A pentacle (also spelled and pronounced as pantacle in Thelema, following Aleister Crowley, though that spelling ultimately derived from Éliphas Lévi) is a talisman that is used in magical evocation, and is usually made of parchment, paper, cloth, or metal (although it can be of other materials), upon which a magical design is drawn. Symbols may also be included (sometimes on the reverse), a common one being the six-point form of the Seal of Solomon. Pentacles may be sewn to the chest of one's garment, or may be flat objects that hang from one's neck or are placed flat upon the ground or altar. Pentacles are almost always shaped as disks or flat circles. In the Hermetic Order of the Golden Dawn, though, a pentacle is placed within the triangle of evocation. Many varieties of pentacle can be found in the grimoire called the Key of Solomon. Pentacles are also used in Wicca, alongside other magical tools. In the Hermetic Order of the Golden Dawn and Wicca, pentacles symbolize the classical element earth. In the 1909 Rider–Waite–Smith tarot deck (the pentacles of which were designed by Arthur Edward Waite), and subsequent tarot decks that are based upon it, and in Wicca, pentacles prominently incorporate a pentagram in their design. This form of pentacle is formed upon a disk which may be used either upon an altar or as a sacred space of its own.
Definitions The first documents to depict pentacles were the 16th-century grimoires called the Heptameron by pseudo-Pietro d'Abano, and the Key of Solomon. In the Heptaméron, there is only one pentacle, whereas in the Key of Solomon, there are dozens of different pentacles. The Heptameron's pentacle is a hexagram that is embellished by patee crosses and letters, whereas the Key of Solomon's pentacles have a very broad variety of designs, only two of which are pentagrammic. That contrasts with the later popular definitions of pentacles from the 1900s, which state that pentacles are inherently pentagrammic. Gerald Gardner, known by some as the 'Father of Wicca', got his concept of pentacles in large part from the 1909 Rider–Waite–Smith tarot deck, in which the pentacles are disks that are covered with a pentagram. In Gardner's 1949 book High Magic's Aid and 1954 book Witchcraft Today, Gardner defined a pentacle as a "five-pointed star", intending to mean a pentagram. In his 1959 book The Meaning of Witchcraft, Gardner defined a pentacle as a synonym of 'pentagram'. There is a particular definition of 'pentacle' among many latter-day Wiccans: Namely, a 'pentacle' refers to a 'pentagram' circumscribed by a circle.
Etymology The word is first recorded in English usage in 1561, from earlier French use. The French word had the meaning of "talisman". The French word is in turn from the Latinized word 'pentaculum' (using the Latin diminutive suffix -culum), which is in turn from the Italian word 'pentacolo'. The Oxford English Dictionary in earlier editions (2nd edition 1989) went on to say that "some would connect it" with the Middle French word 'pentacol' (1328) or 'pendacol' (1418), a jewel or ornament worn around the neck (from pend- hang, à to, col or cou neck). This is the derivation the Theosophical Society employ in their glossary:
...it seems most likely that it comes through Italian and French from the root pend- "to hang", and so is equivalent to a pendant or charm hung about the neck. From the fact that one form of pentacle was the pentagram or star-pentagon, the word itself has been connected with the Greek pente (five).
As magical objects Pentacles, despite the sound of the word, often had no connotation of "five" in the old magical texts, but were, rather, magical talismans inscribed with any symbol or character. When they incorporated star-shaped figures, these were more often hexagrams than pentagrams. Pentacles showing a great variety of shapes and images appear in the old magical grimoires, such as the Key of Solomon; as Heinrich Cornelius Agrippa summarises it, their use was to "fore-know all future things, & command whole nature, have power over devils, and Angels, and do miracles." Agrippa attributes Moses' feats of magic in part to his knowledge of various pentacles. A Fourth Book of Occult Philosophy (c. 1565), which was falsely attributed to Agrippa, gives detailed instructions as to how pentacles should be formulated:
But we now come to speak of the holy and sacred Pentacles and Sigils. Now these pentacles, are as it were certain holy signes preserving us from evil chances and events, and helping and assisting us to binde, exterminate, and drive away evil spirits, and alluring the good spirits, and reconciling them unto us. And these pentacles do consist either of Characters of the good spirits of the superiour order, or of sacred pictures of holy letters or revelations, with apt and fit versicles, which are composed either of Geometrical figures and holy names of God, according to the course and maner of many of them; or they are compounded of all of them, or very many of them mixt. Francis Barrett, in his influential work The Magus of 1801 (Book 2, part 2), repeats these instructions almost verbatim. Another common design employed in pentacles is a magic square, such as the Sator-Arepo-Tenet square. In the Golden Dawn magical system, the Earth Pentacle is one of four elemental "weapons" or tools of an Adept. These weapons are "symbolical representations of the forces employed for the manifestation of the inner self, the elements required for the incarnation of the divine." Other pentacles for the evocation of spirits are also employed in the Golden Dawn system; these are engraved with the name and sigil of the spirit to be invoked, inside three concentric circles, having painted on their reverse a circle and cross like a celtic cross. According to Aleister Crowley's instructions for the A∴A∴, the pentacle is a disc of wax, gold, silver-gilt or Electrum Magicum, eight inches diameter and half an inch thick; the Neophyte should "by his understanding and ingenium devise a symbol to represent the Universe", and engrave this on the disc.
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