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Our World (1967 TV program)

Our World (1967 TV program) is a science topic covered in the lgStudy science library. This page brings together a partial reference excerpt, illustrations, worked examples, real-world applications and a short study plan, so you can understand Our World (1967 TV program) rather than just read about it. In short: Our World was the first live multinational multi-satellite television production. National broadcasters from fourteen countries around the world, coordinated by the European Broadcasting Union (EBU), participated in the program.

Our World (1967 TV program) — main illustration
Our World (1967 TV program) — illustration

Key takeaways

  • Our World (1967 TV program) belongs to science; place it in that map before memorising details.
  • Learn the definition first, then one example that makes the definition concrete.
  • Connect Our World (1967 TV program) to a quantity you can measure, compute or draw — that is where exam questions come from.
  • Reproduce the core statement of Our World (1967 TV program) from memory before moving on to harder problems.

Reference excerpt

Our World was the first live multinational multi-satellite television production. National broadcasters from fourteen countries around the world, coordinated by the European Broadcasting Union (EBU), participated in the program. The two-hour event, which was broadcast on Sunday 25 June 1967 in twenty-four countries, had an estimated audience of 400 to 700 million people, the largest television audience up to that date. Four communications satellites were used to provide worldwide coverage. This broadcast was a technological milestone in television broadcasting. Creative artists, including opera singer Heather Harper, film director Franco Zeffirelli, conductor Leonard Bernstein, sculptor Alexander Calder and painter Joan Miró were invited to perform or appear in separate live segments, each of them produced by one of the participant broadcasters. The most famous segment is one from the United Kingdom starring the Beatles performing their song "All You Need Is Love" for the first time.

Planning

The project was conceived by British Broadcasting Corporation (BBC) producer Aubrey Singer. Due to the magnitude of the production, its coordination was transferred to the European Broadcasting Union (EBU), with Singer as the project's head. Four communications satellites were used to televise the show around the world. These geosynchronous orbit satellites included Intelsat I (known as "Early Bird") and Intelsat II F-3 ("Canary Bird"). Both satellites were positioned over different parts of the Atlantic Ocean. Intelsat II F-2 ("Lani Bird") and NASA's ATS-1 were positioned over different parts of the Pacific Ocean to complete global coverage. Nine ground stations were utilized to send and receive signals from the satellites. The EBU's Eurovision point-to-point communications network was used within that continent. These signals were monitored and manipulated by technical and production teams in 43 control rooms that linked North America, Europe, Tunisia, Japan and Australia in real time. The master control room for the broadcast was the TC1 studio control room at the BBC Television Centre in London. Contributions from North America, Japan and Australia were routed to London by the CBS Switching Center in New York. It was rented because none of the big-three American networks was directly involved with the broadcast. Contributions from continental Europe and Tunisia were routed to London by the EBU Centre in Brussels. These centres were also in charge of distributing the live master feed from London to the broadcasters in their assigned area. To illustrate the introductory segments, a large set was built at BBC's TC1 studio, which was operated by the TC2 studio control room. To solve language issues, each receiving broadcaster had its own narrator – such as Cliff Michelmore at BBC, or James Dibble at ABC – reading in their own language the script written by Antony Jay. Since the contributions from the participating broadcasters were in their native language, a team of interpreters located at BBC's TC2 studio provided simultaneous translation into English, French and German to the receiving broadcasters, where local commentators voiced-over in their own language the original sound from other broadcasters when in another language. It took 10 months and 10,000 technicians, producers and performers to bring everything together. The ground rules included that no politicians or heads of state could participate in the broadcast. In addition, everything had to be live, so no use of videotape or film was permitted. All participants had to have full knowledge of what was going to be included and the sole reason for including an item would be program balance, not geographical or political concerns. In the dress rehearsal, conducted the day before broadcast, the head of the production noticed that in violation of one of the ground rules, the Mexican broadcaster had pre-recorded their main segment. They included singers, dancers and a flock of white doves taking off right on cue and attempted to pass it off as live. Replicating that scene for the actual broadcast was impossible. So, it was decided to show some of the performers watching their taped performance live on monitors.

Participants Fourteen national broadcasters participated in the program, which was transmitted live to 24 countries, with an estimated audience between 400 and 700 million people. Eighteen national broadcasters were intended to participate, but those of the Eastern Bloc countries – Czechoslovakia, East Germany, Hungary, Poland and the Soviet Union – pulled out four days before the broadcast in protest of the Western nations' response to the Six-Day War. Due to this withdrawal, a request was made to the Danish broadcaster, which was not originally a participant, for a contribution.

