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Social history of the piano

Social history of the piano is a science topic covered in the lgStudy science library. This page brings together a partial reference excerpt, illustrations, worked examples, real-world applications and a short study plan, so you can understand Social history of the piano rather than just read about it. In short: The social history of the piano is the history of the instrument's role in society. The piano was invented at the end of the 17th century, had become widespread in Western society by the end of the 18th, and is still widely played today.

Social history of the piano — main illustration
Social history of the piano — illustration

Key takeaways

  • Social history of the piano belongs to science; place it in that map before memorising details.
  • Learn the definition first, then one example that makes the definition concrete.
  • Connect Social history of the piano to a quantity you can measure, compute or draw — that is where exam questions come from.
  • Reproduce the core statement of Social history of the piano from memory before moving on to harder problems.

Reference excerpt

The social history of the piano is the history of the instrument's role in society. The piano was invented at the end of the 17th century, had become widespread in Western society by the end of the 18th, and is still widely played today.

Early years At the time of its origin around the year 1700, the piano was a speculative invention, produced by the well-paid craftsman and inventor Bartolomeo Cristofori for his wealthy patron Ferdinando de Medici, Grand Prince of Florence. As such, it was an extremely expensive item. For some time after its invention, the piano was largely owned by royalty (e.g. the kings of Portugal and Prussia); see Fortepiano for details. Even later on, (i.e. throughout the 18th and early 19th centuries), pianos were financially beyond the reach of most families, and the pianos of those times were generally the property of the gentry and the aristocracy. Visiting music masters taught their children to play the piano. Gravicembalo col piano e forte was the original name for the piano it means, The harpsichord with soft and loud, in Italian.

Pianos and women Both Parakilas and Loesser emphasize a connection during this period between pianos and the female gender; piano study was apparently more common for girls than boys. Despite this, women were discouraged from playing the piano professionally and were encouraged not to take their musical aspirations too seriously. Nevertheless, women were considered more attractive and desirable if they could play the piano. The piano was a symbol of social status, and the ability to play the piano stood as a testament to a woman's marriageability.

Women who had learned to play as children often continued to play as adults, thus providing music in their households. For instance, Emma Wedgwood (1808–1896), the granddaughter of the wealthy industrialist Josiah Wedgwood, took piano lessons from Frédéric Chopin and apparently achieved a fair level of proficiency. Following her marriage to Charles Darwin, Emma still played the piano daily, while her husband listened appreciatively. A number of female piano students became outright virtuose, and the skills of women pianists inspired the work of Haydn, Mozart, and Beethoven, who dedicated difficult-to-play works to their female friends. However, careers as concert musicians were typically open only to men (an important exception was Clara Schumann).

The spread of the piano in Europe

… excerpt ends here. Continue reading the full article.

Illustrations

Social history of the piano: "Jeunes filles au piano" ("Girls at the Piano" by Pierre-Auguste Renoir, painted in 1892. Musée d’Orsay, Paris.
"Jeunes filles au piano" ("Girls at the Piano" by Pierre-Auguste Renoir, painted in 1892. Musée d’Orsay, Paris.
Social history of the piano: Emma Wedgwood Darwin
Emma Wedgwood Darwin
Social history of the piano: Clara Schumann was an outstanding pianist
Clara Schumann was an outstanding pianist
Social history of the piano: The Piano, by Nakamura Daizaburō, painted in 1926, demonstrating piano playing in Taishō-era Japan.
The Piano, by Nakamura Daizaburō, painted in 1926, demonstrating piano playing in Taishō-era Japan.
Social history of the piano: Steinway Welte-Mignon reproducing piano (1919)
Steinway Welte-Mignon reproducing piano (1919)

Worked examples

Example 1 — a first encounter with Social history of the piano

Start with the simplest possible case. Write down what Social history of the piano claims or describes in one sentence, then invent the smallest concrete situation in which that sentence is true. In science, the smallest case is usually a single object, a single equation or a single measurement. Check that every symbol or term in your sentence has a meaning in that case.

Example 2 — changing one variable

Take the situation from Example 1 and change exactly one quantity: double it, halve it, or set it to zero. Predict what should happen to Social history of the piano before you calculate. Comparing your prediction with the result is the fastest way to find out whether you understand the idea or only the words.

Example 3 — an exam-style question

Typical questions about Social history of the piano ask you to (a) state it precisely, (b) apply it to given data, and (c) explain a limitation. Practise writing all three answers in under five minutes; the third part is what separates a full-mark answer from an average one.

Applications of Social history of the piano

In research
Social history of the piano appears in science research whenever the underlying quantities have to be modelled precisely. Papers usually cite it as a starting assumption and then explore where it breaks down.
In technology and industry
Engineering practice reuses Social history of the piano in design rules, simulations and safety margins. Knowing the idea lets you read a specification sheet and understand why the numbers look the way they do.
In the classroom
Social history of the piano is common in secondary-school and first-year university syllabi. It links to neighbouring topics History of musical instruments, Piano, Social history, so understanding it makes those chapters shorter.
In everyday life
Look for Social history of the piano outside the textbook — in sport, cooking, traffic, electronics or the sky above you. An example you found yourself is remembered far longer than one you were given.
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How to study Social history of the piano in 20 minutes

  1. Read the reference excerpt below once, without taking notes.
  2. Close the page and write down what Social history of the piano means in your own words.
  3. Compare your version with the excerpt and mark what you missed.
  4. Work through the three examples above with pen and paper.
  5. Explain Social history of the piano out loud to somebody else — or to Teacher Smith in the lgStudy chat.

Frequently asked questions

What is Social history of the piano in simple terms?

The social history of the piano is the history of the instrument's role in society. The piano was invented at the end of the 17th century, had become widespread in Western society by the end of the 18th, and is still widely played today.

Why does Social history of the piano matter?

Because it connects several science ideas at once: it gives you a definition you can apply, a quantity you can calculate, and a way to check whether a result is plausible.

How should I study Social history of the piano?

Read the excerpt, restate it from memory, then work through the examples and applications listed on this page. The five-step study plan above takes about twenty minutes.

What does this page cover?

It gives you a compact reference excerpt plus original lgStudy explanations, examples, applications and study material on Social history of the piano.

Tags

  • History of musical instruments
  • Piano
  • Social history

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