A seal is a device for making an impression in wax, clay, paper, or some other medium, including an embossment on paper, and is also the impression thus made. The original purpose was to authenticate a document, or to prevent interference with a package or envelope by applying a seal which had to be broken to open the container (hence the modern English verb "to seal", which implies secure closing without an actual wax seal). The seal-making device is also referred to as the seal matrix or die; the imprint it creates as the seal impression (or, more rarely, the sealing). If the impression is made purely as a relief resulting from the greater pressure on the paper where the high parts of the matrix touch, the seal is known as a dry seal; in other cases ink or another liquid or liquefied medium is used, in another color than the paper. In most traditional forms of dry seal the design on the seal matrix is in intaglio (cut below the flat surface) and therefore the design on the impressions made is in relief (raised above the surface). The design on the impression will reverse (be a mirror-image of) that of the matrix, which is especially important when script is included in the design, as it very often is. This will not be the case if paper is embossed from behind, where the matrix and impression read the same way, and both matrix and impression are in relief. However engraved gems were often carved in relief, called cameo in this context, giving a "counter-relief" or intaglio impression when used as seals. The process is essentially that of a mould. Most seals have always given a single impression on an essentially flat surface, but in medieval Europe two-sided seals with two matrices were often used by institutions or rulers (such as towns, bishops and kings) to make two-sided or fully three-dimensional impressions in wax, with a "tag", a piece of ribbon or strip of parchment, running through them. These "pendent" seal impressions dangled below the documents they authenticated, to which the attachment tag was sewn or otherwise attached (single-sided seals were treated in the same way). In the United States, the word "seal" is sometimes assigned to a facsimile of the seal design (in monochrome or color), which may be used in a variety of contexts including architectural settings, on flags, or on official letterheads. Thus, for example, the Great Seal of the United States, among other uses, appears on the reverse of the one-dollar bill; and several of the seals of the U.S. states appear on their respective state flags. In Europe, although coats of arms and heraldic badges may well feature in such contexts as well as on seals, the seal design in its entirety rarely appears as a graphical emblem and is used mainly as originally intended: as an impression on documents. The study of seals is known as sigillography or sphragistics.
Ancient Near East
The stamp seal was a common seal die, frequently carved from stone, known at least since the 6th millennium BC (Halaf culture) and probably earlier. The oldest stamp seals were button-shaped objects with primitive ornamental forms chiseled onto them.
Seals were used in the earliest civilizations and are of considerable importance in archaeology and art history. In ancient Mesopotamia carved or engraved cylinder seals in stone or other materials were used. These could be rolled along to create an impression on clay (which could be repeated indefinitely), and used as labels on consignments of trade goods, or for other purposes. They are normally hollow and it is presumed that they were worn on a string or chain round the neck. Many have only images, often very finely carved, with no writing, while others have both. From ancient Egypt seals in the form of signet rings, including some with the names of kings, have been found; these tend to show only names in hieroglyphics.
Ancient Greece and Rome
From the beginning of the 3rd millennium BC until the Middle Ages, seals of various kinds were in production in the Aegean islands and mainland Greece. In the Early Minoan age these were formed of soft stone and ivory and show particular characteristic forms. By the Middle Minoan age a new set for seal forms, motifs and materials appear. Hard stone requires new rotary carving techniques. The Late Bronze Age is the time par excellence of the lens-shaped seal and the seal ring, which continued into the Archaic, Classical and Hellenistic periods, in the form of pictorial engraved gems. These were a major luxury art form and became keenly collected, with King Mithridates VI of Pontus the first major collector according to Pliny the Elder. His collection fell as booty to Pompey the Great, who deposited it in a temple in Rome. Engraved gems continued to be produced and collected until the 19th century. Pliny also explained the significance of the signet ring, and how over time this ring was worn on the little finger.
East Asia
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