ArticleslgStudy

science

Self-Portrait in a Convex Mirror (Parmigianino)

Self-Portrait in a Convex Mirror (Parmigianino) is a science topic covered in the lgStudy science library. This page brings together a partial reference excerpt, illustrations, worked examples, real-world applications and a short study plan, so you can understand Self-Portrait in a Convex Mirror (Parmigianino) rather than just read about it. In short: Self-Portrait in a Convex Mirror (c. 1524) is a painting by the Italian late Renaissance artist Parmigianino. It is housed in the Kunsthistorisches Museum, Vienna, Austria.

Self-Portrait in a Convex Mirror (Parmigianino) — main illustration
Self-Portrait in a Convex Mirror (Parmigianino) — illustration

Key takeaways

  • Self-Portrait in a Convex Mirror (Parmigianino) belongs to science; place it in that map before memorising details.
  • Learn the definition first, then one example that makes the definition concrete.
  • Connect Self-Portrait in a Convex Mirror (Parmigianino) to a quantity you can measure, compute or draw — that is where exam questions come from.
  • Reproduce the core statement of Self-Portrait in a Convex Mirror (Parmigianino) from memory before moving on to harder problems.

Reference excerpt

Self-Portrait in a Convex Mirror (c. 1524) is a painting by the Italian late Renaissance artist Parmigianino. It is housed in the Kunsthistorisches Museum, Vienna, Austria.

History The work is mentioned by Late Renaissance art biographer Giorgio Vasari, who lists it as one of three small-size paintings that the artist brought to Rome with him in 1525. Vasari relays that the self-portrait was created by Parmigianino as an example to showcase his talent to potential customers. The portrait was donated to pope Clement VII, and later to writer Pietro Aretino, in whose house Vasari himself, then still a child, saw it. It was later acquired by Vicentine sculptor Valerio Belli and, after his death in 1546, by his son Elio. Through the intercession of Andrea Palladio, in 1560 the work went to Venetian sculptor Alessandro Vittoria, who bequeathed it to emperor Rudolf II. It arrived in Prague in 1608, and later it became part of the Habsburg imperial collections in Vienna (1777), although attributed to Correggio.

Description The painting depicts the young artist (then twenty-one) in the middle of a room, distorted by the use of a convex mirror. The hand in the foreground is greatly elongated and distorted by the mirror. The work was painted on a specially prepared convex panel in order to mimic the curve of the mirror used. "Along the very right edge of the composition the artist has even included an indication of the gilded wooden frame containing the portrait he is ostensibly working on, made visible by the acute angle of the mirror’s surface.... The sheen of the mirror is evoked in the lustrous tone of the artist’s forehead and right cheek; the texture of his garments by a range of brushstrokes.... As a support for the portrait, the artist even used a curved wooden panel that mimics the precise shape and size of the convex mirror he used to view his reflection".

See also Self-portrait Self-Portrait in a Convex Mirror by John Ashbery: the portrait is the subject of a long poem in a poetry collection by Ashbery, both the poem and the collection of the same name. The book won all three of the major prizes awarded to collections by American poets.

References

Sources Viola, Luisa (2007). Parmigianino. Parma: Grafiche Step.

External links

Page at the museum's website (in German) Parmigianino's Self-Portrait in a Convex Mirror, video at Smarthistory at Khan Academy

Illustrations

Self-Portrait in a Convex Mirror (Parmigianino) illustration

Worked examples

Example 1 — a first encounter with Self-Portrait in a Convex Mirror (Parmigianino)

Start with the simplest possible case. Write down what Self-Portrait in a Convex Mirror (Parmigianino) claims or describes in one sentence, then invent the smallest concrete situation in which that sentence is true. In science, the smallest case is usually a single object, a single equation or a single measurement. Check that every symbol or term in your sentence has a meaning in that case.

Example 2 — changing one variable

Take the situation from Example 1 and change exactly one quantity: double it, halve it, or set it to zero. Predict what should happen to Self-Portrait in a Convex Mirror (Parmigianino) before you calculate. Comparing your prediction with the result is the fastest way to find out whether you understand the idea or only the words.

Example 3 — an exam-style question

Typical questions about Self-Portrait in a Convex Mirror (Parmigianino) ask you to (a) state it precisely, (b) apply it to given data, and (c) explain a limitation. Practise writing all three answers in under five minutes; the third part is what separates a full-mark answer from an average one.

Applications of Self-Portrait in a Convex Mirror (Parmigianino)

In research
Self-Portrait in a Convex Mirror (Parmigianino) appears in science research whenever the underlying quantities have to be modelled precisely. Papers usually cite it as a starting assumption and then explore where it breaks down.
In technology and industry
Engineering practice reuses Self-Portrait in a Convex Mirror (Parmigianino) in design rules, simulations and safety margins. Knowing the idea lets you read a specification sheet and understand why the numbers look the way they do.
In the classroom
Self-Portrait in a Convex Mirror (Parmigianino) is common in secondary-school and first-year university syllabi. It links to neighbouring topics 1520s in Italy, 1524 paintings, Mirrors in art, so understanding it makes those chapters shorter.
In everyday life
Look for Self-Portrait in a Convex Mirror (Parmigianino) outside the textbook — in sport, cooking, traffic, electronics or the sky above you. An example you found yourself is remembered far longer than one you were given.
Ask Teacher Smith questions about this articleOpens your AI tutor with a question about “Self-Portrait in a Convex Mirror (Parmigianino)” →

Affiliate

Preply — study more efficiently by working with a personal tutor. 50% off.

How to study Self-Portrait in a Convex Mirror (Parmigianino) in 20 minutes

  1. Read the reference excerpt below once, without taking notes.
  2. Close the page and write down what Self-Portrait in a Convex Mirror (Parmigianino) means in your own words.
  3. Compare your version with the excerpt and mark what you missed.
  4. Work through the three examples above with pen and paper.
  5. Explain Self-Portrait in a Convex Mirror (Parmigianino) out loud to somebody else — or to Teacher Smith in the lgStudy chat.

Frequently asked questions

What is Self-Portrait in a Convex Mirror (Parmigianino) in simple terms?

Self-Portrait in a Convex Mirror (c. 1524) is a painting by the Italian late Renaissance artist Parmigianino. It is housed in the Kunsthistorisches Museum, Vienna, Austria.

Why does Self-Portrait in a Convex Mirror (Parmigianino) matter?

Because it connects several science ideas at once: it gives you a definition you can apply, a quantity you can calculate, and a way to check whether a result is plausible.

How should I study Self-Portrait in a Convex Mirror (Parmigianino)?

Read the excerpt, restate it from memory, then work through the examples and applications listed on this page. The five-step study plan above takes about twenty minutes.

What does this page cover?

It gives you a compact reference excerpt plus original lgStudy explanations, examples, applications and study material on Self-Portrait in a Convex Mirror (Parmigianino).

Tags

  • 1520s in Italy
  • 1524 paintings
  • Mirrors in art
  • Paintings in the Kunsthistorisches Museum
  • Portraits by Parmigianino
  • Portraits of men
  • Self-portraits

Keep exploring