Rogers: The Musical is a fictional Broadway musical in the Marvel Cinematic Universe (MCU) media franchise, centered on the life of Steve Rogers / Captain America. The musical was conceived for the 2021 Marvel Studios Disney+ miniseries Hawkeye by head writer Jonathan Igla. Only the musical number "Save the City", written by Marc Shaiman and Scott Wittman, is seen in the series. The song, which drew mixed responses from viewers, was released as a digital single on November 24, 2021, and performed live at the 2022 D23 Expo. Billboards and posters for the musical have appeared as Easter eggs in several later MCU properties. A one-act, half-hour version of the musical ran at Disney California Adventure from June through August 2023. Created and directed by Jordan Peterson for Disney Live Entertainment, it had a book by Hunter Bell and five new songs by Christopher Lennertz, Peterson, and Alex Karukas. It was praised for its story and new songs, particularly "What You Missed", and was likened to an actual Broadway musical rather than a theme park show. An original cast album of the Disney California Adventure performance was released on September 15, 2023.
Premise
Rogers: The Musical chronicles the life of Steve Rogers / Captain America from his origins in the 1940s until the events of the film Avengers: Endgame (2019), based on information known to the public in the Marvel Cinematic Universe (MCU). It contains intentional plot inaccuracies such as the presence of Scott Lang / Ant-Man during the Battle of New York. The Starkettes introduce the story of Steve Rogers, which is "about superheroes, romance, and time travel" ("U-S-Opening Night"). Rogers wants to enlist in the U.S. Army for World War II, but is medically unfit to ("I Want You"). Dr. Abraham Erskine and SSR Agent Peggy Carter recognize Rogers' good and noble heart, and recruit him for their super soldier program, which transforms Rogers into Captain America. Rogers is viewed as the army's mascot and gets sent out on a USO war bond tour rather than heading to the front lines ("Star-Spangled Man"). Carter informs Rogers that the regiment of his friend Bucky Barnes has been captured, with Rogers heading to Germany to battle the Nazis and Hydra. As Rogers attempts to stop a plane with explosives from heading toward the United States, he and Carter promise to go dancing together as they have become close ("Just One Dance (Preprise)"). Rogers gets frozen in the Arctic and is awoken 70 years later by S.H.I.E.L.D. director Nick Fury, who fills Rogers in on the events he missed out on and recruits him to lead the Avengers ("What You Missed"). The Avengers are called into action to stop attacks all over the globe across a number of years ("Save the City"), with Rogers questioning after the fight against Thanos if he can continue fighting and protecting the planet ("Save the City (Playoff)"). His older, time traveler self appears after using the Time Stone to speak to the younger Rogers to remind him about what he has done in his life and encourages him to embrace his chance to be with Carter ("End of the Line"). The younger Rogers then uses the Time Stone to travel back in time to have his dance with Carter and spend his life with her ("Just One Dance"). The Starkettes then return to conclude and recap Rogers' story ("Rogers: The Musical Finale / Save the City (Reprise)").
Hawkeye (2021)
Background A real-life Broadway musical based on the Marvel Comics character Captain America had been in development in 1985, but never came to fruition. Jonathan Igla, the head writer of the Marvel Studios Disney+ miniseries Hawkeye (2021), conceived the idea for a fictional musical centered on Rogers after noticing a billboard for the Broadway musical Hamilton (2015). Igla imagined what it would feel like to live in the MCU, where people would feel inspired by Rogers to create a musical based on him to inspire and entertain audiences. He sought to use the musical to introduce emotional and psychological information—Clint Barton / Hawkeye's grief and guilt over Natasha Romanoff / Black Widow's death—through something disguised as funny, exciting, and surprising. Director Rhys Thomas then pitched the idea as a joke to Marvel Studios president Kevin Feige, who quickly gave the go-ahead.
"Save the City"
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