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Possessed (1947 film)

Possessed (1947 film) is a science topic covered in the lgStudy science library. This page brings together a partial reference excerpt, illustrations, worked examples, real-world applications and a short study plan, so you can understand Possessed (1947 film) rather than just read about it. In short: Possessed is a 1947 American psychological drama directed by Curtis Bernhardt, starring Joan Crawford, Van Heflin, and Raymond Massey in a tale about an unstable woman's obsession with her ex-lover. The screenplay by Ranald MacDougall and Silvia Richards was based upon a story by Rita Weiman.

Possessed (1947 film) — main illustration
Possessed (1947 film) — illustration

Key takeaways

  • Possessed (1947 film) belongs to science; place it in that map before memorising details.
  • Learn the definition first, then one example that makes the definition concrete.
  • Connect Possessed (1947 film) to a quantity you can measure, compute or draw — that is where exam questions come from.
  • Reproduce the core statement of Possessed (1947 film) from memory before moving on to harder problems.

Reference excerpt

Possessed is a 1947 American psychological drama directed by Curtis Bernhardt, starring Joan Crawford, Van Heflin, and Raymond Massey in a tale about an unstable woman's obsession with her ex-lover. The screenplay by Ranald MacDougall and Silvia Richards was based upon a story by Rita Weiman.

Plot A woman wanders through Los Angeles, saying little more than "David". Admitted to a hospital's psychiatric ward in a catatonic stupor, and interrogated by a doctor, she calls herself Louise Howell, and recounts her life in intermittent spurts, starting with her memory of her lover, David Sutton, playing Schumann for her, with she saying, "I want to have a monopoly on you." He does not return her passion, but returns her home in a boat, and tells her their relationship is over. She lives and works as a nurse at the lakeside home of the Grahams. Louise takes care of Pauline, the invalid wife of Dean Graham. Pauline is irascible and venomous and thinks Louise is having an affair with her husband; Louise wants to leave. Later, the police trawl the lake and find Pauline's body. Dean says she killed herself. The Graham children Wynn, (a young boy) and Carol (a college-age young woman), return home. A coroner's hearing is held, with a verdict of accidental death. Afterwards, Louise encounters Carol, who angrily says Pauline's letters said Louise was attractive to Dean. Carol wants Louise to leave; Dean, who has arrived, demands Carol apologize and slaps her. David comes by and says Dean's oil business needs him as an engineer; he is hired. Louise speaks to him and thinks he has another woman, which he denies. Louise goes with the Grahams to Washington, DC, taking care of Wynn. David happens to be there, and Louise starts drinking and looks strained; he says he is out of love with her forever, and she slaps him. She says she will quit her job, but Dean asks her to marry him; she agrees, though she says she is not in love with him, which he accepts. Louise visits Carol at college, wanting to be liked by her; a reconciliation occurs. At the wedding, the uninvited David arrives late and speaks to the crying Carol, who says she asked him for marriage at 11 years of age, which he remembers. Louise warns him away from Carol and tells him to leave. Later, Carol invites him over to their box at a piano recital; Louise has a distressed recollection of David at the piano and leaves. At home, she has a lengthy hallucination; Carol returns with David, who kisses Carol. Louise confesses to killing Pauline. Carol says she'll tell Dean; Louise hits her, and she rolls down the stairs and dies. After the hallucination ends Carol then comes home for real, but not with David. Louise, feeling disturbed, visits a doctor under a false name, and is recommended to go to a psychiatrist, but walks out. She asks Dean for a divorce; Dean asks why, and Louise says Pauline hates her. On a vacation back at the lake house, Louise climbs to Pauline's bedroom, screams, and when Dean runs up there, Louise says Pauline is in the room, saying to her, "Kill yourself, Louise". Dean says she's dead, and turns on the light; Louise doesn't see her any more, but confesses to helping her kill herself. Dean says that was false, as Louise was in the village on her day off. Back at their regular home, Louise, happy to be free of Pauline's ghost, wants to go dancing, but Dean and she see David and Carol at the nightclub. Louise later lies to Carol that David really wants her, Louise. David drops by and confronts Louise, who says Carol said she, Carol, is tired of David. Louise then admits lying, and that she is willing to do anything to keep David; he threatens to tell Dean about Louise and their past. Dean confronts Louise and says a doctor will come see her; she gets angry that he is a mental specialist, though she agrees to talk to him. She sneaks away to David and says she is worried about being institutionalized. David says he will call Dean, and that he is going away that night to marry Carol. Louise gets out a gun; he taunts her, and she shoots him repeatedly. She awakens at the hospital and admits killing David. Dean visits, and the doctor says it is psychosis, as if she is possessed of devils, but he can restore her. He also says her tortured mind and delusion that she helped Pauline kill herself, made her present condition almost inevitable, and that if he had seen her sooner, her problems could have been averted. About the upcoming trial of David's death, the doctor says Louise is not responsible for any of her actions. They go see the sleeping Louise, and the doctor says the healing process will be long and difficult, and she will suffer a great deal before recovery. Dean pledges to help support his wife recover fully, no matter what.