Broadcast Each broadcaster had an explanatory pre-transmission introduction from their studios to their viewers – such as the introduction by Cliff Michelmore at BBC's TC5 studio in London for BBC1, the one by James Dibble at ABC's studio 23 in Sydney for ABC-TV and the interview to philosopher Marshall McLuhan at the television control room in Toronto for CBC Television – just before connecting to the live master feed from London at 7:00 p.m. GMT. The program was divided into six sections: the Opening, This Moment's World, The Crowded World, Aspiration to Physical Excellence, Aspiration to Artistic Excellence and The World Beyond. These sections were divided into live segments provided by the participating broadcasters. Just before The Crowded World section, another section was scheduled – The Hungry World. But, due to the withdrawal of the Eastern Bloc countries' segments, that section was eventually removed and its remaining segments were incorporated into The Crowded World section.

Opening The opening credits were accompanied by the "Our World theme" played by the Vienna Philharmonic and sung in seventeen different languages by the Vienna Boys' Choir. The program began with an introduction from the BBC's TC1 studio in London and went on attending the births of four children in the delivery rooms at Hokkaido University Hospital in Sapporo, Japan; at Aarhus University Hospital in Aarhus, Denmark; at Hospital de Obstetricia III in Mexico City, Mexico –reported by Pedro Ferriz–; and, at Charles Camsell Hospital in Edmonton, Canada – reported by the CBC's Libbie Christensen.

… excerpt ends here. Continue reading the full article.

Illustrations

Our World (1967 TV program): The Intelsat I nicknamed "Early Bird", one of the satellites used
The Intelsat I nicknamed "Early Bird", one of the satellites used
Our World (1967 TV program): The Beatles performing "All You Need Is Love" (colourised version from The Beatles Anthology)
The Beatles performing "All You Need Is Love" (colourised version from The Beatles Anthology)

Worked examples

Example 1 — a first encounter with Our World (1967 TV program)

Start with the simplest possible case. Write down what Our World (1967 TV program) claims or describes in one sentence, then invent the smallest concrete situation in which that sentence is true. In science, the smallest case is usually a single object, a single equation or a single measurement. Check that every symbol or term in your sentence has a meaning in that case.

Example 2 — changing one variable

Take the situation from Example 1 and change exactly one quantity: double it, halve it, or set it to zero. Predict what should happen to Our World (1967 TV program) before you calculate. Comparing your prediction with the result is the fastest way to find out whether you understand the idea or only the words.

Example 3 — an exam-style question

Typical questions about Our World (1967 TV program) ask you to (a) state it precisely, (b) apply it to given data, and (c) explain a limitation. Practise writing all three answers in under five minutes; the third part is what separates a full-mark answer from an average one.

Applications of Our World (1967 TV program)

In research
Our World (1967 TV program) appears in science research whenever the underlying quantities have to be modelled precisely. Papers usually cite it as a starting assumption and then explore where it breaks down.
In technology and industry
Engineering practice reuses Our World (1967 TV program) in design rules, simulations and safety margins. Knowing the idea lets you read a specification sheet and understand why the numbers look the way they do.
In the classroom
Our World (1967 TV program) is common in secondary-school and first-year university syllabi. It links to neighbouring topics 1967 television specials, International broadcasting, International telecommunications, so understanding it makes those chapters shorter.
In everyday life
Look for Our World (1967 TV program) outside the textbook — in sport, cooking, traffic, electronics or the sky above you. An example you found yourself is remembered far longer than one you were given.
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How to study Our World (1967 TV program) in 20 minutes

  1. Read the reference excerpt below once, without taking notes.
  2. Close the page and write down what Our World (1967 TV program) means in your own words.
  3. Compare your version with the excerpt and mark what you missed.
  4. Work through the three examples above with pen and paper.
  5. Explain Our World (1967 TV program) out loud to somebody else — or to Teacher Smith in the lgStudy chat.

Frequently asked questions

What is Our World (1967 TV program) in simple terms?

Our World was the first live multinational multi-satellite television production. National broadcasters from fourteen countries around the world, coordinated by the European Broadcasting Union (EBU), participated in the program.

Why does Our World (1967 TV program) matter?

Because it connects several science ideas at once: it gives you a definition you can apply, a quantity you can calculate, and a way to check whether a result is plausible.

How should I study Our World (1967 TV program)?

Read the excerpt, restate it from memory, then work through the examples and applications listed on this page. The five-step study plan above takes about twenty minutes.

What does this page cover?

It gives you a compact reference excerpt plus original lgStudy explanations, examples, applications and study material on Our World (1967 TV program).

Tags

  • 1967 television specials
  • International broadcasting
  • International telecommunications
  • Simulcasts
  • Television programmes about the Beatles

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