In signal processing, pre-emphasis is a technique to protect against anticipated noise and loss. The idea is to boost the frequency range that is most susceptible to noise and loss beforehand, so that after a noisy and lossy process (transmission over cable, tape recording...) more information can be recovered from that frequency range. Removal of the frequency boost caused by pre-emphasis is called de-emphasis, reducing the boosted frequency range back to its original amplitude. Emphasis is commonly used in many places ranging from FM broadcasting (preemphasis improvement) and vinyl (e.g. LP) records to PCI Express. For example, high-frequency signal components may be emphasized to produce a more equal modulation index for a transmitted frequency spectrum, and therefore a better signal-to-noise ratio for the entire frequency range.
In audio signals In processing electronic audio signals, pre-emphasis refers to a system process designed to increase (within a frequency band) the magnitude of some (usually higher) frequencies with respect to the magnitude of other (usually lower) frequencies in order to improve the overall signal-to-noise ratio by minimizing the adverse effects of such phenomena as attenuation distortion or saturation of recording media in subsequent parts of the system. The mirror operation is called de-emphasis, and the system as a whole is called emphasis. Pre-emphasis is achieved with a pre-emphasis network which is essentially a calibrated filter. The frequency response is decided by special time constants. The cutoff frequency can be calculated from that value. Pre-emphasis is commonly used in telecommunications, digital audio recording, record cutting, in FM broadcasting transmissions, and in displaying the spectrograms of speech signals. One example of this is the RIAA equalization curve on 33 rpm and 45 rpm vinyl records. Another is the Dolby noise-reduction system as used with magnetic tape. Pre-emphasis is employed in frequency modulation or phase modulation transmitters to equalize the modulating signal drive power in terms of deviation ratio. The receiver demodulation process includes a reciprocal network, called a de-emphasis network, to restore the original signal power distribution.
De-emphasis In telecommunications, de-emphasis is the complement of pre-emphasis, in the antinoise system called emphasis. De-emphasis is a system process designed to decrease, (within a band of frequencies), the magnitude of some (usually higher) frequencies with respect to the magnitude of other (usually lower) frequencies in order to improve the overall signal-to-noise ratio by minimizing the adverse effects of such phenomena as attenuation distortion or saturation of recording media in subsequent parts of the system. Special time constants dictate the frequency response curve, from which one can calculate the cutoff frequency.
Red Book audio Although rarely used, there exists the capability for standardized emphasis in Red Book CD mastering. As CD players were originally implemented with affordable 14-bit converters, a specification for pre-emphasis was included to compensate for quantization noise. After economies of scale eventually allowed full 16 bits, quantization noise became less of a concern, but emphasis remained an option. The pre-emphasis is described as a first-order filter with a gain of 10 dB (at 20 dB/decade) and time constants 50 μs and 15 μs.
In digital transmission In serial data transmission, emphasis is used to improve signal quality at the output of a communication channel. In transmitting signals at high data rates, the transmission medium may introduce distortions, so emphasis is used to distort the transmitted signal to correct for this distortion. When done properly this produces a received signal that more closely resembles the original or desired signal, allowing the use of higher data rates or producing fewer bit errors. Most real world channels have loss that increases with frequency (effectively a low pass filter), so emphasis needs to invert this effect (functioning as a high pass filter). This makes emphasis a form of equalization, implemented at the transmit side of the channel. Emphasis can be implemented either by boosting high frequencies (pre-emphasis, increasing the amplitude of transition bits) or attenuating low frequencies (de-emphasis, reducing the amplitude of non-transition bits). Both have the same net effect of producing a flatter system frequency response; de-emphasis is typically more convenient to do in real circuits since it only requires attenuation rather than amplification. Well-known serial data standards such as PCI Express, SATA and SAS require transmitted signals to use de-emphasis.
Effects of channel insertion loss As a lossy channel becomes longer, high-frequency attenuation worsens and the signal will be increasingly distorted. In the demonstration below, a 5 Gbps PRBS-9 test pattern is sent through PCB traces of various lengths on standard FR-4 material.
At some point, depending on the specifics of the channel, the transmitter, and the receiver, the signal will become too distorted for the receiver to correctly interpret it and the link will experience a high error rate or completely fail. Emphasis is one way to undo this distortion and enable communication to be successful over such a channel.
Analog R-C circuit De-emphasis can be implemented by means of an analog high-pass filter circuit in parallel with an attenuator. This weakens the entire signal by a fixed amount, then allows extra energy to bypass the attenuator when the signal changes. The end result is a sharp spike at each transition, followed by an exponential decay to the steady-state amplitude. In the demonstration below, a 5 Gbps PRBS-9 test pattern is sent through a 300 mm FR-4 channel with increasing levels of de-emphasis. Note that as the emphasis is increased, the signal amplitude is reduced.
Unlike the FIR architecture discussed in the next section, with analog emphasis the shape of the overshoot is *independent* of the signal bit rate. Thus, at lower data rates, the entire bit's amplitude is not increased, only the edge. In the example below, a deliberately excessive level of emphasis is used to make the overshoot more visible.
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