Cast

Production Crawford spent time visiting mental wards and talking to psychiatrists to prepare for her role, and said the part was the most difficult she ever played. During production, director Curtis Bernhardt accidentally kept referring to Crawford as "Bette", as he had just finished filming A Stolen Life with Bette Davis. Crawford tried unsuccessfully to convince Warner Bros. Pictures to change the film's title to The Secret, since she had already starred in a film of the same title (Possessed with Clark Gable as her leading man) 16 years earlier. The musical score, by Franz Waxman, makes extensive use of a piano piece by Robert Schumann, the "Chopin" movement from Carnaval Op. 9. The Schumann piece is played on the piano by David near the beginning of the movie and is used throughout the score to underscore Louise's obsession with David.

Release The film was entered into the 1947 Cannes Film Festival.

Reception

Box office According to Warner Bros. accounts, Possessed earned $1,987,000 domestically and $1,085,000 globally for a worldwide total of $3,027,000.

… excerpt ends here. Continue reading the full article.

Worked examples

Example 1 — a first encounter with Possessed (1947 film)

Start with the simplest possible case. Write down what Possessed (1947 film) claims or describes in one sentence, then invent the smallest concrete situation in which that sentence is true. In science, the smallest case is usually a single object, a single equation or a single measurement. Check that every symbol or term in your sentence has a meaning in that case.

Example 2 — changing one variable

Take the situation from Example 1 and change exactly one quantity: double it, halve it, or set it to zero. Predict what should happen to Possessed (1947 film) before you calculate. Comparing your prediction with the result is the fastest way to find out whether you understand the idea or only the words.

Example 3 — an exam-style question

Typical questions about Possessed (1947 film) ask you to (a) state it precisely, (b) apply it to given data, and (c) explain a limitation. Practise writing all three answers in under five minutes; the third part is what separates a full-mark answer from an average one.

Applications of Possessed (1947 film)

In research
Possessed (1947 film) appears in science research whenever the underlying quantities have to be modelled precisely. Papers usually cite it as a starting assumption and then explore where it breaks down.
In technology and industry
Engineering practice reuses Possessed (1947 film) in design rules, simulations and safety margins. Knowing the idea lets you read a specification sheet and understand why the numbers look the way they do.
In the classroom
Possessed (1947 film) is common in secondary-school and first-year university syllabi. It links to neighbouring topics 1947 American films, 1947 English-language films, 1947 drama films, so understanding it makes those chapters shorter.
In everyday life
Look for Possessed (1947 film) outside the textbook — in sport, cooking, traffic, electronics or the sky above you. An example you found yourself is remembered far longer than one you were given.
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How to study Possessed (1947 film) in 20 minutes

  1. Read the reference excerpt below once, without taking notes.
  2. Close the page and write down what Possessed (1947 film) means in your own words.
  3. Compare your version with the excerpt and mark what you missed.
  4. Work through the three examples above with pen and paper.
  5. Explain Possessed (1947 film) out loud to somebody else — or to Teacher Smith in the lgStudy chat.

Frequently asked questions

What is Possessed (1947 film) in simple terms?

Possessed is a 1947 American psychological drama directed by Curtis Bernhardt, starring Joan Crawford, Van Heflin, and Raymond Massey in a tale about an unstable woman's obsession with her ex-lover. The screenplay by Ranald MacDougall and Silvia Richards was based upon a story by Rita Weiman.

Why does Possessed (1947 film) matter?

Because it connects several science ideas at once: it gives you a definition you can apply, a quantity you can calculate, and a way to check whether a result is plausible.

How should I study Possessed (1947 film)?

Read the excerpt, restate it from memory, then work through the examples and applications listed on this page. The five-step study plan above takes about twenty minutes.

What does this page cover?

It gives you a compact reference excerpt plus original lgStudy explanations, examples, applications and study material on Possessed (1947 film).

Tags

  • 1947 American films
  • 1947 English-language films
  • 1947 drama films
  • 1947 films
  • American black-and-white films
  • American drama films
  • English-language drama films
  • Fiction about psychotherapy
  • Fiction about schizophrenia
  • Film noir
  • Films about psychiatry
  • Films directed by Curtis Bernhardt

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