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San Giovanni Fuoricivitas

San Giovanni Fuoricivitas is a engineering topic covered in the lgStudy science library. This page brings together a partial reference excerpt, illustrations, worked examples, real-world applications and a short study plan, so you can understand San Giovanni Fuoricivitas rather than just read about it. In short: San Giovanni Fuoricivitas (also called San Giovanni Evangelista Fuorcivitas or Forcivitas) is a Romanesque religious church and adjacent buildings in Pistoia, Tuscany, central Italy. The adjective fuoricivitas (a mix of Italian and Latin meaning "outside the city") refers to it location, outside of the first set of city walls, when it was founded during the era of Lombard rule in Italy.

San Giovanni Fuoricivitas — main illustration
San Giovanni Fuoricivitas — illustration

Key takeaways

  • San Giovanni Fuoricivitas belongs to engineering; place it in that map before memorising details.
  • Learn the definition first, then one example that makes the definition concrete.
  • Connect San Giovanni Fuoricivitas to a quantity you can measure, compute or draw — that is where exam questions come from.
  • Reproduce the core statement of San Giovanni Fuoricivitas from memory before moving on to harder problems.

Reference excerpt

San Giovanni Fuoricivitas (also called San Giovanni Evangelista Fuorcivitas or Forcivitas) is a Romanesque religious church and adjacent buildings in Pistoia, Tuscany, central Italy. The adjective fuoricivitas (a mix of Italian and Latin meaning "outside the city") refers to it location, outside of the first set of city walls, when it was founded during the era of Lombard rule in Italy.

History No traces remain of the original Lombard edifice. The first document mentioning the church dates to 1119, when the church was described by Bishop Ildebrand as "nearly in ruins". In his Guide to Pistoia, the author Tolomei cites references to this church as a priory in either 12th or 13th century. Others mention it was likely a collegiate church before that time. The current building was most likely begun soon afterward, erected in the typical orientation with apse to the west. Construction lasted until 1344. The church was severely damaged by the Allied bombings during World War II, and has undergone meticulous restoration during 1960 through the 1990s.

Description

Exterior and cloister The appearance of the edifice is mostly defined by its northern side, originally parallel to now disappeared walls. The southern side faces the cloister, while the apse side and the façade are barely visible due to nearby structures. The northern flank has most of the external decorations, including a rich portal with a sculpted architrave depicting the Last Supper, signed and dated (1166) by the master Gruamonte. this sculptor also completed a portal in the church of Sant'Andrea. The pattern of the wall is typical of other buildings in Pistoia, and inspired by the contemporary Pisan Romanesque: it features rows of small arcades on small or blind columns with small windows and lozenges inscribed within the arches. The stones used, white and green in color, are respectively marble and serpentine from Prato. During the last medieval enlargement, the church received its current plan with a single hall and a rectangular apse, incorporating the former northern wing of the cloister. What remains of the latter, dating to the 12th century, is today the only example in Pistoia of a Romanesque structure in mixed stone and brickwork construction. The small columns are in stone, decorated with capitals featuring heads of lions and oxen, while the arches and the walls are in brickwork. In the 14th century it received a second floor with a loggia.

Interior Left of the entrance, on the northern wall, is a white ceramic glaze depicting the Visitation, by Luca della Robbia. It is the oldest surviving example of the use of this technique in his workshop, aside from friezes or bas-reliefs. The work, originally featuring gilded decorations on the hair and the clothes, was commissioned in 1445 by the Fioravanti family of Pistoia. It was probably located then on the side opposite its present one.

The holy water font in the middle of the nave is from the 12th-13th century, attributed (in the upper part) to Giovanni Pisano. It depicts the Cardinal virtues, supported by caryatids of the three Theological virtues, and is attributed to a pupil of Nicola Pisano. On the southern walls is the ambon, sculpted by Fra Guglielmo da Pisa, but also thought to have been a collaboration completed along with Arnolfo di Cambio. Executed and signed in 1270, it was initially located in the Romanesque presbytery, and moved to its present position in 1778. The high-relief sculptures in Apuan marble originally had a polychrome glass background, now mostly lost. At the steps of the columns are sculptures of lions. In the presbytery is a polyptych by Taddeo Gaddi (1350–1353) depicting the Virgin and Child with Saints James, John the Evangelist, Peter and John the Baptist. Above the main figures, inscribed within Gothic-style small arches and twisted columns, are other figures of saints; in the upper frame is an Annunciation within a mullioned window, surmounted by the Eternal Father. The frescoes in the choir are from 1307, with scenes of the story of the Passion, attributed to the Master of 1310. The church houses also a 13th-century crucifix.

