A parabolic arch is an arch in the shape of a parabola. In structures, their curve represents an efficient method of load, and so can be found in bridges and in architecture in a variety of forms.
Description
The mathematics While a parabolic arch may resemble a catenary arch, a parabola is a quadratic function while a catenary is the hyperbolic cosine, cosh(x), a sum of two exponential functions. One parabola is f(x) = x2 + 3x − 1, and hyperbolic cosine is cosh(x) = ex + e−x/2. The curves are unrelated.
The line of thrust Unlike a catenary arch, the parabolic arch employs the principle that when weight is uniformly applied above, the internal compression (see line of thrust) resulting from that weight will follow a parabolic curve. Of all arch types, the parabolic arch produces the most thrust at the base. Also, it can span the widest area. It is commonly used in bridge design, where long spans are needed.
Compared to catenary arches When an arch carries a uniformly distributed vertical load, the correct shape is a parabola. When an arch carries only its own weight, the best shape is a catenary.
Uses
In nature
A hen's egg can be fairly well described as two different paraboloids connected by part of an ellipsoid.
Architectural examples
Self-supporting catenary arches appeared occasionally in ancient architecture, for examples in the main arch of the partially ruined Sassanian palace Taq Kasra (now in Iraq), the largest single-span vault of unreinforced brickwork in the world, and the beehive huts of southwestern Ireland. In the modern period, parabolic arches were first used extensively from the 1880s by the Catalan architect Antoni Gaudí, deriving them from catenary arched shapes, constructed of brick or stone, and culminating in the catenary based design of the famous Sagrada Familia. Other Catalan architects then used them into the 1920s, and they appeared occasionally in German expressionist architecture of the 1920s-30s. From the 1940s they gained a new popularity in reinforced concrete, including in shell concrete forms often as hyperbolic parabloids, especially by Felix Candela in Mexico and Oscar Niemeyer in Brazil, but they could be found around the world, especially for churches, in the 1950s and 60s. Since the 1990s Spanish designer Santiago Calatrava has frequently used parabolas for his signature roof structures and bridges. Structures that are self-supporting arches like the Sheffield Winter Garden are often closer to true catenaries.
Palau Güell, 1886–88, Barcelona, where Antoni Gaudí used parabolic arches in stone for the carriageway entrances, and in brick for the structure of the main hall. Casa Milà, 1906, where Gaudi used brick parabolic arches support the attic roof, used as a laundry space. Wrocław Market Hall, 1906-8, Richard Plüddemann and Heinrich Küster, internal structure Celler modernista, 1921, part of Sant Cugat Museum, Catalonia, Spain, Cèsar Martinell i Brunet Pinell de Brai Cooperative Winery, 1922, Pinell de Brai, Catalonia, Spain, Cèsar Martinell i Brunet Former main post office, 1919–24, Utrecht, main hall, designed by J. Crouwel Jr. St. Engelbert, Cologne, 1928−1932, by Dominikus Böhm Church of Saint Francis of Assisi, 1943, Pampulha, Belo Horizonte, Brazil, Oscar Neimeyer. Church of La Purísima, 1943, Monterrey, Mexico, Enrique de la Mora Cosmic Rays Pavilion, 1951, Felix Candela with Jorge González Reyna, UNAM, Mexico City Memorial Cenotaph, 1952, Hiroshima Peace Memorial Park, Kenzō Tange. Church of St Mary and St Joseph, Poplar, 1954, London, United Kingdom, Adrian Gilbert Scott St Leonard's Church, 1955, St Leonards on Sea, United Kingdom, Adrian Gilbert Scott Dorton Arena 1957, Raleigh St Mary's Star of the Sea Cathedral, 1958–62, Darwin, Australia, architect Ian Ferrier Toast Rack (building) (originally Domestic Trades College, Manchester Polytechnic) 1960, Fallowfield, Manchester, United Kingdom, city architect, Leonard Cecil Howitt Theme Building, 1961, Los Angeles International Airport, Pereira & Luckman Architects, Paul Williams and Welton Becket Priory Chapel, Saint Louis Abbey, 1962, Creve Coeur, St. Louis, Missouri, United States, Hellmuth, Obata and Kassabaum (HOK), with Pier Luigi Nervi Allen Lambert Galleria, 1992, Toronto, Canada, Santiago Calatrava L'Umbracle (catenary shade house) 2001, Ciutat de les Arts i les Ciències (City of Arts and Sciences), Valencia, Spain, Santiago Calatrava L'Oceanogràfic aquarium, 2003, Valencia, Spain, Felix Candela. Sheffield Winter Garden (catenary), 2003, Sheffield, UK, Pringle Richards Sharratt Architects and Buro Happold Fjordenhus, 2018, Vejle Fjord, Denmark, Olafur Eliasson and Sebastian Behmann
Bridges
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