival to ward off evil spirits. Purple umbrellas are a symbol of longevity for elders, while white umbrellas are used in funerals. Oil-paper umbrellas are also used as props in Japanese traditional dances and tea ceremonies. In the early Hakka society, two umbrellas were usually given as dowry, due to the "paper" (纸) and "child" (子) homonym in the language (Pha̍k-fa-sṳ: chṳ́), symbolizing a blessing for the woman to "give birth to a son soon", a propitiatory compliment to the newlyweds at the time. As the character "umbrella" contains five "people", giving the umbrellas also represents a blessing for the couple to have many sons and grandsons. In addition, because of the "oil" and "have" homonym, and that the umbrellas open into a round shape, they symbolize a happy, complete life. It was also customary to give an umbrella to a 16-year-old man at his rite of passage. In religious celebrations, oil-paper umbrellas are often seen on sacred sedan chairs as protective coverings—used to shelter people from rain and sunlight, and to drive away evil spirits. Today, oil-paper umbrellas are mostly sold as works of art or souvenirs.
History
The spread of oil-paper umbrellas was started by the invention of Yun (雲氏), wife of Luban (魯班). "Chop bamboo sticks to thin strips, covered in animal fur, closed to become a cane, opened as a cone." Early umbrella materials were mostly feathers or silks, later replaced by paper. When oil-paper umbrellas first appeared is unknown. Some estimate that they spread across to Korea and Japan during the Tang dynasty. It was commonly called the "green oil-paper umbrella" during the Song dynasty. The popularity grew and the oil-paper umbrella became commonplace during the Ming dynasty. They are often mentioned in popular Chinese literature. By the 19th century, oil-paper umbrellas were a common item in international trade under the name kittisols.
Basic production process The production process and required procedures are different in each region. However, in general, they can be divided into four main steps:
Bamboo is selected The bamboo is crafted and soaked in water. It is then dried in the sun, drilled, threaded and assembled into a skeleton. Washi paper is cut and glued onto the skeleton. It is trimmed, oiled, and exposed to sunlight. Lastly, patterns are painted onto the umbrella.
In Mainland China
The art of the Chinese style of oil-paper umbrellas is mostly focused on traditional black and white Chinese painting, such as flowers, birds, and scenery. Others include scenes from famous Chinese literature, such as Dream of the Red Chamber and Romance of the Western Chamber. Yet, some have Chinese calligraphy instead of paintings. However, traditional colors are kept on the sticks and the scaffold of the umbrella to maintain the antiquity.
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