Richard St John Francis Harris (1 October 1930 – 25 October 2002) was an Irish actor and singer. Having studied at the London Academy of Music and Dramatic Art, he rose to prominence as an icon of the British New Wave. He received numerous accolades including the Cannes Film Festival Award for Best Actor, a Grammy Award, and a Golden Globe. In 2020 he was listed at number 3 on The Irish Times's list of Ireland's greatest film actors. Harris received two Academy Award for Best Actor nominations for his performances in This Sporting Life (1963), and The Field (1990). Other notable roles include in The Guns of Navarone (1961), Red Desert (1964), A Man Called Horse (1970), Cromwell (1970), Unforgiven (1992), Gladiator (2000), and The Count of Monte Cristo (2002). He gained cross-generational acclaim for his role as Albus Dumbledore in the first two Harry Potter films: Harry Potter and the Philosopher's Stone (2001) and Harry Potter and the Chamber of Secrets (2002), the latter of which was his final film role. He portrayed King Arthur in the 1967 film Camelot based on the Lerner and Loewe musical of the same name. For his performance, he received the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy. He reprised the role in the 1981 Broadway musical revival. He received a Laurence Olivier Award for Best Actor nomination for his role in Pirandello's Henry IV (1991). Harris received a Primetime Emmy Award for Outstanding Lead Actor in a Limited Series or Movie nomination for his role in The Snow Goose (1971). Harris had a number-one singing hit in Australia, Jamaica and Canada, and a top-ten hit in the United Kingdom, Ireland, and the United States with his 1968 recording of Jimmy Webb's song "MacArthur Park". He received a Grammy Award for Best Male Pop Vocal Performance nomination for the song.
Early life and education Harris was born on 1 October 1930 at Overdale, 8 Landsdown Villas, Ennis Road, Limerick, and was the fifth in a family of eight children (six boys and two girls) born to Ivan Harris, a flour merchant, and his wife, Mildred (née Harty). Overdale was "a tall, elegant, early 19th-century redbrick" house with nine bedrooms, in a wealthy part of Limerick, the houses "built at the turn of the 20th century for Limerick's burgeoning middle class... people who could afford properly grand drawing rooms, a bedroom each for the children and one for the pot, plus space for a few servants". He was educated by the Jesuits at Crescent College. A talented rugby union player, he appeared on several Munster Junior and Senior Cup teams for Crescent, and played for Garryowen. Harris's athletic career was cut short when he caught tuberculosis in his teens. He remained an ardent fan of the Munster Rugby and Young Munster teams until his death, attending many of their matches, and there are numerous stories of japes at rugby matches with the actors and fellow rugby fans Peter O'Toole and Richard Burton. After recovering from tuberculosis, Harris moved to England, wanting to become a director. He could not find any suitable training courses, and enrolled to learn acting at the London Academy of Music and Dramatic Art (LAMDA). He had failed an audition at the Royal Academy of Dramatic Art and had been rejected by the Central School of Speech and Drama, because they felt he was too old at 24. While still a student, he rented the tiny "off-West End" Irving Theatre, and there directed his production of Clifford Odets's play Winter Journey (The Country Girl). After completing his studies at the academy, he joined Joan Littlewood's Theatre Workshop. He began getting roles in West End theatre productions, starting with The Quare Fellow in 1956, a transfer from the Theatre Workshop. He spent nearly a decade in obscurity, learning his profession on stages throughout the UK.
Career
1959–1963: Early roles and breakthrough Harris made his film debut in 1959 in the film Alive and Kicking, and played the lead role in The Ginger Man in the West End in 1959. In his second film, he had a small role as an IRA Volunteer in Shake Hands with the Devil (1959), supporting James Cagney. The film was shot in Ireland and directed by Michael Anderson who offered Harris a role in his next film, The Wreck of the Mary Deare (1959), shot in Hollywood. Harris played another IRA Volunteer in A Terrible Beauty (1960), alongside Robert Mitchum. He had a memorable bit part in the film The Guns of Navarone (1961) as a Royal Australian Air Force pilot who reports that blowing up the "bloody guns" of the island of Navarone is impossible by an air raid. He had a larger part in The Long and the Short and the Tall (1961), playing a British soldier; Harris clashed with Laurence Harvey and Richard Todd during filming. For his role in the film Mutiny on the Bounty (1962), despite being virtually unknown to film audiences, Harris reportedly insisted on third billing, behind Trevor Howard and Marlon Brando, an actor he greatly admired. However, Harris fell out with Brando over the latter's behaviour during the film's production. Harris's first starring role was in the film This Sporting Life (1963), as a bitter young coal miner, Frank Machin, who becomes an acclaimed rugby league football player. It was based on the novel by David Storey and directed by Lindsay Anderson. For his role, Harris won Best Actor in 1963 at the Cannes Film Festival and an Academy Award nomination. Harris followed this with a leading role in the Italian film, Michelangelo Antonioni's Il Deserto Rosso (Red Desert, 1964). This won the Golden Lion at the Venice Film Festival. Harris received an offer to support Kirk Douglas in a British war film, The Heroes of Telemark (1965), directed by Anthony Mann, playing a Norwegian resistance leader. He then went to Hollywood to support Charlton Heston in Sam Peckinpah's Major Dundee (1965), as an Irish immigrant who became a Confederate cavalryman during the American Civil War. He played Cain in John Huston's film The Bible: In the Beginning... (1966). More successful at the box office was Hawaii (1966), in which Harris starred alongside Julie Andrews and Max von Sydow.
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