A single-ended triode (SET) is a vacuum tube electronic amplifier that uses a single triode to produce an output, in contrast to a push–pull amplifier which uses a pair of devices with antiphase inputs to generate an output with the wanted signals added and the distortion components subtracted. Single-ended amplifiers normally operate in Class A; push–pull amplifiers can also operate in Classes AB or B without excessive net distortion, due to cancellation. The term single-ended triode amplifier is mainly used for output stages of audio power amplifiers. The phrase directly heated triode single-ended triode amplifier (abbreviated to DHT SET) is used when directly heated triodes are used. There are also single-ended tetrode, beam tetrode/beam power tube/kinkless tetrode, and pentode amplifiers with the same functionality and similar circuitry; e.g. this Mullard design.
Audio power amplifiers A typical triode audio power amplifier will have a driver that provides voltage gain, coupled to a triode (like 2A3 and 300B) or a pentode or kinkless tetrode such as EL34 or KT88 connected as a triode, connected to the loudspeaker through an audio transformer in a common cathode arrangement. The triode is biased to Class A operation by applying a suitable negative bias voltage to its input control grid (see diagram), or by raising the cathode potential with biasing components.
In traditional SET amp, the direct current of output triode (from 30 mA for triode-strapped 6V6 to 250 mA for 6C33C) flows continuously through the primary winding of a transformer. This requires inserting a gap in the transformer core to prevent core saturation by DC current; adding a gap decreases primary inductance and limits bass response; the inductance and bass response can be restored by using a larger transformer than if the DC were not present. An alternative schematic, parafeed amplifier, solves bandwidth problem by blocking direct current from output transformer (which does not need to be gapped, thus improving its bass response). Power supply is reconfigured into a constant current source, usually with a massive, high-inductance anode choke (gapped inductor), so there is little, if any, gain in cost and weight of magnetic components. A stereo class A single-ended design with KT88 kinkless tetrodes which produces 15W of output power per channel, and 5W when triode-connected, is the Antique Sound Lab MG-SI15DT. By comparison a pair of the same tubes in class AB push–pull claim to output about 50W at 1% distortion (higher powers at high distortion are quoted for guitar amplifiers).
Benefits Simplicity. An audio amplifier cannot be much simpler than a Class A single-ended. Overall low harmonic distortion with small signals. By nature Class A amplifiers do not suffer from crossover distortion. Small roaming of anode bias current does not do anything catastrophic.
Drawbacks Low efficiency. All Class A amplifiers consume full power regardless of the signal amplitude. Second harmonic distortion at high signal level is a normal feature of single-ended amplifiers. (Not all consider this a drawback. Some audio enthusiasts find even order harmonics to be pleasing to the ear and more natural sounding.) Compared to the amplifier's low power the output transformer is heavy and expensive.
Speaker matching Historically, negative feedback in single ended pentode amplifiers was quite common (for example, the Mullard 3-3 design built around EL84). Today negative feedback is less popular with SET amplifiers, with many having no overall feedback loop. Their frequency response, limited by transformer passband, is then modulated by irregularities in loudspeaker impedance. This, and the very low attainable power levels (3 Watts for 2A3 to 20 Watts for 6C33C), requires careful matching of amplifier to speakers; selection is usually limited to high-efficiency loudspeakers with a sensitivity exceeding 90 dB/Watt.
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