Sharabha (Sanskrit: शरभ, Śarabha) or Sarabha is an eight-legged part-lion and part-bird deity in Hindu religion, who is described as more powerful than a lion or an elephant, possessing the ability to clear a valley in one jump in Sanskrit literature. In later literature, Sharabha is described as an eight-legged deer. The Shaiva scriptures narrate that the deity Shiva assumed the form of Sharabha to pacify Narasimha - the fierce man-lion avatar of Vishnu worshipped by the Vaishnava sect. This form is popularly known as Sharabheshvara ("Lord Sharabha") or Sharabheshvaramurti. Vaishnavas try to refute the portrayal of Narasimha as being destroyed by Sharabha Shiva, and regard Sharabha as a name of Vishnu. Some Vaishnava states that Vishnu assumed the form of the ferocious two-headed bird Gandabherunda, who in turn defeated Sharabha. In Buddhism, Sharabha appears in Jataka Tales as an earlier birth of the Buddha. It also appears in Tibetan Buddhist art, symbolizing the perfection of effort. As a figure of power and majesty, Sharabha has appeared in numerous emblems.
Development and iconography In early Sanskrit literature, Sharabha is initially described as an aggressive beast that roared and scared other animals in the hills and forest areas. In the later Hindu epic Mahabharata, Sharabha was described as a lion-slaying being with eight legs, eyes on the top; living in the forest and which ate raw flesh. It is also mentioned as residing on Mount Krauncha but not as a monster. In another account, Sharabha is an ordinary beast residing along with lions and tigers on Mount Gandhamadana. The epic also includes Sharabha in the list of edible animals - the mrigajatis- the animal group of antelope, deer, hare, bear, ruru deer, sambar, gayal, boar, and buffalo - which was offered as part of food at dinner to guests. Sharabha appears primarily as the incarnation of the god Shiva, as a name of a monkey-king in the epic Ramayana, also as a proper name of heroes and serpent Nāgas and one of the names of god Vishnu as well as the Buddha. Similies in Sanskrit literature compare warriors to Sharabha. In defining the ecological theme in Hindu medicine related to jungle and the aroma of meats, Sharabha has also been listed among the deer natives of Kashmir in Dalhana's 12th century commentary on the Sushruta Samhita. However, the features explained are of an eight legged animal of the size of a camel with huge horns and conjectured as a large Himalayan goat.
Shiva's incarnation In Puranic literature, Sharabha is associated with the god Shiva and incarnates to subdue fierce manifestations of Vishnu. The legend of Sharabha fighting Narasimha - the man-lion form of Vishnu - brings to fore the overt rivalry between the devotees of Vishnu (Vaishnava sect) and those of Shiva (Shaiva sect), which exposes the fierce debate aspect. The Shiva Purana describes Sharabha as lion-faced, with matted hair, wings and eight feet, and a thousand arms. The Sharabha Upanishad portrays Sharabha with two heads, two wings, eight legs of the lion with sharp claws and a long tail. The Kalika Purana describes Sharabha as black in colour, with four feet downwards and four feet uplifted, with an enormous body. It also has a long face and nose, nails, eight legs, eight tusks, a cluster of manes, and a long tail. It jumps high repeatedly making a loud cry.
The iconography of Sharabheshvaramurti (Shiva as Sharabha) is specifically defined in texts such as Kamikagama and Sritattvanidhi. In Kamikagama, Sharabha is described in the form of a bird with golden color, with two uplifted wings, two red eyes, four legs in the form of a lion touching the ground, four legs with claws upwards, and with an animal tail. The top part of the body is shown as human but with the face of a lion with an ornamented crown; side tusks are also depicted giving an overall frightening sight. It also shows the Narasimha beneath Sharabha's legs as a lion-faced human with anjali (hands folded prayer gesture). (See Infobox image) In the Sritattvanidhi, the depiction prescribed for Sharabheshvaramurti is of thirty arms; arms on the right are to hold thunderbolt, mushti, abhaya, chakra (discus), sakti, staff, goad, sword, khatvanga, axe, akshamala, a bone, bow, musala, and fire; and the left hands to display noose, varada, mace, arrow, flag, and another type of sword, a snake, a lotus flower, skull-cup, pustaka, plough, and mrudanga with one hand encircling Durga in a hug. This form is extolled to usher good luck, cure all diseases and destroy all enemies. The Chola dynasty in Tamil Nadu was particularly favourable to the beliefs of Shaiva sect. It is said that the sectarian aspect got highlighted during their reign. This is evident from the four Sharabha images, the earliest at the Vikramsolishwaram temple near Kumbakonam built by Vikrama Chola (1118–35). The other images are at Darasuram and Kampahareshvarar temple, Thirubuvanam built by a Chola ruler, Kulottunga Chola III where Sharabha's image is housed in a separate shrine. A sculpture of Sharbeshwaramurti in the Tribhuvanam temple, a Shiva temple in Tanjore district, in Tamil Nadu is seen with three legs, with body and face of a lion and a tail. It has four human arms, the right upper hand holds axe, noose is held in the lower right hand, the deer in the upper left hand and fire in the lower left hand. Narasimha is shown with eight arms, flaying and struggling under Sharbeshwaramurti's feet. In the Airavatesvara Temple at Darasuram, a rare image of the Chola period, in black basalt, depicts Shiva as Sharabha. It is deified in an exclusive small shrine, as part man, beast and bird, destroying the man-lion incarnation of Vishnu, Narasimha. This highlights the hostility between the Shaiva and Vaishnava sects. In Chennakeshava Temple, Belur, Karnataka, built in 1113, Gandaberunda, the two-faced bird identified with Vishnu appears in a carved scene of animal mutilation. Initially, a deer is prey to a large python, which is then lifted by an elephant and results in the lion attacking the elephant. The lion is then shown as being devoured by Sharabha, with the last scene depicting Gandaberunda destroying Sharabha. In iconographic representations of the myth of Shiva vis-à-vis Vishnu, Sharabha form has been built around Narasimha but substantially embellished with wings to represent Kali and Durga to denote the female powers (shaktis) of Shiva; Sharabha is also shown with a bird head and a serpent in his beak.
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