Sources Ferrali, S. (1970). "S. Giovanni Fuorcivitas". Il patrimonio artistico di Pistoia e del suo territorio: Catalogo storico descrittivo. Pistoia.{{cite book}}: CS1 maint: location missing publisher (link)

References

External links

Page at the comune of Pistoia website (in Italian)

Illustrations

San Giovanni Fuoricivitas: Side view of the church.
Side view of the church.
San Giovanni Fuoricivitas: Luca della Robbia's Visitation, Commissioned by the Fioravanti family 1445
Luca della Robbia's Visitation, Commissioned by the Fioravanti family 1445
San Giovanni Fuoricivitas: Taddeo Gaddi's polyptych, ca. 1350–53
Taddeo Gaddi's polyptych, ca. 1350–53

Worked examples

Example 1 — a first encounter with San Giovanni Fuoricivitas

Start with the simplest possible case. Write down what San Giovanni Fuoricivitas claims or describes in one sentence, then invent the smallest concrete situation in which that sentence is true. In engineering, the smallest case is usually a single object, a single equation or a single measurement. Check that every symbol or term in your sentence has a meaning in that case.

Example 2 — changing one variable

Take the situation from Example 1 and change exactly one quantity: double it, halve it, or set it to zero. Predict what should happen to San Giovanni Fuoricivitas before you calculate. Comparing your prediction with the result is the fastest way to find out whether you understand the idea or only the words.

Example 3 — an exam-style question

Typical questions about San Giovanni Fuoricivitas ask you to (a) state it precisely, (b) apply it to given data, and (c) explain a limitation. Practise writing all three answers in under five minutes; the third part is what separates a full-mark answer from an average one.

Applications of San Giovanni Fuoricivitas

In research
San Giovanni Fuoricivitas appears in engineering research whenever the underlying quantities have to be modelled precisely. Papers usually cite it as a starting assumption and then explore where it breaks down.
In technology and industry
Engineering practice reuses San Giovanni Fuoricivitas in design rules, simulations and safety margins. Knowing the idea lets you read a specification sheet and understand why the numbers look the way they do.
In the classroom
San Giovanni Fuoricivitas is common in secondary-school and first-year university syllabi. It links to neighbouring topics 14th-century Roman Catholic church buildings in Italy, Buildings and structures completed in 1344, Churches completed in the 1340s, so understanding it makes those chapters shorter.
In everyday life
Look for San Giovanni Fuoricivitas outside the textbook — in sport, cooking, traffic, electronics or the sky above you. An example you found yourself is remembered far longer than one you were given.
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How to study San Giovanni Fuoricivitas in 20 minutes

  1. Read the reference excerpt below once, without taking notes.
  2. Close the page and write down what San Giovanni Fuoricivitas means in your own words.
  3. Compare your version with the excerpt and mark what you missed.
  4. Work through the three examples above with pen and paper.
  5. Explain San Giovanni Fuoricivitas out loud to somebody else — or to Teacher Smith in the lgStudy chat.

Frequently asked questions

What is San Giovanni Fuoricivitas in simple terms?

San Giovanni Fuoricivitas (also called San Giovanni Evangelista Fuorcivitas or Forcivitas) is a Romanesque religious church and adjacent buildings in Pistoia, Tuscany, central Italy. The adjective fuoricivitas (a mix of Italian and Latin meaning "outside the city") refers to it location, outside of…

Why does San Giovanni Fuoricivitas matter?

Because it connects several engineering ideas at once: it gives you a definition you can apply, a quantity you can calculate, and a way to check whether a result is plausible.

How should I study San Giovanni Fuoricivitas?

Read the excerpt, restate it from memory, then work through the examples and applications listed on this page. The five-step study plan above takes about twenty minutes.

What does this page cover?

It gives you a compact reference excerpt plus original lgStudy explanations, examples, applications and study material on San Giovanni Fuoricivitas.

Tags

  • 14th-century Roman Catholic church buildings in Italy
  • Buildings and structures completed in 1344
  • Churches completed in the 1340s
  • Roman Catholic church buildings in Pistoia
  • Romanesque architecture in Pistoia

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