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Prelude for Orchestra (Walton)

Prelude for Orchestra (Walton) is a science topic covered in the lgStudy science library. This page brings together a partial reference excerpt, illustrations, worked examples, real-world applications and a short study plan, so you can understand Prelude for Orchestra (Walton) rather than just read about it. In short: The Prelude for orchestra is an orchestral piece by William Walton. Walton received a commission for an original composition from Granada Television in June 1961.

Prelude for Orchestra (Walton) — main illustration
Prelude for Orchestra (Walton) — illustration

Key takeaways

  • Prelude for Orchestra (Walton) belongs to science; place it in that map before memorising details.
  • Learn the definition first, then one example that makes the definition concrete.
  • Connect Prelude for Orchestra (Walton) to a quantity you can measure, compute or draw — that is where exam questions come from.
  • Reproduce the core statement of Prelude for Orchestra (Walton) from memory before moving on to harder problems.

Reference excerpt

The Prelude for orchestra is an orchestral piece by William Walton. Walton received a commission for an original composition from Granada Television in June 1961. Walton delivered the work in August 1962 as Granada Prelude, Call Signs and End Music. However, the music was never used by Granada. The company turned the piece over to Gilbert Vinter to convert the prelude into a march for symphonic wind band. With Vinter's arrangement, it was transmitted at the beginning of each day's broadcast from 1965 until September 1973. The work features stretches of piano or pianissimo scoring allowing announcements to be superimposed. Walton also included a "big tune", similar to ones found in Crown Imperial, Orb and Sceptre, and the Spitfire Prelude.

Music sections and duration The following information is according to Oxford University Press:

Prelude 5 minutes Call Sign # 1 Festivo 4 seconds Call Sign # 2a Pomposo 4 seconds Call Sign # 2b Pomposo 3 seconds Call Sign # 3 Pastorale 4 seconds Call Sign # 4 Comico 3 seconds Call Sign # 5 Alla caccia 3 seconds Call Sign # 6 Music hall 4 seconds Call Sign # 7 Military 4 seconds Call Sign # 8 Military 4 seconds Call Sign # 9 Acrobat 3 seconds Call Sign # 10 All'espagnola 4 seconds Call Sign # 11 Dance band 4 seconds Call Sign # 12 Singing strings 4 seconds Call Sign # 13 Singing strings 4 seconds Call Sign # 14 Singing strings 4 seconds Call Sign # 15 Allegrissimo 4 seconds End Music 21 seconds

Instrumentation Instrumentation is three flutes (third doubling piccolo), three oboes (third doubling cor anglais), three clarinets, two bassoons, contrabassoon, four horns, three trumpets, three trombones, tuba, timpani, three percussion, harp, and strings.

Score publications The march for concert band as arranged by Vinter was published by Oxford University Press as a 26-page score in 1973. The orchestral version is included in the publisher's William Walton Edition volume 17 Shorter Orchestral Works 1 (2007).

First public performance Although he composed nothing new for the Silver Jubilee of Elizabeth II in 1977, Walton did release for public performance his original orchestral version of the Prelude for Orchestra. This first performance was on Saturday 25 June 1977, with James Blair conducting the Young Musicians’ Symphony Orchestra in St. John's, Smith Square, London.

Recordings Bryden Thomson conducted the work in 1991 with the London Philharmonic Orchestra for Chandos Records. Major R.J. Owen conducted the band version in 2002 with the Scots Guards Band for the Specialist Recording Company.

References Kennedy, Michael. Portrait of Walton. Oxford University Press, 1989. p. 219, 270. Palmer, Christopher. "Prelude for Orchestra (`Granada')", notes for Chandos 8968, pp. 6–7. Tierney, Neil. William Walton: His Life and Music. London: R. Hale, 1984, p. 148.

Illustrations

Prelude for Orchestra (Walton): William Walton in 1976
William Walton in 1976

Worked examples

Example 1 — a first encounter with Prelude for Orchestra (Walton)

Start with the simplest possible case. Write down what Prelude for Orchestra (Walton) claims or describes in one sentence, then invent the smallest concrete situation in which that sentence is true. In science, the smallest case is usually a single object, a single equation or a single measurement. Check that every symbol or term in your sentence has a meaning in that case.

Example 2 — changing one variable

Take the situation from Example 1 and change exactly one quantity: double it, halve it, or set it to zero. Predict what should happen to Prelude for Orchestra (Walton) before you calculate. Comparing your prediction with the result is the fastest way to find out whether you understand the idea or only the words.

Example 3 — an exam-style question

Typical questions about Prelude for Orchestra (Walton) ask you to (a) state it precisely, (b) apply it to given data, and (c) explain a limitation. Practise writing all three answers in under five minutes; the third part is what separates a full-mark answer from an average one.

Applications of Prelude for Orchestra (Walton)

In research
Prelude for Orchestra (Walton) appears in science research whenever the underlying quantities have to be modelled precisely. Papers usually cite it as a starting assumption and then explore where it breaks down.
In technology and industry
Engineering practice reuses Prelude for Orchestra (Walton) in design rules, simulations and safety margins. Knowing the idea lets you read a specification sheet and understand why the numbers look the way they do.
In the classroom
Prelude for Orchestra (Walton) is common in secondary-school and first-year university syllabi. It links to neighbouring topics 1962 compositions, Compositions for symphony orchestra, Granada Television, so understanding it makes those chapters shorter.
In everyday life
Look for Prelude for Orchestra (Walton) outside the textbook — in sport, cooking, traffic, electronics or the sky above you. An example you found yourself is remembered far longer than one you were given.
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How to study Prelude for Orchestra (Walton) in 20 minutes

  1. Read the reference excerpt below once, without taking notes.
  2. Close the page and write down what Prelude for Orchestra (Walton) means in your own words.
  3. Compare your version with the excerpt and mark what you missed.
  4. Work through the three examples above with pen and paper.
  5. Explain Prelude for Orchestra (Walton) out loud to somebody else — or to Teacher Smith in the lgStudy chat.

Frequently asked questions

What is Prelude for Orchestra (Walton) in simple terms?

The Prelude for orchestra is an orchestral piece by William Walton. Walton received a commission for an original composition from Granada Television in June 1961.

Why does Prelude for Orchestra (Walton) matter?

Because it connects several science ideas at once: it gives you a definition you can apply, a quantity you can calculate, and a way to check whether a result is plausible.

How should I study Prelude for Orchestra (Walton)?

Read the excerpt, restate it from memory, then work through the examples and applications listed on this page. The five-step study plan above takes about twenty minutes.

What does this page cover?

It gives you a compact reference excerpt plus original lgStudy explanations, examples, applications and study material on Prelude for Orchestra (Walton).

Tags

  • 1962 compositions
  • Compositions for symphony orchestra
  • Granada Television
  • Music commissioned by broadcasting companies
  • Orchestral compositions by William Walton
  • Preludes (music)
  • Television music

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