Quicksilver is a historical novel by Neal Stephenson, published in 2003. It is the first volume of The Baroque Cycle, his late Baroque historical fiction series, succeeded by The Confusion and The System of the World (both published in 2004). Quicksilver won the Arthur C. Clarke Award and was nominated for the Locus Award in 2004. Stephenson organized the structure of Quicksilver such that chapters have been incorporated into three internal books titled "Quicksilver", "The King of the Vagabonds", and "Odalisque". In 2006, each internal book was released in separate paperback editions, to make the 900 pages more approachable for readers. These internal books were originally independent novels within the greater cycle during composition. The novel Quicksilver is written in various narrative styles, such as theatrical staging and epistolary, and follows a large group of characters. Though mostly set in England, France, and the United Provinces in the period 1655 through 1673, the first book includes a frame story set in late 1713 Massachusetts. In order to write the novel, Stephenson researched the period extensively and integrates events and historical themes important to historical scholarship throughout the novel. However, Stephenson alters details such as the members of the Cabal ministry, the historical cabinet of Charles II of England, to facilitate the incorporation of his fictional characters. Within the historical context, Stephenson also deals with many themes which pervade his other works, including the exploration of knowledge, communication and cryptography. The plot of the first and third books focus on Daniel Waterhouse's exploits as a natural philosopher and friend to the young Isaac Newton and his later observations of English politics and religion, respectively. The second book introduces the vagabond Jack Shaftoe ("King of the Vagabonds") and Eliza (a former member of a Turkish harem) as they cross Europe, eventually landing in the Netherlands, where Eliza becomes entangled in commerce and politics. Quicksilver operates in the same fictional universe as Stephenson's earlier novel Cryptonomicon, in which descendants of Quicksilver characters Shaftoe and Waterhouse appear prominently.
Background and development During the period in which he wrote Cryptonomicon, Stephenson read George Dyson's Darwin Amongst the Machines, which led him to Gottfried Leibniz's interest in a computing machine, the Leibniz–Newton feud, and Newton's work at the Royal Treasury. He considered this "striking when [he] was already working on a book about money and a book about computers," and became inspired to write about the period. Originally intended to be included in Cryptonomicon, Stephenson instead used the material as the foundation for Quicksilver, the first volume of the Baroque Cycle. The research for the sprawling historical novel created what Stephenson called "data management problems", and he resorted to a system of notebooks to record research, track characters, and find material during the writing process.
Historicity In Quicksilver, Stephenson places the ancestors of the Cryptonomicon's characters in Enlightenment Europe alongside a cast of historical individuals from Restoration England and the Enlightenment. Amongst the cast are some of the most prominent natural philosophers, mathematicians and scientists (Newton and Leibniz), and politicians (William of Orange and Nassau) of the age. In an interview, Stephenson explained he deliberately depicted both the historical and fictional characters as authentic representatives of historical classes of people, such as the Vagabonds as personified by Jack, and the Barbary slaves as personified by Eliza. In his research for the characters, he explored the major scholarship about the period. Stephenson did extensive research on the Age of Enlightenment, noting that it is accessible for English speaking researchers because of the many well documented figures such as Leibniz, Newton and Samuel Pepys. In the course of his research he noted historiographic inconsistencies regarding characters of the period which he had to reconcile. Especially prominent was the deification of Newton, Locke and Boyle and their scientific method by Enlightenment and Victorian scholars. He considers the scientific work done during the Baroque period as crucial to the Enlightenment. From his research he concluded that the Enlightenment in general "is and should be a controversial event because although it led to the flourishing of the sciences and political liberties and a lot of good stuff like that, one can also argue that it played a role in the French Revolution and some of the negative events of the time as well." The portrayal of a confusing and uncertain era develops throughout the book. Some reviewers commented that Stephenson seems to carry his understanding of the period a little too far at times, delving into too much detail. Nick Hasted of The Independent wrote that this research made "descriptions of Restoration London feel leaden, and intellectual discourses between Newton and his contemporaries textbook-dry." Despite the thorough examination of the period, however, Stephenson does take liberty in depicting the Enlightenment. Both main and secondary fictional characters become prominent members of society who advise the most important figures of the period and affect everything from politics to economics and science. For example, he repopulates the real Cabal Ministry with fictional characters.
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