The Roland W-30 is a sampling workstation keyboard, released in 1989. It features an on-board 12-bit sampler, sample-based synthesizer, 16-track sequencer and 61-note keyboard.
Overview The W-30's "Workstation" title stems from its incorporation of synthesis, sampling and MIDI sequencing capabilities. Although primitive by modern standards, the W-30's onboard sequencer was a practical way to arrange music as opposed to a DAW. Unusually, while sounds are sampled with 12-bit resolution, they are played back through a 16-bit D-A converter which, in theory at least, improves the sound quality. Nonetheless, the slightly "gritty" nature of the samples could be considered one of the instrument's charms. The W-30 is compatible with the sound library of the Roland S-50, S330 & S550 dedicated samplers, which are now in the public domain.
Expansion The workstation's back panel features a blanking-plate labelled SCSI. This allowed the very rare "KW30 SCSI kit" upgrade to be fitted. The KW30 gave the W-30 the ability to behave as a SCSI Master device, and drive SCSI hard drives and CD-ROM players through a standard 25-pin SCSI cable. Copying samples to a SCSI hard drive (maximum usable capacity: 80Mb) dramatically reduces load time compared to the built-in 3.5" floppy disk drive.
Notable users Erick Sermon Liam Howlett of The Prodigy used the W-30 as his main songwriting device until 1997's The Fat of the Land and on-stage as a master keyboard up until 2008 Steve Hillier of Dubstar programmed the entirety of the band's first album Disgraceful on a W-30. It was retired for the band's first European tour in 1996 Andrés Bobe of La Ley programmed the keyboards and sequences from 1990 to 1994, mostly for the album Doble Opuesto DJ Paul of Three 6 Mafia created the gritty, 90s proto-trap sound by re-sampling the groups' hooks to be used across many of their releases. DJ Paul still uses the W-30 to this day. Hiroyuki Iwatsuki used the W-30 to write the music for the SNES game Wild Guns. Luis Alberto Spinetta's 1991 album Pelusón of Milk was produced mostly on his W-30 at home, while "waiting for Vera", his daughter, to be born Project Pitchfork used it on the albums Dhyani, Lam-'Bras, Entities, Io, Alpha Omega. Jason Novak used the W-30 in the early years of Acumen Nation and DJ? Acucrack, and later Cocksure, with Chris Connelly. Matt Elliott as The Third Eye Foundation used the W-30 as a sampler and sequencer for his album Ghost.
References
External links W-30 / S-50 / S-550 Homepage - samples, DIYs and reference materials

