Sandhi ( san-DEE; Sanskrit: सन्धि, lit. 'joining', pronounced [sɐnˈdʱi]) is any of a wide variety of sound changes that occur at morpheme or word boundaries. Examples include fusion of sounds across word boundaries and the alteration of one sound depending on nearby sounds or the grammatical function of the adjacent words. Sandhi belongs to morphophonology. Sandhi occurs in many languages, e.g. in the phonology of Indian languages (especially Sanskrit, Tamil, Sinhala, Telugu, Marathi, Hindi, Pali, Kannada, Odia, Bengali, Assamese and Malayalam). Many dialects of British English show linking and intrusive R. Tone sandhi in particular defines tone changes affecting adjacent words and syllables. This is a common feature of many tonal languages such as Burmese and Chinese.
Types
Internal and external sandhi Sandhi can be either:
internal, at morpheme boundaries within words, such as syn- + pathy: sympathy, or external, at word boundaries, such as the pronunciation "tem books" for ten books in some dialects of English. The linking /r/ process of some dialects of English ("I saw-r-a film" in British English) is a kind of external sandhi, as are French liaison (pronunciation of usually silent final consonants of words before words beginning with vowels) and Italian raddoppiamento fonosintattico (lengthening of initial consonants of words after certain words ending in vowels). It may be extremely common in speech, but sandhi (especially external) is typically ignored in spelling, as is the case in English (exceptions: the distinction between a and an; the prefixes con-, en-, in- and syn-, whose n assimilates to m before p, m or b). Sandhi is, however, reflected in the orthography of Sanskrit, Sinhala, Telugu, Marathi, Pali and some other Indian languages, as with Italian in the case of compound words with lexicalised syntactic gemination. External sandhi effects can sometimes become morphologised (apply only in certain morphological and syntactic environments) as in Tamil and, over time, turn into consonant mutations.
Tone sandhi Most tonal languages have tone sandhi in which the tones of words alter according to certain rules. An example is the behavior of Mandarin Chinese; in isolation, tone 3 is often pronounced as a falling-rising tone. When a tone 3 occurs before another tone 3, however, it changes into tone 2 (a rising tone), and when it occurs before any of the other tones, it is pronounced as a low falling tone with no rise at the end. An example occurs in the common greeting 你好 nǐ hǎo (with two words containing underlying tone 3), which is in practice pronounced ní hǎo. The first word is pronounced with tone 2, but the second is unaffected.
Examples
Celtic languages
In Celtic languages, the consonant mutation sees the initial consonant of a word change according to its morphological or syntactic environment. Following are some examples from Breton, Irish, Scottish Gaelic, and Welsh:
Portuguese
When two words belonging to the same phrase are pronounced together, or two morphemes are joined in a word, the last sound in the first may be affected by the first sound of the next (sandhi), either coalescing with it, or becoming shorter (a semivowel), or being deleted. This affects especially the sibilant consonants /s/, /z/, /ʃ/, /ʒ/, and the unstressed final vowels /ɐ/, /i, ɨ/, /u/.
Consonant sandhi As was mentioned above, the dialects of Portuguese can be divided into two groups, according to whether syllable-final sibilants are pronounced as postalveolar consonants /ʃ/, /ʒ/ or as alveolar /s/, /z/. At the end of words, the default pronunciation for a sibilant is voiceless, /ʃ, s/, but in connected speech the sibilant is treated as though it were within a word (assimilation):
If the next word begins with a voiceless consonant, the final sibilant remains voiceless /s, ʃ/; bons tempos [bõʃ ˈtẽpuʃ] or [bõs ˈtẽpus] ('good times'). If the next word begins with a voiced consonant, the final sibilant becomes voiced as well /z, ʒ/; bons dias [bõʒ ˈdiɐʃ] or [bõz ˈdʒiɐs] ('good days'). If the next word begins with a vowel, the final sibilant is treated as intervocalic, and pronounced [z]; bons amigos [bõz ɐˈmiɣuʃ] or [bõz aˈmiɡus] ('good friends'). When two identical sibilants appear in sequence within a word, they reduce to a single consonant. For example, nascer, desço, excesso, exsudar are pronounced with [s] by speakers who use alveolar sibilants at the end of syllables, and disjuntor is pronounced with [ʒ] by speakers who use postalveolars. But if the two sibilants are different they may be pronounced separately, depending on the dialect. Thus, the former speakers will pronounce the last example with [zʒ], whereas the latter speakers will pronounce the first examples with [s] if they are from Brazil or [ʃs] if from Portugal (although in relaxed pronunciation one of the siblants may be dropped). This applies also to words that are pronounced together in connected speech:
sibilant + /s/, e.g., as sopas: either [s] (most of Brazil); [ʃs] (Portugal, standard) sibilant + /z/, e.g., as zonas: either [z] (mostly in Brazil); [ʒz] (Portugal, standard) sibilant + /ʃ/, e.g., as chaves: always [ʃ]; sibilant + /ʒ/, e.g., os genes: always [ʒ].
Vowel sandhi Normally, only the three vowels /ɐ/, /i/ (in BP) or /ɨ/ (in EP), and /u/ occur in unstressed final position. If the next word begins with a similar vowel, they merge with it in connected speech, producing a single vowel, possibly long (crasis). Here, "similar" means that nasalization can be disregarded, and that the two central vowels /a, ɐ/ can be identified with each other. Thus,
/aa, aɐ, ɐa, ɐɐ/ → [a(ː)] (henceforth transcribed [a (a)]); toda a noite [ˈtoða (a)ˈnojtɨ] or [ˈtoda (a) ˈnojtʃi] ('all night'), nessa altura [ˈnɛs awˈtuɾɐ] or [ˈnɛs alˈtuɾɐ] ('at that point'). /aɐ̃, ɐɐ̃/ → [ã(ː)]) (henceforth transcribed [ã (ã)]); a antiga ('the ancient one') and à antiga ('in the ancient way'), both pronounced [ã (ã)ˈtʃiɡɐ] or [ã (ã)ˈtiɣɐ]. The open nasalized [ã] appears only in this environment. /ii, iĩ/ → [i(ː), ĩ(ː)] (henceforth transcribed [i (i), ĩ (ĩ)]); de idade [dʒi (i)ˈdadʒi] or [di (i)ˈðaðɨ] ('aged'). /ɨɨ/ → [ɨ]; fila de espera [ˈfilɐ ðɨʃˈpɛɾɐ] ('waiting line') (EP only). /uu, uũ/ → [u(ː), ũ(ː)] (henceforth transcribed [u (u), ũ (ũ)]); todo o dia [ˈtodu (u)ˈdʒiɐ] or [ˈtoðu (u) ˈðiɐ] ('all day'). If the next word begins with a dissimilar vowel, then /i/ and /u/ become approximants in Brazilian Portuguese (synaeresis):
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