Orc

An orc (sometimes spelt ork; ) is a fictional race of humanoid monsters often found in works of modern fantasy. Originally called "Goblins," the concept of modern orcs can be found in George MacDonald's The Princess and the Goblin, and later adapted into J. R. R. Tolkien's Middle-earth fantasy fiction, where the first uses of the word can be found. In Tolkien's The Lord of the Rings, orcs appear as a brutish, aggressive, ugly, and malevolent race of monsters, contrasting with the benevolent Elves. He described their origins inconsistently, including as a corrupted race of elves, or bred by the Dark Lord Morgoth, or turned to evil in the wild. Tolkien's orcs serve as a conveniently wholly evil enemy that could be slaughtered without mercy. The orc was a sort of "hell-devil" in Old English literature, and the orc-né (pl. orc-néas, "demon-corpses") was a race of corrupted beings and descendants of Cain, alongside the elf, according to the poem Beowulf. Tolkien adopted the term orc from these old attestations, which he professed was a choice made purely for "phonetic suitability" reasons. Tolkien's concept of orcs has been adapted into the fantasy fiction of other authors, and into games of many different genres such as Dungeons & Dragons, Magic: The Gathering, and Warcraft.

Etymology

The Anglo-Saxon word orc, which Tolkien used, is generally thought to be derived from the Latin word/name Orcus, though Tolkien expressed doubt about this. The term orcus is glossed as "orc, þyrs, oððe hel-deofol" ("Goblin, spectre, or hell-devil") in the 10th century Old English Cleopatra Glossaries, about which Thomas Wright wrote: "Orcus was the name for Pluto, the god of the infernal regions, hence we can easily understand the explanation of hel-deofol. Orc, in Anglo-Saxon, like thyrs, means a spectre, or goblin." The term is used just once in Beowulf, as the plural compound orcneas, in the sense of a tribe of monstrous beings descended from Cain, alongside the elves and ettins (giants), who were condemned by God:

The meaning of Orcneas is uncertain. Frederick Klaeber suggested it consisted of orc < L. orcus "the underworld" + neas "corpses", to which the translation "evil spirits" failed to do justice. It is generally supposed to contain an element -né, cognate to Gothic naus and Old Norse nár, both meaning 'corpse'. If *orcné is to be glossed as orcus 'corpse', then the compound word can be construed as "demon-corpses", or "corpse from Orcus (i.e. the underworld)". Hence orc-neas may have been some sort of walking dead monster, a product of ancient necromancy, or a zombie-like creature.

Tolkien

The term "orc" is used only once in the first edition of Tolkien's 1937 The Hobbit, which preferred the term "goblins". "Orc" was later used ubiquitously in The Lord of the Rings. The "orc-" element occurs in The Hobbit in the sword name Orcrist, which is given as its Elvish language name, and glossed as "Goblin-cleaver".

Stated etymology Tolkien began the more modern use of the English term "orc" to denote a race of evil humanoid beings. His earliest Elvish dictionaries include the entry Ork (orq-) "monster", "ogre", "demon", together with orqindi and "ogresse". He sometimes used the plural form orqui in his early texts. He stated that the Elvish words for orc were derived from a root ruku, "fear, horror"; in Quenya, orco, plural orkor; in Sindarin orch, plurals yrch and Orchoth (as a class). They had similar names in other Middle-earth languages: uruk in Black Speech; in the language of the Drúedain gorgûn, "ork-folk"; in Khuzdul rukhs, plural rakhâs; and in the language of Rohan and in the Common Speech, orka. Tolkien stated in a letter to the novelist Naomi Mitchison that his orcs had been influenced by George MacDonald's The Princess and the Goblin. He explained that his word "orc" was "derived from Old English orc 'demon', but only because of its phonetic suitability", and

I originally took the word from Old English orc (Beowulf 112 orc-neas and the gloss orc: þyrs ('ogre'), heldeofol ('hell-devil')). This is supposed not to be connected with modern English orc, ork, a name applied to various sea-beasts of the dolphin order". Tolkien also observed a similarity with the Latin word orcus, noting that "the word used in translation of Q[uenya] urko, S[indarin] orch is Orc. But that is because of the similarity of the ancient English word orc, 'evil spirit or bogey', to the Elvish words. There is possibly no connection between them".

Description Orcs are of human shape, and of varying size. They are depicted as ugly and filthy, with a taste for human flesh. They are fanged, bow-legged and long-armed. Most are small and avoid daylight. By the late Third Age, a new breed of orc had emerged from Mordor attacking Osgiliath, the Uruk-hai, larger and more powerful. Later, they were garrisoned also in Isengard serving Saruman, whose Uruks were no longer afraid of daylight. Orcs eat meat, including the flesh of Men, and may indulge in cannibalism: in The Two Towers, Grishnákh, an orc from Mordor, claims that the Isengard orcs eat orc-flesh. Whether that is true or spoken in malice is uncertain: an orc flings Peregrin Took stale bread and a "strip of raw dried flesh ... the flesh of he dared not guess what creature". Half-orcs appear in The Lord of the Rings, created by interbreeding of orcs and Men; they were able to go in sunlight. The "sly Southerner" in The Fellowship of the Ring looks "more than half like a goblin"; similar but more orc-like hybrids appear in The Two Towers "man-high, but with goblin-faces, sallow, leering, squint-eyed."

In Peter Jackson's Lord of the Rings films, the actors playing orcs are made up with masks designed to make them look evil. After a disagreement with the film producer Harvey Weinstein, Jackson had one of the masks made to resemble Weinstein, as an insult to him.

Orkish language

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